When an Ex-Confederate patriarch and his four sons stop for supplies on the run after robbing a bank, one of them gets nervous hearing a cocked pistol behind him and turns quickly, blasting a 9 yr old boy playing with a toy pistol. The murder of the child spawns hate and a blind rage for vengeance in the small western town. J. Carroll Naish has one of his best roles as the Bible-spouting sire of a brood of scum, trying to keep them in order. John Payne as the traumatized father of the dead boy gives an unnerving performance as a decent man who's become emotionally unbalanced. His uncertainty and mental disruption are almost palpable as his alarmed wife (Ruth Roman) desperately tries to stifle his increasingly homicidal personality. It's very unsettling to see Payne in this unheroic light...the difference from his usual demeanor draws a very convincing portrait of a severely unbalanced man. Ben Cooper (who usually plays a disturbed role) is uncommonly sympathetic here as the only member of the gang responsible enough to acknowledge guilt for the tragedy, even though his own life is at risk instead of his older brother's, the unrepentant perpetrator. This is definitely several cuts above your average western and sustains viewers'interest throughout. Highly recommended....
14 Reviews
Not the stuff of usual westerns
matchettja29 July 2009
In postwar Civil War, a father and his four sons, all former Rebel soldiers, eke out a living robbing, always on the run. When three of the brothers ride into town to get water, tragedy occurs when one of them guns down a young boy who has fired at them with his cap pistol. Most of the focus is on five main characters: Bedloe Mason, his sons Gray and Wesley, John Willoughby and his wife, Nora.
Bedloe, the patriarch of the Mason clan, and his four sons were forced to leave their burned out home in Alabama after the Civil War. Bedloe's main concern is to keep his family together, so whenever the family faces trouble, they vote on what they should do. After the boy is killed, the vote is to keep on the run, leaving the trouble behind them.
Gray, the youngest Mason son, is uncomfortable with the idea of running away. After long introspection, he decides the only honorable thing to do is to return to the town, regardless of consequences. Gray's decision disturbs Wesley, the unrepentant killer who is afraid this will result in him being implicated.
After the killing, John Willoughby, father of the unfortunate youngster, loses grip with reality as he wrestles with grief and desire for revenge at any cost. Recognizing this and not wanting any further bloodshed, Nora struggles to keep her man rational and sane. For that reason she refuses to identify a wounded man John brings home as one of the Rebels she saw in town on that fateful day.
Though a "B" western, "Rebel in Town" benefits from good acting, competent direction and an intelligent, well-written script with lots of things for us to think about. Bedloe, a religious man, tries to comfort his troubled son with the thought that sometimes there is no answer so it is better just to let things be, further suggesting that since we are all the children of God, He is responsible for what we do, whether good or bad. Gray counters that he cannot consider his brother an agent for God. Such kind of writing is hardly the stuff of usual westerns.
Bedloe, the patriarch of the Mason clan, and his four sons were forced to leave their burned out home in Alabama after the Civil War. Bedloe's main concern is to keep his family together, so whenever the family faces trouble, they vote on what they should do. After the boy is killed, the vote is to keep on the run, leaving the trouble behind them.
Gray, the youngest Mason son, is uncomfortable with the idea of running away. After long introspection, he decides the only honorable thing to do is to return to the town, regardless of consequences. Gray's decision disturbs Wesley, the unrepentant killer who is afraid this will result in him being implicated.
After the killing, John Willoughby, father of the unfortunate youngster, loses grip with reality as he wrestles with grief and desire for revenge at any cost. Recognizing this and not wanting any further bloodshed, Nora struggles to keep her man rational and sane. For that reason she refuses to identify a wounded man John brings home as one of the Rebels she saw in town on that fateful day.
Though a "B" western, "Rebel in Town" benefits from good acting, competent direction and an intelligent, well-written script with lots of things for us to think about. Bedloe, a religious man, tries to comfort his troubled son with the thought that sometimes there is no answer so it is better just to let things be, further suggesting that since we are all the children of God, He is responsible for what we do, whether good or bad. Gray counters that he cannot consider his brother an agent for God. Such kind of writing is hardly the stuff of usual westerns.
What the sons of some men do to the sons of others. There's the tragedy of the world.
hitchcockthelegend25 November 2018
Rebel in Town is directed by Alfred Werker and written by Danny Arnold. It stars John Payne, Ruth Roman, J. Carrol Naish, Ben Johnson, Ben Cooper and John Smith. Music is by Les Baxter and cinematography by Gordon Avil.
