Home in Indiana (1944) Poster

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8/10
When is Home in Indiana going to be on DVD
janvol2230 January 2005
Home in Indiana is a wonderful movie. I saw this on AMC when I was a kid and still remember it. It's a film about a troubled youth who comes to live on his aunt and uncles farm. At first he doesn't want to be there but then he makes some friends and eventually gets involved in some kind of chariot horse racing. The music score and talent makes this film a classic. Another movie called April Love, with Pat Boone and Shirley Jones , came out about 20 years after Home in Indiana and copied the premise of the movie. Jeanne Crain is the one I remember most in this film, I think it was her second film. I think Fox released this movie and I hope they release this timeless movie on DVD soon, along with other Jeanne Crain films.
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7/10
Way back home in Indiana
jhkp22 September 2013
This movie just makes you feel good. And not in any sappy way, but in the freshness of the setting and the characters, the coming-of-age bits that aren't forced, and the way Walter Brennan's character is brought back to life as he re-engages in the thing he loves, horse racing. And the way his wife delights in the transformation. It's a small miracle, brought on by the unexpected: a boy who's a relative is sent to live with the farm couple after he's gotten into trouble back home. At first he's resented but he becomes the catalyst for Brennan's redemption - and finds his own redemption, as well.

A couple of girls (Played by Jeanne Crain and June Haver, both future Fox stars) are in the mix as well, and if you like trotting horses, and racing, you will enjoy this lovely slice of life, with outdoors prominently featured. It should refresh and invigorate you.
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Warm, but not Sappy
dougdoepke18 December 2010
Hard not to like this picturesque celebration of America's heartland. Sure, it's idealized, filmed as though it stepped off the pages of a glossy Town and Country magazine. And that's along with a super-engaging Crain and McCallister whose two youthful innocents seem worlds away from today. Add Brennan and Greenwood as the tough-love adults and it's a great core cast. The values are strictly family and conservative-- right down to grace before dinner-- but in a non-sanctimonious way.

Director Hathaway paces the spare plot nicely so that events never drag. McCallister's got to get surrogate dad Brennan back into the horse business. But to do that, he must win a trotter's race (an Indiana specialty), and in the process develop eyes for the de-glamorized tomboy Crain who's stuck on him. Naturally there are complications, including Haver's glamorous rich girl who proves a temporary distraction. But, surprise, surprise, things do work out in the end.

No, they sure don't make 'em like this any more, right down to the Huck Finn swimming hole and Greenwood's stern mother figure looking like she stepped off that famous American Gothic painting. Hollywood's nostalgia factory was hitting on all eight with this warm, non- sappy tale. I guess my only reservation is why they went to Kentucky to film a tribute to Indiana. Oh well, we're probably lucky they didn't cut corners and do it in the studio backlot.
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7/10
In praise of horses, one of man's best friend.
mark.waltz25 December 2018
Warning: Spoilers
The presence of three newcomers in this 1944 homie drama makes this historically important as well as visually appealing, considering the gorgeous landscape of the Indiana country utilized to unwrap a gorgeous view of a way life used to be. The three newcomers are Lon McAllister, Jeanne Crain and June Haver, all talented and filled with potential. They are joined by veteran actors Walter Brennan and Charlotte Greenwood in a touching story of a troubled young man's arrival in Indiana, being taken in by aunt and uncle Greenwood and Brennan, and turning his life around thanks to his involvement and the local horse racing track.

One of the interesting elements of this film is showing McAllister becoming very close friends with two black characters, the young Willie Best and the older Sam McDaniel who work at the horse racing track. McAllister, unspoiled by society, treats them as equals and while it is never pointed out, Best becomes his closest friend with McDaniel pretty much playing his mentor. Tomboyish Crain and glamorous Haver provide chip healing feminine elements of the story with Crain obviously secretly jealous of the upper-class Haver.

