Don't Give Up the Sheep

"Don't Give Up the Sheep" is the first of several cartoons involving a faithful sheepdog continually outsmarting Wiley Coyote (though the IMDb summary says he's a wolf). In many ways, it's just a slight variation on the Roadrunner cartoons--but this time the coyote's quarry actually fights back physically. It's all clever but only slightly innovative. In fact, while I did enjoy this cartoon, I don't think it called for repeated follow-up cartoons in the series.

As far as the technical aspects go, the backgrounds for this one are VERY simple--and awfully ugly by Warner Brothers standards. It looks like they were imitating the UPA type of graphics here--which some love and which I hate because they just are too simple and represent (to me) a major step backwards in cartoon quality.

Don't Give Up the Sheep (1953)

**** (out of 4)

Sam Sheepdog (named Ralph in this film) clocks into work and right away Wile E. Coyote (not the name used here) is trying to steal the sheep. Sam has to stay wide awake because Wile has a lot of stuff up his sleeve. This is an excellent cartoon full of great laughs and violent action. Even though he isn't address as Wile, it's clear who the character is suppose to be and I must admit that I think his character here is a lot better than any of the match ups against the Road Runner. Don't get me wrong, I do love the Road Runner series but for my money this film is flawless. The running gag of sawing through the tree is priceless as are the many attempts to steal the sheep. The coyote also takes a pretty big beating throughout the film, which is always fun to watch.

One sheepdog punches in on a time clock while the other punches out.. Once there, they proceed to protect the sheep from our friend Wile E. Coyote. It's a lot of the usual stuff except that it's treated as a business. The Coyote is, of course, thwarted all along (no spoilers...just is). The interesting thing is that these guys have a job and a time schedule. Clever idea.

The sheep dogs are going and coming to work, mainly Sam Sheepdog (named "Ralph" here) and his partner, Fred, who has the other shift that we don't see. They punch a time clock on a tree. Ralph also has his lunch box and sandwich: two slices of bread with a bone in the middle.

Meanwhile, Wile E. Coyote (not named that, but that's who we know him as) lurks nearby seeing nice juicy slabs of meat every time he looks at a sheep.

The story is basically about the dog protecting the sheep from the wolf. The funny bits come from the lengths the wolf goes to, to get his meal for the day, and how he's constantly thwarted. In fact, some of these scenes are hilarious and very clever.

All of these things make this an outstanding animated short, one of the best of its time.

Chuck Jones's 'Don't Give Up the Sheep' is the first of six cartoons Jones made with the lesser known characters of Sam Sheepdog and Ralph Wolf (although in this early entry to the series it is the Sheepdog who is called Ralph and the Wolf is unnamed). The first thing cartoon buffs will notice is that, but for his red nose, the Wolf is basically Wile E Coyote. What provoked this design decision is uncertain and it may have just been down to laziness but Jones later turned it into a brilliant comment on both the similarity and difference between the Sheepdog and Wolf shorts and the Road Runner series. The Wolf's attempts to capture the sheep in a series of blackout gags could and have been likened to the style of storytelling in the Road Runner cartoons but there's a key difference that tells us that Ralph Wolf is completely different from Wile E Coyote. The Coyote is an insanely obsessive creature driven by his one track mind to catch and devour the Road Runner. The highly unusual opening scenes of the Sheepdog and Wolf cartoons, however, reveal that Ralph is simply fulfilling his duties as he punches in on a timecard like any other workaday stiff. His duties are presumably determined by either nature or the all powerful cartoonists. The fact that only the Sheepdog punches in at the beginning of 'Don't Give Up the Sheep' suggests that maybe Jones extension of this gag to the Wolf as well may have been a sly joke at the expense of those who accused him of repeating himself.

In my opinion, those who claim that the Sheepdog and Wolf cartoons are just a retread of Road Runner are absolutely wrong. This is a quite different setup in which the antagonist has the added inconvenience of having to remain covert. The brutal, threatening presence of Sam the Sheepdog is a quite different proposition from the falling boulders and malfunctioning gadgets that scupper Wile E Coyote's plans. The implication here is that Ralph is extremely good at catching sheep and would undoubtedly be a success were Sam just not that tiny bit better at his job. Ralph is not the self-sabotaging dupe that the Coyote is, he's merely the victim of a superior co-worker.

All of which tells you nothing specific about 'Don't Give Up the Sheep', for which I apologise. To finally set aside all the prevarication, 'Don't Give Up the Sheep' is a superb cartoon. The jokes, courtesy of Michael Maltese, are brilliantly inventive and unpredictable. The funniest gags are often the simplest, such as the panpipe sequence or the wildcat joke. There's also a hilarious extended piece involving the sawing of branches which leads up to the only already well-used punchline in the cartoon. I always enjoyed the later episodes in which the Wolf punched in alongside the Sheepdog and it was implied that they were casual friends outside the working hours of a job that demanded they be enemies but 'Don't Give Up the Sheep' makes up for this omission by sheer quality of the gags and their impeccable execution. They may live in the shadow of the more popular Road Runner cartoons but I've always greatly preferred the extraordinarily witty Sheepdog and Wolf series and 'Don't Give Up the Sheep' gets it off to a riotously