The phrase a hidden gem gets used far too much, so much so I try my utmost to veer away from it if at all possibly. However, for fans of grown up Westerns then Rebel in Town is most assuredly a gem of a find for sure. Story is set just after the American Civil War in the town of Kittreck Wells. A family of Confederate soldiers (The Masons) have staged a robbery in a nearby town and need to go into Kittreck for water supplies. A turn of events will bring the family of outlaws into the life of ex Union soldier John Willoughby (Payne), a hard working family man, who still has a fierce commitment to rid the land of Confederate rebels.
It could have ended up as just another trite "B" Western message movie, but this is so much more, the quality of the writing is such that the script demands full attention. The effects of the Civil War are of course central, where the characters from both sides of the fence are here painted in rich colours. John Willoughby had a tenuous grip on post war forgiveness before his family is shattered by the arrival in town of the Mason family, but soon enough his thirst for revenge begins to tip him over the edge. The Mason family are not merely outlaw fodder, they are a complex bunch, each of the four brothers different in their own values and approach to life, but it's with the patriarch Bedloe (Naish) where the screenplay finds real strength. A God fearing man, he hates what his family has become, and although he clearly rules the roost, he is given to complete democracy, his boys always are given the vote on the decisions the family must make. The juxtaposition between the two heads of family, from different sides of the war, is intelligently thought out by the makers.
Added bonus here as well is the characterisation afforded Ruth Roman as Nora Willoughby. So often in "B" Westerns female characters are given to being love interests or a cause for macho posturing, not so here. Nora Willoughby is arguably the key character, she fights throughout the play to not only overcome her grief, but also that of her husband. She is relentless in her attempts to stop John from become a crazed revenge fuelled mad man, for she can see the bigger picture that her man simply can't. The other key character of note is Ben Cooper's Gray Mason, the younger of the Mason family and the family's conscience, his interaction with - via a plot development to integrate him with the Willoughby's - is a priceless commodity for the picture's dramatic worth. With characters of great substance it only then needs good performances from the actors to make it all work, and we get that. Even the smaller supporting roles are well held by director Werker, such as Marshal Adam Russel (James Griffith) who is calm and measured and a mile away from the caricature type of law men we get in the genre.
The look of the piece is terrific, Avil's black and white photography comes from the film noir stlyed playbook, which is most befitting for the story's psychological axis. Werker had dabbled in film noir, notably with the excellent He Walked By Night, so his instruction to Avil for the look on show is astute and makes sense. Action scenes are well staged, but it's with certain scenes where the pic soars high. The catalyst scene that sets the wheels in motion is boosted by an authentic recoil, which is great to see. Also attention grabbing is a corporal punishment section that should make you wince, while the father and son axis between John and his son Peter at the film's beginning begs for deeper thought once film reaches its closure. With a lovely print being shown on TCM-HD rounding out the bonuses, this is a super treat for Western fans and therefore comes highly recommended. 8/10
The phrase a hidden gem gets used far too much, so much so I try my utmost to veer away from it if at all possibly. However, for fans of grown up Westerns then Rebel in Town is most assuredly a gem of a find for sure. Story is set just after the American Civil War in the town of Kittreck Wells. A family of Confederate soldiers (The Masons) have staged a robbery in a nearby town and need to go into Kittreck for water supplies. A turn of events will bring the family of outlaws into the life of ex Union soldier John Willoughby (Payne), a hard working family man, who still has a fierce commitment to rid the land of Confederate rebels.
It could have ended up as just another trite "B" Western message movie, but this is so much more, the quality of the writing is such that the script demands full attention. The effects of the Civil War are of course central, where the characters from both sides of the fence are here painted in rich colours. John Willoughby had a tenuous grip on post war forgiveness before his family is shattered by the arrival in town of the Mason family, but soon enough his thirst for revenge begins to tip him over the edge. The Mason family are not merely outlaw fodder, they are a complex bunch, each of the four brothers different in their own values and approach to life, but it's with the patriarch Bedloe (Naish) where the screenplay finds real strength. A God fearing man, he hates what his family has become, and although he clearly rules the roost, he is given to complete democracy, his boys always are given the vote on the decisions the family must make. The juxtaposition between the two heads of family, from different sides of the war, is intelligently thought out by the makers.
