An actor, Paul Orman, is accidentally told that his new, custom made tail coat has been cursed and it will bring misfortune to all who wear it. As the 4 succeeding wearers of the coat discover, misfortune can often lead to truth.Written by
Richard Blinkal <email@example.com>
This film appeared in the begining of the M*A*S*H episode, "Morale Victory" Season 9. See more »
The small single engine plane flown by J. Carroll Naish after he robs the charity event could not possibly have carried enough gas to fly him from New York to the Deep South, where the coat gets thrown from the plane. See more »
George, how do people know when they're really in love?
Well, first I guess they find out they like to be together and then they find out they kind of think the same things and, I guess after awhile, they get so they even - say the same things, at the same time.
And that's the way you know?
Well, I'm just guessing.
Well, your guess would be my guess too.
It must be wonderful when it happens -
[look at each other]
The following contains a restored sequence starring W.C. Fields which was not included in the original theatrical release of "Tales of Manhattan." See more »
Some scenes featuring W.C. Fields were filmed but cut from the movie before release. The US video version restores this unseen footage. In this 9 minute sequence, Phil Silvers and Marcel Dalio played the Santelli Brothers who owned the used clothing store where Fields bought the dinner jacket. Margaret Dumont played a wealthy woman who hired Fields to give a lecture on the evils of alcohol. The J. Carroll Naish episode was filmed and substituted for the longer Fields episode after it was cut. See more »
Perpetual Motion (Perpetuum mobile, Op. 257)
Music by Johann Strauss
Played at the concert hall rehearsal See more »
Something for everybody, a wide scope of human stories
This movie leads us through a wide range of emotional interests -- good, bad, and indifferent -- all based on the odyssey of a tuxedo coat (or 'tails') which also seems to carry with it a superstitious jinx of sorts. At the start the first tale runs the gamut of intense romantic intrigue, with a suave Charles Boyer drawn to beautiful Rita Hayworth, and Thomas Mitchell as the husband with a few ulterior motives of his own in mind. I think the cinematography by Joseph Walker is absolutely superb in this episode. Those closeups are priceless.
I was surprised to see the episode with W C Fields in it and checked IMDb to note that this was included in a restored version, which is nice. Fields and his "liquid edification" are seldom far apart, and here it appears in the guise of cocoanut milk, with a few additives as you can guess, which he highly recommends for (?) I forget what it was.
Another tale is of Edward G. Robinson who gives an excellent performance as the down-and-outer dressed in the tux for a special gathering of old school chums. It has fine emotional content which I consider the dramatic highlight of the film and gives one much to think about afterwards. I might add here that this movie brings to mind some of Somerset Maugham's short stories that are on film as well.
The final Manhattan tale, starring Paul Robeson and Eddie 'Rochester' Anderson, has dialogue that is both amusing and touching at times. Ethel Waters, the matronly Esther, shows them a firm hand in directing them to do what's right. I always like to see Paul Robeson and hear his great voice. His singing ends their episode on a note of what freedom means to so many, and really brings the film to a fine conclusion. Great stuff!
It is a fascinating movie to experience and one of the best of its kind in my opinion.
20 of 22 people found this review helpful.
Was this review helpful to you?
| Report this