September 1914, news reaches the colony German Eastern Africa that Germany is at war, so Reverend Samuel Sayer became a hostile foreigner. German imperial troops burn down his mission; he is beaten and dies of fever. His well-educated, snobbish sister Rose Sayer buries him and leaves by the only available transport, the dilapidated river steamboat 'African Queen' of grumpy Charlie Allnut. As if a long difficult journey without any comfort weren't bad enough for such odd companions, she is determined to find a way to do their bit for the British war effort (and avenge her brother) and aims high, as God is obviously on their side: construct their own equipment, a torpedo and the converted steamboat, to take out a huge German warship, the Louisa, which is hard to find on the giant lake and first of all to reach, in fact as daunting an expedition as anyone attempted since the late adventurous explorer John Speakes, but she presses till Charlie accepts to steam up the Ulana, about to brave...Written by
The boat shown going down the rapids, shot through a telephoto lens, was actually a model boat about eight feet long. This miniature is now displayed inside a restaurant at a Marriott Waterfront hotel at 80 Compromise St. in Annapolis, MD. It is at the restaurant entrance. See more »
At the beginning of the movie, the deckhands and locals are speaking Swahili yet receive crucial information via African drums. Since, unlike most Bantu languages, Swahili is not tonal, African drums (which depend on tonality) don't work in Swahili. The drums could simply have been used to produce signals rather than language. See more »
[singing hymn, "God of Grace and God of Glory]
The Brother, Rose Sayer, African Parishioners of the First Methodist Church of Kungdu:
Bread of Heaven, Bread of Heaven
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Opening credits prologue: GERMAN EAST AFRICA September 1914 See more »
God of Grace and God of Glory (Cwm Rhondda)
Words by Harry Fosdick
Music by John Ceiriog Hughes See more »
Out of Africa with Bogey and Kate
This is one of those films whose special effects and scenery must have been astounding at the time (1951), but which seem mediocre at best today. BUT, and that's a big 'but', this does not detract from the greatness of the movie overall. The scenery truly is beautiful, for one thing--and the direction and cinematography is great.
However, what truly makes this film a classic, and deservedly so, is the performances given by the lead actors. For their one film together, Humphrey Bogart and Katharine Hepburn pull out all the stops. Bogart is crude, dirty and a low-life river-rat with a heart of gold. He gives the Oscar-winning performance of his lifetime. Hepburn is prim and prissy, but always manages to win us over with her radiance and vulnerability, as well as that core of steel and strength she lends to all her on-screen characters. He's charming, in his way; she's achingly beautiful in hers. You can't help but warm to Charlie and Rosie, and truly, genuinely root for them to get together.
The ending is predictable; all 'opposites-attract' romance adventure stories are. You know without a doubt that the sunset will be there for Charlie and Rosie to ride off (or swim) into together. But you still hurt when Charlie hurts; and you still smile like a fool when he sees Rose, and when he tries to explain her forthrightness away by jungle fever. You believe the love, and that's what the African Queen is all about.
Oh, and the gin and leech scenes, of course. Those are brilliant, as everyone else here has already mentioned! ;)
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