Added bonus here as well is the characterisation afforded Ruth Roman as Nora Willoughby. So often in "B" Westerns female characters are given to being love interests or a cause for macho posturing, not so here. Nora Willoughby is arguably the key character, she fights throughout the play to not only overcome her grief, but also that of her husband. She is relentless in her attempts to stop John from become a crazed revenge fuelled mad man, for she can see the bigger picture that her man simply can't. The other key character of note is Ben Cooper's Gray Mason, the younger of the Mason family and the family's conscience, his interaction with - via a plot development to integrate him with the Willoughby's - is a priceless commodity for the picture's dramatic worth. With characters of great substance it only then needs good performances from the actors to make it all work, and we get that. Even the smaller supporting roles are well held by director Werker, such as Marshal Adam Russel (James Griffith) who is calm and measured and a mile away from the caricature type of law men we get in the genre.
The look of the piece is terrific, Avil's black and white photography comes from the film noir stlyed playbook, which is most befitting for the story's psychological axis. Werker had dabbled in film noir, notably with the excellent He Walked By Night, so his instruction to Avil for the look on show is astute and makes sense. Action scenes are well staged, but it's with certain scenes where the pic soars high. The catalyst scene that sets the wheels in motion is boosted by an authentic recoil, which is great to see. Also attention grabbing is a corporal punishment section that should make you wince, while the father and son axis between John and his son Peter at the film's beginning begs for deeper thought once film reaches its closure. With a lovely print being shown on TCM-HD rounding out the bonuses, this is a super treat for Western fans and therefore comes highly recommended. 8/10
The Masons And The Hannesseys
bkoganbing18 September 2008
Rebel In Town is set in the post Civil War west where the surrender at Appomattox hasn't ended conflict in the minds of some. One of those is John Payne who was a Union Army major in the war, but now has settled back on his ranch with wife Ruth Roman and son Bobby Clark. Payne feels we've got a big law and order problem with a lot of former Confederates turning outlaws to survive and is the first to volunteer for any posse to track them down.
But when the Mason family, J. Carrol Naish and his four sons come riding into town for supplies it's a recipe for trouble. When little Bobby Clark shoots at the family from behind with a cap pistol, one of the Masons turns and returns fire killing the kid instantly. The Masons beat it out of town.
The rest of Rebel In Town concerns the actions of Payne and the rest of the town in apprehending the criminals and the Mason family who are torn with what to do.
The Masons are a whole lot like the Hannesseys in The Big Country. The budget for the B western Rebel In Town is a fraction of what The Big Country was, yet William Wyler seems to have been influenced by the relationship of family patriarch Naish with the most reckless of his sons John Smith in creating the characters that Burl Ives and Chuck Connors played in The Big Country.
As for Payne, he's in his vengeance quest persona, something not seen in him since his highly rated performance in the noir classic Kansas City Confidential.
Rebel In Town is no frills B western with some nice performances from the cast. John Payne's fans will like his work here.
But when the Mason family, J. Carrol Naish and his four sons come riding into town for supplies it's a recipe for trouble. When little Bobby Clark shoots at the family from behind with a cap pistol, one of the Masons turns and returns fire killing the kid instantly. The Masons beat it out of town.
The rest of Rebel In Town concerns the actions of Payne and the rest of the town in apprehending the criminals and the Mason family who are torn with what to do.
The Masons are a whole lot like the Hannesseys in The Big Country. The budget for the B western Rebel In Town is a fraction of what The Big Country was, yet William Wyler seems to have been influenced by the relationship of family patriarch Naish with the most reckless of his sons John Smith in creating the characters that Burl Ives and Chuck Connors played in The Big Country.
As for Payne, he's in his vengeance quest persona, something not seen in him since his highly rated performance in the noir classic Kansas City Confidential.
Rebel In Town is no frills B western with some nice performances from the cast. John Payne's fans will like his work here.
A minor Greek tragedy transposed to frontier America
dinky-410 February 2003
Most Westerns use one of a limited number of standard plots, but it's hard to categorize this movie. Its setting -- a small frontier town -- merely serves as a background for a drama of revenge and reconciliation which could easily be recast as a Greek tragedy. Its central question certainly rises above the usual concerns of Westerns: can the sacrifice of one man's guilty son make up for the death of another man's innocent son?
Or, as J. Carroll Naish puts it in the last scene: "What the sons of some men do to the sons of others ... there's a tragedy of the world."
