The Broken Star (1956) Poster

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7/10
Under Cover Of The Badge
bkoganbing26 March 2007
Every now and then TCM runs these obscure films that turn out to be real finds. The Broken Star, a black and white B western, certainly is a find with Howard Duff as a deputy sheriff gone bad.

Right up front we see Howard Duff shoot down an unarmed man and steal something from his house. It's $8000.00 in gold, but unfortunately Duff has left a witness, an old Apache who works for the deceased.

Under cover of the badge, Duff tells his story that he shot a suspected rustler who drew on him first. Neither believing or disbelieving him, Sheriff Addison Richards investigates, in much the same manner a shooting team from a modern police force does. It's then up to another deputy, Bill Williams to bring in his colleague who also is someone who saved his life once.

The film is set in the beginning of the 20th century when the old wild west was becoming somewhat tame. Early forensic science is what sets people's suspicions on Duff in the first place.

The Broken Star is a good B western with an adult plot befitting the Fifties, the era of the adult western. Make sure you catch it when next broadcast.
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7/10
"What the heck kind of a fandango was that"?
classicsoncall4 December 2010
Warning: Spoilers
It could be I'm overdosing on movie Westerns, this one just didn't seem to have any life to it at all. Maybe it was Howard Duff in the lead role, not your usual Western hero. Or maybe the story was just too lackluster. There did seem to be an attempt made at introducing forensics into the solution of a murder committed by Duff's character, Deputy Frank Smeed, in the opening part of the story. The coroner says the fatal shot was fired from an angle looking down on the victim, while Smeed's description of his 'self defense' position was from the ground looking up. That's as far as it went though, as no trial was going to make it into the picture.

The positives here really have nothing to do with the main story. Lita Baron shows up as a singing cantina senorita with a whip! as part of her performance, making me believe she might have made it past the first round on American Idol. Then there's that wild saloon brawl between Deputy Gentry (Bill Williams) against the two henchmen Messendyke (Joel Ashley) and Van Horn (John Pickard). Fairly well choreographed and energetic, it could be a top ten contender.

What it boils down to is Frank Smeed symbolizing the broken star, a corrupt lawman who tries to take the money and run. It's eight thousand dollars in gold, but the owner will spend ten times that to get it back. This isn't likely to turn out well for Howard Duff, translating Spanish badly and running out of luck at Lost Doggy Creek. Better stick with the cop shows.
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50s noir western
c532c21 April 2011
An obvious western version of a story that was done twice in 1954 (as SHIELD FOR MURDER and PRIVATE HELL 36--with Howard Duff!) where a good lawman goes into business for himself.

This has all the elements: ruthless crime boss, two hired goons, a blackmailer, desperate escape and even a sultry chanteuse singing in a nightclub -er- saloon. Duff's playing is typically stoic, but this adds a bit to his bluff, duplicitous character (the kind Fred MacMurray used to play in DOUBLE INDEMNITY and PUSHOVER)and the rest of the cast does quite well under Selander's assured (well it certainly should be assured by this time!) direction. I particularly liked Douyglas Fowley as the crooked blackmailer. The scene where he and Duff negotiate -- each obviously planning a double-cross -- has a fine, greasy tension to it.
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8/10
Powerful western murder mystery
JohnHowardReid15 December 2013
Warning: Spoilers
SYNOPSIS: A marshal is unconvinced that his deputy killed a man in self-defense. He asks another deputy to investigate.

COMMENT: Excellent. There's no reason why a conventional western should not also incorporate a murder mystery, so full credit must be given to the taut, well-characterized script provided by John C. Higgins (author of T-Men). True, Lesley Selander's direction is a cut or two above his usual capable (though hardly major league) standard, whilst William Margulies has lensed some striking location photography. Paul Dunlap too has also risen to the occasion with a powerful background score. What will interest the fans is that the action sequences are vigorously staged. Bill Williams even seems to be slugging and fighting without use of a double. The rest of the players, led by Howard Duff are nothing if not thoroughly convincing.
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8/10
Great bar room brawl!
gordonb-5958723 November 2020
Under "Trivia" someone commented the bar room brawl was good. It was. Really well done with some original moves and action. My only criticism would be the fighters should have been a lot more exhausted and bloody after that tough a fight. Like in every Western, guns can be shot a lot without having to reloaded and apparently don't make very load bangs. In reality, with all that shooting in close quarters and in a mine shaft, these men would all end up with no hearing left, as there eardrums would be blown out. Look past a few obvious things like this and it's a good, enjoyable movie.
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8/10
Star for murder
searchanddestroy-114 August 2022
This film is interesting mainly because Howard Duff's character, for once a bad guy, and also the lead role. A rotten dirty "cop" sheriff character. I love this kind of lead roles, so unusual. You can easily compare with ONE FOOT IN HELL, where Alan Ladd was a sheriff seeking revenge on those who provoked the death of his wife. But in that western, 1960, he had more or less good reasons to do this. Here, Duff is only greedy, nasty, as I love - I repeat - from a lead character. From time to time, it's good isn't it? Or you can also compare it with Howard Koch's - the producer here - SHIELD FOR MURDER, a crime film where Ed O'Brien was also a cop using his shield to commit crimes, instead of a sheriff's star.
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8/10
Innocent until proven guilty, but don't leave town!
mark.waltz25 September 2023
Warning: Spoilers
An interesting idea that has apparently been done in several forms, this goes from several film noir scripts to a western, and features one of the actor's who played the modern version of his character here just two years before. The audience knows that deputy marshal Howard Duff is guilty of premeditated murder from the start, his motive finding a hidden bag gold. He then intends to move on to another marshal position so he can be far away from the scene of the crime. Two obstacles hold him back: red tape and fellow deputy marshal Bill Williams who suspects his guilt of something more than just killing a man in self defense.

