User Reviews

Chuck Jones, in addition to both working with solidly established stars such as Bugs Bunny and Daffy Duck and doing one-shot cartoons like Martian Through Georgia, did some thematic groupings of short using continuing characters in a small number of cartoons. Ralph and Sam, a sheepdog and wolf, were one of these. The series is one of the better ones as far as I'm concerned. The concept of protector versus predator as a 9 to 5 job just amuses me no end. This particular short isn't the best of the lot (there were seven all told and I believe this was the first of them) but all of them are quite fun and are well worth watching. Recommended.

In the first pairing of Sam Sheepdog (here named Ralph) and Ralph Wolf (here anonymous), the latter constantly tries to snatch the sheep but the former always foils him, even when not too wise to the wolf's plans. I will say that I sort of predicted what would happen in the scene where they kept chopping the tree and cliff, but the truth is that nothing can weaken a cartoon like this. "Don't Give Up the Sheep" is a formidable part of cartoon history (only Chuck Jones could create a cartoon where a sheepdog works punch-clock shifts). Still, a later cartoon where they both punched the clock made the idea a little neater, what with how it raised the stakes.

The sheep dogs are going and coming to work, mainly Sam Sheepdog (named "Ralph" here) and his partner, Fred, who has the other shift that we don't see. They punch a time clock on a tree. Ralph also has his lunch box and sandwich: two slices of bread with a bone in the middle.

Meanwhile, Wile E. Coyote (not named that, but that's who we know him as) lurks nearby seeing nice juicy slabs of meat every time he looks at a sheep.

The story is basically about the dog protecting the sheep from the wolf. The funny bits come from the lengths the wolf goes to, to get his meal for the day, and how he's constantly thwarted. In fact, some of these scenes are hilarious and very clever.

All of these things make this an outstanding animated short, one of the best of its time.

Chuck Jones's 'Don't Give Up the Sheep' is the first of six cartoons Jones made with the lesser known characters of Sam Sheepdog and Ralph Wolf (although in this early entry to the series it is the Sheepdog who is called Ralph and the Wolf is unnamed). The first thing cartoon buffs will notice is that, but for his red nose, the Wolf is basically Wile E Coyote. What provoked this design decision is uncertain and it may have just been down to laziness but Jones later turned it into a brilliant comment on both the similarity and difference between the Sheepdog and Wolf shorts and the Road Runner series. The Wolf's attempts to capture the sheep in a series of blackout gags could and have been likened to the style of storytelling in the Road Runner cartoons but there's a key difference that tells us that Ralph Wolf is completely different from Wile E Coyote. The Coyote is an insanely obsessive creature driven by his one track mind to catch and devour the Road Runner. The highly unusual opening scenes of the Sheepdog and Wolf cartoons, however, reveal that Ralph is simply fulfilling his duties as he punches in on a timecard like any other workaday stiff. His duties are presumably determined by either nature or the all powerful cartoonists. The fact that only the Sheepdog punches in at the beginning of 'Don't Give Up the Sheep' suggests that maybe Jones extension of this gag to the Wolf as well may have been a sly joke at the expense of those who accused him of repeating himself.

In my opinion, those who claim that the Sheepdog and Wolf cartoons are just a retread of Road Runner are absolutely wrong. This is a quite different setup in which the antagonist has the added inconvenience of having to remain covert. The brutal, threatening presence of Sam the Sheepdog is a quite different proposition from the falling boulders and malfunctioning gadgets that scupper Wile E Coyote's plans. The implication here is that Ralph is extremely good at catching sheep and would undoubtedly be a success were Sam just not that tiny bit better at his job. Ralph is not the self-sabotaging dupe that the Coyote is, he's merely the victim of a superior co-worker.

All of which tells you nothing specific about 'Don't Give Up the Sheep', for which I apologise. To finally set aside all the prevarication, 'Don't Give Up the Sheep' is a superb cartoon. The jokes, courtesy of Michael Maltese, are brilliantly inventive and unpredictable. The funniest gags are often the simplest, such as the panpipe sequence or the wildcat joke. There's also a hilarious extended piece involving the sawing of branches which leads up to the only already well-used punchline in the cartoon. I always enjoyed the later episodes in which the Wolf punched in alongside the Sheepdog and it was implied that they were casual friends outside the working hours of a job that demanded they be enemies but 'Don't Give Up the Sheep' makes up for this omission by sheer quality of the gags and their impeccable execution. They may live in the shadow of the more popular Road Runner cartoons but I've always greatly preferred the extraordinarily witty Sheepdog and Wolf series and 'Don't Give Up the Sheep' gets it off to a riotously

There's no flies on Sam Sheepdog, don't even bother trying to fool him because he can see through ALL your little tricks.

Wile E. Coyote, taking a break from trying to catch that pesky Roadrunner, spies his long suspended dinner in a flock of sheep grazing happily in a field. Unfortunately for him, Sam has just started his shift and he isn't going to make it easy for him.

