Night Work (1939) Poster

(1939)

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6/10
Second and last visit with the Fitch Family, as far from the Hardy's as you can get.
mark.waltz26 July 2017
Warning: Spoilers
This follow-up to "Boy Trouble" (second in a series of two) was an attempt for Universal to gain footing on MGM's Andy Hardy series and 20th Century Fox's almost forgotten Jones family series. While the Hardy series has been available on home video for decades, the Jones family series was practically lost until it popped up on DVD. However the more obscure family film series (two or three entries) have been lost and forgotten, even though this one stars Charles Ruggles and Mary Boland, paired for approximately a dozen films. The first film showed them dealing with adopting orphaned Billy Lee and taking in tough street kid Donald O'Connor and contained more pathos after setting itself up as a comedy. Now, O'Connor has been somewhat tamed, although he still refers to the initially boy hating Ruggles as Mr. Fitch while calling that old sweetie, Ms. Boland, mom.

Here, the issue of adopting O'Connor takes focus with his reluctance to be adopted and the sudden arrival of his feisty grandfather (Clem Bevans) who wants to make sure that O'Connor will be raised in a home he approves of. The issue is that Ruggles isn't the he-man whom Bevans feels his grandson needs as a father and this leads to several hysterically funny scenes where Ruggles ends up trying to pretend he's a macho dude while really a scaredy cat. Several scenes provide visual gags straight out of a Harold Lloyd silent movie (with Ruggles out on a ledge and a window washing contraption petfried) and the arrival of Ruggles' old school chum William Frawley who bullied him all throughout their growing up years. A very funny scene involves a ridiculous algebra problem (involving mounds of corn and the price of replacing that corn thanks to hungry chickens which Ruggles and Boland must act out), and another has Ruggles pretending to be a ladies' man which Frawley's arrival puts doubt on. Not as sentimental as the first film, this gets momentarily maudlin as O'Connor's future in the home is debated, but in just over an hour everything is wrapped up neatly. No third installment was made, so it's likely that Bevans' character remained on, and that in itself would have kept a few more features amusing as his elderly old coot steals the show.
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7/10
The Fitch Family: High and Mighty Homer
lugonian8 January 2005
NIGHT WORK (Paramount, 1939), directed by George Archainbaud, a sequel to BOY TROUBLE (1939), is the second and final installment focusing on "The Fitch Family." More boy trouble occurs in the Fitch household this time out. Their adopted son, "Butch" Smiley (Donald O'Connor), an orphan, finds himself unable to remain with Homer C. and Sybil Fitch (Charlie Ruggles and Mary Boland) when the boy's visiting grandfather, Smokestack (Clem Bevans), an old steeple-jacker, believes the couple not suitable in raising his teenage grandson. He is even more convinced when Homer's former high school rival, Bruiser J. Brown (William Frawley) arrives, looking for a place to stay, and takes advantage of poor Homer by flipping him with a handshake and addressing him as "Wishy-Washy." While trying to make an impression that he isn't a coward and does stand up to his rights, Homer pays a tough engineer (William Haade) to show him some disrespect so he can take a sock at him. But in spite of this impressionable act, Smokestack has already made up his mind in taking Butch back with him to California.

John Hartley and Joyce Matthews reprise their roles from BOY TROUBLE as the romantic love interest as Windy Wilson and Patricia Fitch. Old geezer Clem Bevans, a likable character actor and familiar face of hundreds of motion pictures, normally appearing in minor roles, gets his rare opportunity where he's nearly in every scene in the story. His frequent demand is usually for the youngsters to "show respect for their elders," or else! William Frawley's obnoxious character also adds interest to NIGHT WORK, especially since Frawley is legendary as TV's Fred Mertz in I LOVE LUCY (1951-57).

A smooth blend of comedy and drama set mostly in the apartment building where lives the Fitch family, NIGHT WORK has its share of climatic suspense, not the type of suspense in regards to espionage, but a sequence reminiscent to Harold Lloyd's thrill comedies of the 1920s-30s, which finds little Joey (Billy Lee), another member of the Fitch household, to find himself in danger. Since he was promised a ride on Smokestack's dazzle seat, but has never had the opportunity, he takes it upon himself to go on his own. The dazzle seat breaks, leaving Joey to hang on for his life from the high level of the apartment building, attracting the passing crowd below and having Homer to go risk his life and save the boy. This thrill sequence alone makes NIGHT WORK worth viewing. Once again Mary Boland's name heads the cast, but it is Charlie Ruggles who makes the movie while trying to prove himself.

Unlike BOY TROUBLE, NIGHT WORK, which runs at 60 minutes, had frequent television revivals prior to 1978, depending on location where it was shown, but currently is out of circulation. As much as the title might be a misnomer, since there is no character working through the night, the movie itself does pass as one of Hollywood's finer "program pictures" of the day.(**1/2)
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