Prison Ship (1945) Poster

(1945)

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7/10
World War 2: The Dirty Tricks Department
Asgardian1 August 2009
For a very short movie, "Prison Ship", is surprisingly entertaining and tragically oh so believable.

The premise of the movie is based on fact. Japanese ships transporting prisoners-of-war during World War 2 did indeed offer themselves up as decoy targets, hoping to draw the US submarines away from their desired cargo ships and warships.

From that point the movie becomes a feel good exercise for an American audience, that by 1945 had cultivated a deep loathing for their enemy, and wished to see their own servicemen triumph against any and all impossible odds.

By 1945 Richard Loo was able to play his role blindfolded. Between late 1941 through to 1945 he was in 34 movies, invariably as the bad guy. In this movie Loo was the standout, the rest of the cast were merely competent.

If you have a spare hour, have a look, it's worthwhile for a fan of the genre.
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6/10
WWII film
SnoopyStyle14 July 2023
The war is over. Japan has surrendered. Stories of their brutality are now surfacing. On Karaku Island, allied prisoners and captured civilians are being loaded onto a ship for destination unknown. British journalist Anne Graham is hiding amongst the prisoners with photos of Japanese atrocities. The group finds it odd that they're not blacked out at night. They're being used as decoys for American submarines. They plan a breakout from the prison ship.

When they start fighting, I don't know why almost everybody is standing back. The least they can do is smack the guard with their tin cups. I also don't like the Captain catching them with the dead guard. He would never allow them to live after that. The situation needs to make more sense. This would be a great prison escape movie if it's done more competently.
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6/10
"I'll try to stall them as long as I can."
classicsoncall14 July 2023
Warning: Spoilers
You can do worse than this World War II high seas saga containing an idea I had never come across before. A Japanese naval officer is transporting around two hundred Allied prisoners on a freighter from Karaku Island to an unknown destination. Unkown, because the intent is to make the ship visible to American destroyers so that it can be attacked and sunk, thereby fulfilling two goals. Primarily, it's a diversionary tactic to keep Allied naval vessels away from Japanese fighting ships, and on a more inhumane level, to kill all the prisoners aboard so they don't have to be quartered and fed at Japanese expense!

How the prisoners manage to foil their enemy is somewhat impractical, so you have to go along with the story for it to work. When a guard is called in to break up a fight among the prisoners, he unlocks a cell and enters among at least twenty men and women, thereby exposing himself to being overwhelmed, which he is in short order. The plan was to steal the key to the cell so a prisoner who was a locksmith could make an impression using stale bread, which would be used to make a new key once Captain Osikawa (Richard Loo) maintained order again. How that would have been possible without any sort of tools was not explained, so again, some suspension of disbelief is in order. While a female newspaper journalist among the prisoners offers the captain photos of Japanese atrocities in exchange for the lives of the prisoners, a number of men who escape from their cell by way of the newly made key, overwhelm the captain and free Anne Graham (Nina Foch). From there, the remaining prisoners take over the undermanned ship and signal an American submarine to come to their rescue.

Aside from some of the inconsistencies in the story that make it less than credible, the picture is actually pretty entertaining and would have made an impression among American audiences at the time. The only other quibble I have with the story though is a remark made by a senior Japanese officer as Captain Osikawa was about to leave on the mission. He seemed to imply that the captain wouldn't survive it, almost as if that was part of the desired outcome!
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6/10
Cheap Propaganda Sustained By Cast
boblipton14 July 2023
Westerners of all ages and states of life are prisoners of the Japanese military. They are being carried by ship to prison. Soon, however, they realize that the ship's captain, Richard Loo, is commanding a death ship, intending to kill them all, when he isn't sticking their hands in quicklime.

It's one step up from an exploitation film; Code-compliant, but hinting broadly with a large wink, a leer, and a sharp elbow to the ribs, making sure that the audience doesn't miss the implications, IF YOU KNOW WHAT I MEAN!!!! In the midst of leering plot, and the cheap sets, the cast proves itself capable of moderation and modulation, particularly Nina Foch and Barry Bernard.

Miss Foch was a far more capable actress than her curriculum vitae would suggest. She came up through the cheap studios, a B Actress, and by the time she peaked in the mid-1950s with an Oscar nomination, she stuck against being in her thirties (just this side of death to any but an established star!) and the accelerating collapse of the Studio system. As she had, she continued to work and work well, in front of and behind the camera, until her death in 2008 at the age of 84.
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