The gorgeous Technicolor filming makes this easy on the eye, especially with the seasons changing and the various leaf colors same throughout the film. on extended Christmas sequence in the movie makes for perfect holiday viewing as well. The most impressive story elements is the close relationship that McAllister gains with Aunt Greenwood who has stuck by embittered alcoholic Brennan through his disappointments over losing his horses in the past, but when McAllister inspires Brennan to get back into the sport, it becomes very touching. this is crowd-pleasing for sure, and it truly does stand the test of time.
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6/10
"As American as America itself!"
moonspinner5524 June 2008
Starched and scrubbed-clean family film has delinquent, orphaned teenager going to live with his aunt and uncle, ditching school to hang out at the next-door horse ranch and learn how to harness race. Lovely color photography, beautiful autumnal locales, and fine racing sequences bolster this thin drama, which seems to be in favor of cutting classes as long as you have a passion for something else! Dimply Lon McAllister is entirely too polite and green in the lead, though his friendships with neighboring sisters June Haver (the bombshell) and Jeanne Crain (the tomboy) are entertaining, and his devotion to the horses is well-portrayed. Some amusing characters and sequences, but it doesn't have the scope or depth of something like "National Velvet" (released the same year). This Henry Hathaway-directed effort is far more innocuous and minor, but still enjoyable, especially for equestrians. **1/2 from ****
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6/10
Feature film debut of a blonde bombshell and a tomboy on harness racing horse farms
estherwalker-3471018 July 2022
Warning: Spoilers
The blonde bombshell is June Haver, who soon would be groomed as the potential successor to Betty Grable as Fox's leading blonde musical romance actress. The tomboy is Jeanne Crain, soon to become one of Fox's most popular actress: often billed as the ideal girl-next-door. She would sometimes be cast in musicals, even though she apparently lacked musical talent, thus her singing would always be dubbed. It was very unusual for 2 future stars to be cofeatured in their first significant film role.

This film mostly takes place on 2 adjacent Indiana farms that breed horses for local harness racing, along with the nearby racetrack. Sparke(Lon McCallister), a late teen, is newly arrived on his aunt(Charlotte Greenwood, as Peggy Bolt) and uncle's(Walter Brennan, as Thunder Bolt) farm. He soon takes an interest in the race track and horses. He becomes friendly with the late teen tomboy horse enthusiast Char(Jeanne), who can competently drive a harness horse. He also becomes friendly with her neighbor Cri Cri(June). ( A variety of strange names are evident in this film!). Cri Cri has been going to school elsewhere, but is now home on summer vacation. In contrast to Char, she doesn't seem interested in learning to drive harness race horses. She has an outsider boyfriend : Gordon, and, unlike Char, doesn't show a spark of romantic interest in Sparke, until later, after Sparke wins a few races, being taught the intricacies of how to win by Thunder. Then, we no longer see her with Gordon. She comes on to Sparke, encouraging him to kiss her. And, boy, does he kiss her!, so that she has to move back to avoid being squashed! Char sees this and is jealous, as she thought of Sparke as sort of her boyfriend. Char goes to a dance with another boy. Sparke sees this, and confronts her. She acts haughty. Nonetheless, Sparke is impressed by her sophisticated look. He apologizes to her, and tells her he wants to be her boyfriend. By the end of the film, Sparke is proposing that they start a horse farm together. I might mention that, long before this, these 2 swam in the farm pond. When they got out, they tickled each other, and crawled over each other, like they were getting ready to make love. I'm surprised the censor people let this through.

Meanwhile, Thunder and Cri Cri's father had a big fight years ago and , as a result, Chi Chi's father took nearly all of Thunder's horses, except for a mare. Sparke and Char scheme to raise enough money to induce Cri Cri's father to register a foal born of Thunder's mare and his stallion. At first, Thunder is very mad at Sparke, and beats him up. But, after a little while, he reconsiders, and praises the boy. This, also induces him to resume interest in harness racing. Eventually, Sparke races this foal, called Maud. Eventually, it's noticed that Maud's eyes are showing symptoms of a condition that eventually results in blindness. She sometimes bumps into things. But, they decide to race her one more time, even with also an injured leg they taped up. Amazingly, she wins. I think I heard that they were then planning to euthanize her. From what I've read, probably, Maud developed Equine Recurrent Uveitus, or Moon Sickness : the most common cause of horse blindness. It's cause is uncertain. Sometimes, its progression can be slowed or prevented, but, often, not.

As in this film, Jeanne Crain was the shy girl, in contrast to a brassy beauty, in her upcoming films "Leave Her to Heaven" and "Margie". But, in the end, she won her love's heart. Also, in the next year's "State Fair", although she wasn't in romantic competition with her, she appeared relatively mousy in comparison with the brassy, gorgeous, Vivian Blaine: her brother's temporary infatuation. Yet, audiences continued to root for her.

