User Reviews

At least he has on me. This is the second film of his I've seen, and I definitely want to see more.

This one is nothing at all like his acknowledged masterpiece "The Girl with Hyacinths," a psychological mystery with a twist ending. The current film, shot during WWII, is a romantic comedy with philosophical trimmings which suddenly morphs into a thriller and then just as quickly turns back again with an amusing denouement.

Ekman seems to have been influenced greatly by American cinema. There is a scene in this film which seems to have been lifted straight out of Buster Keaton's last silent "Spite Marriage." The director's performance as a quirky disabled youth bears the imprint of Lon Chaney in "The Shock."

The acting is excellent, with Alf Kjellin and Eva Henning (the director's wife) appealing as the young lovers. (Both Henning and Ekman, who usually appear as blonds, sport dark hair in this film.)Good characters, good plot, good direction...the only thing I thought less than perfect was the cinematography, which was slightly darker than Conrad Hall. Of course the wartime conditions may have influenced the budget. But I'm nitpicking.

This film is worth seeing. I'm looking forward to "The Banquet," next up on my Ekman viewing list.

Hasse Ekman is, of course, often (quite rightfully) hailed as one of the all time greats, not just in Sweden, but in the cinematic history as a whole.

This is yet another provice of his greatness, conveying high drama, with his characteristic flair for a bit of humour; truly outstanding acting from some true Swedish legendary names, very career defining, very beautiful and splendid, and accompined by an incredible script for the ages indeed. Expertly written and paced.

The cinematography, cutting and editing is superb, very beautifully put together, and very much in line with Hasse's style.

Overall very much a splendid drama, with some good humour baked in, and highly recommended for any lover of film, as ever with Hasse Ekman!