Compassionate small-town lawyer Richard Clarke moves to New York City to seek his fortune, but is unsuccessful until he takes a friend's advice and tries to convince the world he's a ...
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Falling asleep during the Paradise Coffee ("The Coffee that Makes You Sleep") Program, the band's third trumpeter dreams he's Athanael, an angel deputized to blow the Last Trumpet at ... See full summary »
When the Germans invade Norway their Commandant and the town Mayor confront each other, attempting to maintain civility as far as possible. When the army tries to orgnanize townspeople to ... See full summary »
Lee J. Cobb
Compassionate small-town lawyer Richard Clarke moves to New York City to seek his fortune, but is unsuccessful until he takes a friend's advice and tries to convince the world he's a ruthless heel. Suddenly he's the most popular lawyer in town -- but he could lose his fiancée.Written by
Kevin Ackley <email@example.com>
Having directed Jack Benny's finest screen performance in To Be or Not to Be (1942), the legendary Ernst Lubitsch oversaw retakes of this later film between early November and November 10, 1942. Writer Morrie Ryskind, who had worked on the early stages of the screenplay, was brought back to create new dialogue for the retakes. Neither contributor received an opening credit. See more »
As I stated, I love Jack Benny. One of those comedians who warms my heart just upon sight. Eve Arden (who would have been good in the Anne Revere part) is another example of that kind of persona whose mere presence makes me happy. Unlike the character he portrays in some movies and certainly on his TV shows, he was a very generous man with friends and strangers. No surprise there. He exudes that which makes his stinginess even more funny. This picture, with a lot of false starts and ending up nowhere, went off on the wrong track. Priscilla Lane was actually a nifty actress in so many of her films, almost surprisingly so. In addition, she is about as adorable as they come. (Benny often has some of the most appealing actresses to accompany him on his sprees.) Rochester, too, is a delight. Could have done without the black-face routine, but it was 1943 and awareness of this sort outrage was not yet in our craws. It did not go as far or as interestingly as it might have but what could have remedied it, I wouldn't know where to begin. "The Horn Blows at Midnight" is often claimed by Benny to be a failure and brought down his movie career. My impression is that it is more delightful than most of his forays into filmdom. Then of course he is in the utter classic "To Be or Not To Be". Nothing wrong with that one. And with him. And with Lane. It's just the film which isn't especially good. But so what? It has Jack Benny,
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