A simple, small town man inherits a massive fortune, making him the target for scammers and publicity-seekers. Overwhelmed by the turn his life has taken, and awoken to another use for his new-found fortune, he makes a momentous decision.
After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Naive and idealistic Jefferson Smith, leader of the Boy Rangers, is appointed on a lark by the spineless governor of his state. He is reunited with the state's senior senator--presidential hopeful and childhood hero, Senator Joseph Paine. In Washington, however, Smith discovers many of the shortcomings of the political process as his earnest goal of a national boys' camp leads to a conflict with the state political boss, Jim Taylor. Taylor first tries to corrupt Smith and then later attempts to destroy Smith through a scandal.Written by
James Yu <firstname.lastname@example.org>
The screenplay was originally purchased by Columbia as a vehicle for Ralph Bellamy, with Harold Wilson slated to produce. Once Frank Capra became the director, the project, planned as a sequel to Mr. Deeds Goes to Town (1936), was entitled "Mr. Deeds Goes to Washington", and was to star Gary Cooper, reprising his role as Longfellow Deeds. Cooper was unavailable for the role, however, and James Stewart was borrowed from MGM. "I knew he would make a hell of a Mr. Smith," Capra said. "He looked like the country kid, the idealist. It was very close to him." See more »
Under the Standing Rules of the Senate governing debate, Senator Paine would not technically have been allowed to attack Senator Smith's character and accuse him of graft. The rule states: "No Senator in debate shall, directly or indirectly, by any form of words impute to another Senator or to other Senators any conduct or motive unworthy or unbecoming a Senator." See more »
What did you get me outta bed for?
Shhh. Sit tight. The show's about to commence.
Do mind telling me what's about to go on around here?
Certainly. Now, there's the principal actor in our little play: Don Quixote Smith - man with bill. Over here, one of the supporting characters.
That gorilla in man's clothing: McGann.
Oh, you mean, puss in boots.
Yeah, mostly puss. Aw, another prominent character in our play, the silver knight, soul of honor on a tightrope.
You wouldn't be a little bit ...
[...] See more »
It works in a way no other movie could, THERE IS PROOF
Now, I must admit that this is one of my top five favorite films. There is a warmth, idealism, and kinda simple feeling of hope, that makes one believe that things will work out in the end. Capra knew exactly what he wanted, and it shines. Jimmy Stewart, in the role of his life, makes us believe, what we know is almost impossible in todays crass world.
Claude Rains is incredible as Senator Smith's evil mentor. Jean Arthur, as his confidant, plays the part so well,that we just want her to save the day.
The final scene, where the filibuster is taking place, is among the greatest ever made.
BUT THE PROOF, YOU ASK?
In the early 80s, I showed this film, over three days, to a group of 15 year old inner city teenagers. I taught Political Science in a very difficult school in Chicago. It was a new class, and not all of the "best" students took it.
I decided to show this film at the end of the year, just to see how long I could keep the students attention. I didn't expect much. Fifteen is a very tough age to keep any kind of attention span, and it was at the end of the day, 2:30 -3:15 pm. which made things worse. As the film began, there was rustling in the seats, boredom, that famous oh what a waste of time look...Mind you, this is 43 year old film, about a white Senator, in those "old" days, and being shown to a totally Afro-American crowd of 15 year olds, late in the day, (over a three day period, which meant the students would have to wait till the next day to see what was going on. ..By the end of the third day, Capra had worked his magic, and the entire class was spellbound by this film. They were there till the very end, and you could see how much they enjoyed seeing a film, that they wouldn't have looked at in a thousand years..Comments were wonderful. Any film that could accomplish this, more than 40 years after its conception, to a crowd that no one would believe would have any interest in, deserves to be truly called a "great film."
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