I was amazed to learn that Marilyn Monroe was born 9 days before June Haver. Yet, June was a lead actress by 1944, whereas Marilyn didn't achieve her first film leading lady role until 1953! Of course, her career took off like a rocket, after that. 1953 was also a turning point in June's film career, as her last film was released that year, ending speculation that she might replace aging Betty Grable. She acted less sexy than Betty or Marilyn, and thus was not as popular. She decided to end her career and become a nun(She was a Catholic). Apparently, she felt her romantic relationships were jinxed, hence better to forget about men. Her earlier marriage was essentially over before it began. Then, her betrothed died before they could marry. She wasn't impressed with the Hollywood men she dated. Fortunately, veteran actor Fred McMurray, 18 years her senior, eventually came to her rescue, and they apparently lived happily ever after.

You can see this, free, at YouTube. Surprisingly, its in color. Nearly all of June's films were in color.
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10/10
My favorite movie 60 years ago
wgmcs613 July 2005
I am old enough to have seen this movie first run. At the time I was blown away by this film because it had every thing in it any city kid would want to be able to do, which mostly was race horses and have a pretty girl interested in the same thing as a friend. Since this film was so important to me I feel compelled to correct an error in the cast listing by IMDb. Currently Jeanne Crain's character is listed as Char Bruce which is correct, but June Haver's character is listed as Cri-Cri Bruce which would make them sisters which they are not! Cri-Cri is the daughter of Godaw Boole, the owner of the horse farm where Char's father is the head trainer, soooooo Cri-Cri's last name should be Boole, not Bruce! I have no idea how this casting error crept into IMDb's data base, but as a movie fan interested in accuracy I'm requesting that IMDb correct this mistake. I know I am right in this because I've seen this film at least 20 times over the years and have read the book that the film is based on (The Phantom Filly).
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5/10
Sparke knows quite a bit about horseys....and almost nothing about women!
planktonrules20 September 2023
"Home in Indiana" is an okay horse film...not bad and enjoyable but nothing like the better horse movies, such as "National Velvet" or "The Black Stallion".

Sparke is sent to live with his aunt and uncle, as he's apparently a young juvenile delinquent in training. But you never see this side of the young man...in fact, he seems a bit backward and slow. The only 'bad' thing he did in the story was instead of going to school like his guardians require, he sneaks off to get a job at a nearby stable because he loves horses so much. Soon, he's given a colt and the rest of the movie is about his quest to make the horse a champion trotter.

At the same time, Sparke spends a lot of time around two young ladies. He is interested in the one who already has a boyfriend. As for the other, she clearly adores Sparke and wants him...but he's incredibly slow and backward about women. Quite bluntly, he would have benefitted from some sex education! The girl practically throws herself at him...and he responds how nice it is that they are best chums! Wow...just wow! Does Sparke stand a chance with the horse or the girl? See the film.

The acting and setting are nice...but not especially memorable. I really see this one as a time-passer for most viewers unless you are a horsey nut who adores every film about our equine friends.
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4/10
Don't Think About the Moonlight on the Wabash In This One **
edwagreen27 April 2011
Warning: Spoilers
..."When I think about the Moonlight on the Wabash, I'll think about my Indiana home." Remember Jane Froman singing that beautiful song? Well, you can just forget about the tune in this 1944 film. That being said, the musical score playing this song is about the best thing this dud of a film has to offer.

Lon McAllister plays the troubled youth who comes to live with his Uncle and Aunt Bolt, played by Walter Brennan and Charlotte Greenwood. Greenwood has one very effective scene in the film when she describes to her nephew why Uncle Bolt is the way he is. It's all about the usual gripe and grudge he has against his former partner, played by Charles Dingle. Remember him 3 years before as Bette Davis's suspicious brother in "The Little Foxes?" Dingle is reduced to having little to do here.

The plot in the film is weak and the script is even weaker. Jeanne Crain, in her supposed first mature film, comes off as if she is ready to join Mickey and Judy to create a show in the barn.

The film deals with horse racing, something which was close to Walter Brennan's heart when he starred in his supporting Oscar winning performance 6 years before in "Kentucky."

The disappointing end with the horse matches the film-one big disappointment. See June Haver, Mrs. Fred MacMurray, as the girl with designs on McCallister as well.
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Location for racing scenes in Home In Indiana
charliet195130 March 2008
The trivia section states that the racing scenes for this movie were shot in Fremont, Ohio. That may be true for the early scenes, but the final race in which Maudine IV races after going blind were shot in Marion, Ohio at the Marion County Fairgrounds. Although it has changed a lot in recent years, I spent many of my early years playing in the stands at the fairground and even rang the "call to the post" bell that is rung in the movie. My mother told us stories of seeing the stars of the movie at the fairgrounds when they were filming. One of the older guys I used to work with claimed he dated June Haver when they were in town. Even if I didn't believe him, I have no doubt that my mother was telling me the truth.

