The fifth entry in the Columbia series based on the CBS radio program, "The Whistler", opens with kindly old music store owner Edward Stillwell (Paul E. Burns) hiring private detective Don ... See full summary »
A drifter claims the money in an old bank account. Soon he finds himself the target of two men who turn out to be the sons of the man's old partner, who is now in prison because of a ... See full summary »
An artist married to a wealthy but ill woman begins an affair with one of his models, who is after him solely for his money. His wife discovers the affair and threatens to cut him out of ... See full summary »
In the 7th of Columbia's "Whistler" series, truck-firm owner Steve Reynolds gets involved in a feud with a rival firm, and shortly thereafter is slugged by a masked assailant who steals the... See full summary »
The 4th film of the Columbia series based on the CBS radio program, "The Whistler", finds wealthy John Sinclair, with no health or friends, being advised by his doctor to take a long ... See full summary »
On the eve of his marriage, a young man's fiance disappears. He hires a private detective to help him track her down, but soon finds himself entangled in a web of lies, intrigue and murder ... See full summary »
When the fabled Star of Rhodesia diamond is stolen on a London to Edinburgh train and the son of its owner is murdered, Sherlock Holmes must discover which of his suspicious fellow passengers is responsible.
A bank clerk in a small town returns home from a vacation in Indianapolis, and hears a story on the radio about a girl found murdered there. The description of the killer fits him exactly, ... See full summary »
Columbia's B pictures were generally the worst of the major studios. It's hard to forgive them for those awful Jungle Jim films and producer Sam Katzman generally had no artistic quality in his product. Maybe his absence explains the relative excellence of the Whistler series, in particular this very early entry in the Psycho Killer stakes. More reminiscent of Val Lewton than Katzman, The Power of the Whistler foreshadowed many Hollywood psychological features of the next half century.
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