A series of brilliant gags follow, all of them utter genius, as Coyote goes to more and more ridiculous measures to obtain his main course. Ending in a surprise twist that will leave you in stitches.

A very funny, very clever cartoon.

Sam Sheepdog, I mean Ralph,is determined not to let Wile E. Coyote..ahem I mean Ralph Wolf get off with the sheep that he's watching. Despite the name snafu off the first Sam Sheepdog and ralph cartoon, it's still hilarious and a great short that can be watched multiple times yet still return the same amount of chuckles that it had the first time you ever saw it. The funny thing even with how funny this short is this isn't even the best of the seven Sam/Ralph cartoons. Truly a great concept. But then again I might be a tad biased as I love Wile E. Coyote. This hilarious cartoon is on Disk 3 of the "Looney Tunes Golden Collection Volume 1"

My Grade: A

Don't Give Up the Sheep (1953)

**** (out of 4)

Sam Sheepdog (named Ralph in this film) clocks into work and right away Wile E. Coyote (not the name used here) is trying to steal the sheep. Sam has to stay wide awake because Wile has a lot of stuff up his sleeve. This is an excellent cartoon full of great laughs and violent action. Even though he isn't address as Wile, it's clear who the character is suppose to be and I must admit that I think his character here is a lot better than any of the match ups against the Road Runner. Don't get me wrong, I do love the Road Runner series but for my money this film is flawless. The running gag of sawing through the tree is priceless as are the many attempts to steal the sheep. The coyote also takes a pretty big beating throughout the film, which is always fun to watch.

The first in a series of shorts about a sheepdog (usually named Sam) guarding a flock of sheep and a wolf (usually named Ralph) trying to steal them. The joke is that the dog (and in later shorts the wolf) is just doing his job, punching a clock like any blue collar human. Unlike some of the other reviewers here, I don't feel like this is the best of the series. It's a great start, and there are lots of funny gags, but I think some of the others in the series were even funnier. The Pan gag was my favorite in this one. The lively music is supplied by Carl Stalling. Great voice work from Mel Blanc. The animation is colorful and nicely drawn. Ralph's feet are different here than they would be in later cartoons. It's a clever and original start to a great series; yet another example of the genius of Chuck Jones.

"Don't Give Up the Sheep" is the first of several cartoons involving a faithful sheepdog continually outsmarting Wiley Coyote (though the IMDb summary says he's a wolf). In many ways, it's just a slight variation on the Roadrunner cartoons--but this time the coyote's quarry actually fights back physically. It's all clever but only slightly innovative. In fact, while I did enjoy this cartoon, I don't think it called for repeated follow-up cartoons in the series.

As far as the technical aspects go, the backgrounds for this one are VERY simple--and awfully ugly by Warner Brothers standards. It looks like they were imitating the UPA type of graphics here--which some love and which I hate because they just are too simple and represent (to me) a major step backwards in cartoon quality.

One sheepdog punches in on a time clock while the other punches out.. Once there, they proceed to protect the sheep from our friend Wile E. Coyote. It's a lot of the usual stuff except that it's treated as a business. The Coyote is, of course, thwarted all along (no spoilers...just is). The interesting thing is that these guys have a job and a time schedule. Clever idea.

The Ralph Wolf and Sam the Sheepdog series was short-lived and overlooked, and unjustly so. It was a very good, and at its best brilliant, series of cartoons, and some of the best of Looney Tunes/Merrir Melodies later output.

'Don't Give Up the Sheep' is perhaps the series at its best. The concept sees Chuck Jones at his most creative and interesting, and describing the cartoon as making the most of it don't justify it enough, it practically has a field day with it. 'Don't Give Up the Sheep' is filled to the brim with gags and laughs that come thick and fast, but not in a way that feels rushed.

Animation-wise, 'Don't Give Up the Sheep' is animated beautifully, for a series of cartoons made late in Looney Tunes/Merrie Melodies' prolific output the Ralph and Sam cartoons were generally some of the better-looking cartoons from this period, being colourful and inventively detailed with smooth and fluid character designs. The music is lushly and cleverly orchestrated, with lively and energetic rhythms and fits very well indeed.

Chuck Jones' trademark visual style and humour is all over the cartoon, and has lost none of its imagination or the clever and razor-sharp wit present throughout his career. The sight gags are unmistakably Jones and there is not a misfire among them, all of them are hilarious, unpredictable, inventive and remarkably for so many in a short space of time never feel incomplete. The panpipe, wildcat and extended sequences are especially good.

The two sheepdogs are strong characters and very likable, but Ralph Wolf makes even more of an impression, being funnier and more interesting (agree with the Wile E. Coyote comparison). Mel Blanc is characteristically fantastic, how can he not be when he was one of the greatest and most consistent voice actors who ever lived.

In summary, sees an unjustly short-lived and overlooked series of cartoons at its best. 10/10 Bethany Cox