The list of filming locations does credit Marion, as well as several other locations where harness racing was one of the main local pastimes

I do enjoy the movie and try to catch it whenever it is on (generally on the FOX movie channel).
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1/10
Doesn't hold up
banjobob11928 August 2019
This movie does not hold up like other movie of it's time. I found it to be a waste of film and a waste of an hour and forty five minutes of my life. Horrible plot, horrible dialog and horrible acting. The focus seemed to be on the blond girl and how she's trying to look especially in the stupid swimming in the pond scenes. Oh, the kid that gets beaten with a belt by Thunder and then the two of them walk out of the room best friends afterwards. I really couldn't believe this tripe was green lighted by the studio. And what's up with all the characters names? Just a plain awful movie.
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Charming lead performance from Lon McAllister.
tjonasgreen23 February 2004
Your reaction to HOME IN INDIANA will depend entirely on whether you are a horse racing fan or at least a fan of films about horse racing. Since I am neither, I found this movie pretty dull going except for the acting and human interaction.

Walter Brennan and Charlotte Greenwood are very good in the early part of the film and are convincing as the tough, unsentimental guardians of Sparke, played by Lon McAllister. Jeanne Crain is fresh and likable and was clearly a face, body and personality to watch, though she looked much prettier and sexier a year later in STATE FAIR. June Haver presents us with her doll-like perfection and seems as bright, chilly and inhuman as ever (she later became Mrs. Fred MacMurray after a stay in a convent).

The real find here was Lon McAllister. Poised and completely charming, he had an easy way with dialogue, an expressive face and an ingratiating smile. This should have been the beginning of big things for him, but it wasn't. Too bad the perky, Mickey Rooney boy-next-door types were going out of fashion (Rooney himself never regained the stardom he enjoyed before he went into the military during WWII.) McAllister ought to have succeeded in television, but perhaps he tired of show business. Wonder what happened to him after this?
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Good Casting Buoys Farm Film
leslieadams25 June 2005
For those who like horses and horse racing, "Home in Indiana" offers a pleasant diversion.

Focusing on three in the cast, this was Jeanne Crain's first notable role, and what a "natural" she is. Completely at home before the camera, she shows early on her quintessential "girl-next-door" charm.

Paired with the equally "boy-next-door" Lon Mcallister, the two are perfect together. Lon came with a full list of juvenile film roles, and looked like the personification of a callow Indiana farm boy.

As for the amazing Walter Brennan, this was just another of his inexhaustible number of roles, always appearing much older than he actually was.

A further look at Brennen's folio, he made a whopping 63 films in three years (1933-35)! Can you imagine that? I can't.

The three together, along with Charlotte Greenwood as the proverbial "farm marm," offer a most convincing group of typical ranchers, struggling between corn crop mores and big city conventions--the latter represented by June Haver.

And those mares--absolutely beautiful!
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My take on this movie
gkeith_112 October 2011
Warning: Spoilers
My take on this movie. 1944 had another horse movie, being National Velvet. We were in the middle of World War II, and I suppose this was another Americana type movie to take people's mind off the big conflict. Jeanne Crain would be seen the next year in another agri-country movie, State Fair. June Haver I had seen in Look for the Silver Lining, being a charming person and not the imp as in this movie. Walter Brennan I enjoyed seeing as a main character, not anyone's sidekick. Tuppy and Mo were just superb. Charlotte Greenwood I would see in Oklahoma, dancing at the train station, and also doing her famous high kicks in a 1930s movie with Eddie Cantor. I enjoyed seeing Ward Bond in a non-Western movie. He was a nice, decent man, as the trainer and also as father of Jeanne Crain. The race track looked like Washington County Fairgrounds, Ohio (a little). I wonder why the actor who played Sparke was not in the military service? I notice he had no mother, and neither did the two girls. Hope he ended up finishing his education. Nothing like an uneducated boob who thinks he knows everything. Maybe he later really got that second belting from his uncle. I'm sure that Cri Cri tried some more of her man-handling on him later, but the movie ended. This was an enjoyable piece of Americana. It was during WWII wartime, and I saw nothing about wartime shortages, gasoline and food rationing, Rosie-riveters working in the factories, but hey, this is a fantasy meant for people to feel good. 10/10
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