Marianne Jannetier, a well-to-do Parisian, engaged to Andre Benoit, a high-ranking government official, flees the city when the goose-stepping Nazi storm-troopers arrive. When her mother ...
See full summary »
Leonard and Anne are taking the lovers road to Dover where they will board the boat and go to Paris. But the car breaks down and Saunders takes them to a nearby hotel. When they get there, ... See full summary »
The Bar Association disbars attorney Tyler Cradon when it appears he was implicated in the murder of a prominent vice crusader. Cradon, not wishing to be without an income,is impressed by ... See full summary »
Charles 'Pittsburgh' Markham rides roughshod over his friends, his lovers, and his ideals in his trek toward financial success in the Pittsburgh steel industry, only to find himself ... See full summary »
A Duke usurps his brother's land and power, banishing him and his entourage into the forest of Arden. The banished Duke's daughter, Rosalind, remains with her cousin Celia. She has fallen ... See full summary »
Major "Chick" Davis is convinced that high-level bombing will win the next war. He convinces the powers-that-be to set up a bombardier school. He efficiently sets about training the USAAF's first generation of high-level bombardiers.
An altered remake of 1933's "White Woman," finds cabaret-singer Kim Ling, daughter of a Chinese general who has been accused of absconding with government funds, arriving in the Straits ... See full summary »
Marianne Jannetier, a well-to-do Parisian, engaged to Andre Benoit, a high-ranking government official, flees the city when the goose-stepping Nazi storm-troopers arrive. When her mother dies on the road to Bordeaux as a result of Nazi bombing, she returns to Paris and joins the underground movement. Nicholas Jordan, an American member of the RAF, stranded in Paris after the evacuation is also working with the Paris underground. Marianne kills her former fiancée, a pro-Nazi informant, for the traitorous state papers he is carrying, and she and Jordan try to flee over a French seaport...Written by
Les Adams <firstname.lastname@example.org>
"Gen. Charles DeGaulle, leader of the Free French, will help exploit the Elisabeth Bergner hit, 'Paris Calling.' His rave comment about the film will be used in all advertising." (Newspaper Enterprise Association, "Erskine Johnson's Hollywood", The San Bernardino Daily Sun, San Bernardino, California, Tuesday 20 January 1942, Volume 48, page 6.) See more »
Hollywood made some great movies as part of the effort to win World War II. In fact, my all-time favorite movie, and one of the greatest of American movies, Casablanca, was at least in part a result of that effort.
But Hollywood also made some poor films in the same category, and this, I'm afraid, is one of them.
There's nothing wrong with the acting, though the mix of accents is disconcerting at times. Elisabeth Bergner, a Viennese whose English reminds me on occasion of Luise Rainer, plays a French aristocrat. Basil Rathbone plays a French politician. Lee J. Cobb plays a Nazi officer. Only Randolph Scott, playing an American pilot, comes off naturally as what he is supposed to be. Some of the lower-ranking Nazi soldiers sound too colloquially American. I suspect that Universal just didn't have the means to hire a more convincing cast, though Rathbone and Cobb were certainly good actors. (Rathbone was a Universal staple, since that's where he made the Sherlock Holmes movies.) As others have explained, it is basically the story of Bergner, who plays a very naive woman in love with a French politician and collaborator. She at first believes the lies he tells her. With the fall of France, she sees the light, however. Thereafter she becomes involved in a Resistance cell, and works to fight the Nazis.
The script isn't great, however, and sometimes the action seems disjointed. The end, as a previous viewer remarked, happens too fast and is not at all convincing. It's rather like the end of Mel Brooks' remake of "To Be or Not to Be," but to be taken seriously.
Some things make no sense at all. Why, for example, would Bergner's character play very dramatic classical music in a low-life bar? If you're interested in World War II movies, you might enjoy this. It's not embarrassing. It just isn't very convincing.
1 of 1 people found this review helpful.
Was this review helpful to you?
| Report this