Probably one of the best westerns I'd never heard of, and featuring Duff in one of his best parts. Addison Richards is Duff and Williams' boss who has to hold Duff back from leaving, and nearly fooled by him. Lita Baron and Douglas Fowley are other important characters in the story, while Joe Dominguez as the aging Apache who witnessed the murder is the key to Duff's downfall. Not spectacular for photography or editing, but through its terrific script that creates some very memorable characters and ends up being much better than the simple seeming western crime drama it comes across as.
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8/10
An Above Average Oater About A Rogue Lawman
zardoz-139 July 2023
Warning: Spoilers
Veteran B-movie director Lesley Selander helmed his share of westerns during his 36-year Hollywood career. While most of them amounted to routine assignments, he managed to make several that stood out from the pack. "The Broken Star" qualifies as one of those sagebrushers. Scenarist John C. Higgins rarely wrote a bad movie, and his track record backed up his reputation. "The Broken Star" is a largely intelligent oater produced in black & white on a low-budget with a sturdy cast, set in Tucson, Arizona, boasts enough offbeat things to make this 82-minute oater better than average. Cast as Arizona Deputy Marshal Frank Smeed, Howard Duff has done his share of good deeds over the years. Inexplicably, he decides to go rogue. He guns down one of the villain's henchmen as this yarn unfolds, appropriates $8-thousand dollars in gold, and spends the remainder of this well-paced horse opera struggling to cover his tracks. Unfortunately, an older Apache sub-chief, Nachez (Joe Dominguez of "The Ride Back"), witnessed Smeed shoot Carlos Alvarado (Felipe Turich of "Firecreek") in cold blood. The devious Smeed tried to conjure up a reasonable alibi to throw any suspicions off himself. Predictably, since this is a law & order oater, he must pay the ultimate price for riding on the dark side. The chief drawback of "The Broken Star" is we're never told why Smeed decided to ride a crooked trail. Smeed's best friend Deputy Marshal Bill Gentry (Bill Williams of "Thirty Seconds Over Tokyo") stands by Smeed after he files his report on the shooting. It seems that long ago, Smeed stood by Gentry when the latter got into trouble for a shooting and almost swing up the gallows because an angry mob wanted to take matters into their own hands. Not surprisingly, Gentry stands up for Smeed until he learns his old friend has gone to the dark side. The $8 thousand in missing gold prompts the chief villain, Thornton Wills (Henry Calvin of "Ship of Fools"), to dispatch two henchmen, Van Horn (John Pickard of "True Grit") and Messendyke (Joel Ashley of "Warlock") to question Alvarado's sister Conchita Alvarado (Andalusian-born actress Lita Baron of "Red Sundown") about the missing loot. Wills believes she has the missing loot. Marshal Gentry catches up with these two galoots trying to beat the truth out of poor Conchita and throws them in jail.

Nevertheless, the henchmen make bond and get out. Wills reprimands them and sends them back to grill Conchita. This time they go too far, leaving telltale bruises on her face, and Gentry corners them in a cantina and beats them to within an inch of death. You see, Conchita is Gentry's woman and they plan to wed. Eventually, the chief lawman Marshal Wayne Forrester (Addison Richards of "Ball of Fire") gets suspicious. Meantime, Smeed begins to feel the heat build. He runs across Gentry out in the desert after he kills Nachez and hides his body in a mine shaft. He disarms Gentry, ties him up, hands behind his back, and buckles the deputy's gunbelt around his ankles. Now, Smeed rides to the Apache Indian Reservation. He cuts a deal with the Indian Agent, Hiram Charleton (Douglas Fowley of "Bandido!") to give him two Native American guides to take him across the border into Mexico by backtrails. Charleton drives a hard bargain because he knows the amount of money that Wills is missing. Indeed, he wants half of the $8 thousand. Before he can make his getaway, Smeed tangles with Gentry and Gentry has to kill him. Wholeheartedly above average, "The Broken Star" is one of a few westerns where the lawman goes bad.
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