John Payne, (sporting a mustache), gets top billing here but his character is absent from many of the movie's key scenes. Ben Cooper actually plays the main character as his feelings of guilt over the death of an innocent boy propels most of the plot. Ruth Roman seems miscast as a frontier wife and mother. The less said about the two juvenile performers, (Bobby Clark and Mimi Gibson), the better.
There's a vivid flogging scene in the movie's second half in which J. Carroll Naish takes a whip to the back of his son, John Smith, who's tied shirtless to a tree. This may be the American cinema's only major whipping in which a father strikes his own son.
Or, as J. Carroll Naish puts it in the last scene: "What the sons of some men do to the sons of others ... there's a tragedy of the world."
John Payne, (sporting a mustache), gets top billing here but his character is absent from many of the movie's key scenes. Ben Cooper actually plays the main character as his feelings of guilt over the death of an innocent boy propels most of the plot. Ruth Roman seems miscast as a frontier wife and mother. The less said about the two juvenile performers, (Bobby Clark and Mimi Gibson), the better.
There's a vivid flogging scene in the movie's second half in which J. Carroll Naish takes a whip to the back of his son, John Smith, who's tied shirtless to a tree. This may be the American cinema's only major whipping in which a father strikes his own son.
Solid western anchored by Ruth Roman
jjnxn-117 September 2014
Small scale western that holds together well despite unoriginal situations and a low budget.
Most of that can be attributed to the lean direction by the little known Werker and the competence of the players. John Payne is brooding and bitter in the lead occasionally going overboard with with the righteous indignation but by and large he does well. Ben Cooper is also solid as a conscious stricken young man but it's Ruth Roman who stands out with a well balanced performance as Nora Payne, weighted down with grief but compassionate enough to remain clear eyed and level headed while all around her are losing theirs.
Another asset of the film is the use of natural sounds to underscore scenes adding to their import without a lot of intrusive musical cues.
No prize winner but a better than average western.
Most of that can be attributed to the lean direction by the little known Werker and the competence of the players. John Payne is brooding and bitter in the lead occasionally going overboard with with the righteous indignation but by and large he does well. Ben Cooper is also solid as a conscious stricken young man but it's Ruth Roman who stands out with a well balanced performance as Nora Payne, weighted down with grief but compassionate enough to remain clear eyed and level headed while all around her are losing theirs.
Another asset of the film is the use of natural sounds to underscore scenes adding to their import without a lot of intrusive musical cues.
No prize winner but a better than average western.
Grim, Violent Western!
bsmith555223 May 2017
Warning: Spoilers
"Rebel in Town" was an unusual low budget western for its time. It contains two graphic scenes which were not normally seen in the westerns of the day.
Following the Civil War, John Willoughby (John Payne) and his wife Ruth (Ruth Roman) and son Peety (Bobby Clark) live on a small ranch where Peety likes to play soldier (Union of course). A gang of ex-Confederates is roaming the area robbing banks in order to survive.
The gang is led by Bedloe Mason (J. Carroll Naish) who along with his four sons: Gray (Ben Cooper), Wesley (John Smith). Frank (Ben Johnson) and Cain (Sterling Franck) is looking for its next score.
One day Frank Wesley and Gray ride into town for water. Young Peety, who has just received a pair of cap pistols for his birthday, sneaks up behind the men and is shot (in a gruesome realistic scene) by the trigger happy Wesley. Wesley and Frank flee but Gray is shocked and feels remorse, but he too is forced to flee.
Willoughby and his wife are devastated by their loss and he vows revenge on the killers. Back in the rebel camp dissension among the gang develops as Gray decides to leave and go back to town to see if the young boy was killed or not and to try to atone for the tragedy on behalf of his family.
Before he can go, Wesley confronts him, stabs him in the back and takes Gray's share of the loot. Believing Gray dead, Wesley ties him to his horse and drives them off. Willoughby comes upon the wounded Gray and takes him home to be treated for his wound unaware that Gray is one of the gang who murdered his son. But Ruth had met Gray briefly on that fateful day and recognizes him.
Eventually, Willoughby finds out who Gray really is and becomes enraged to the point of taking an ax to him only to be stopped by Ruth. Gray tries to convince Willoughby of his remorse and desire to return to town to take his medicine. The two proceed to town where Gray is immediately arrested by Sheriff Adam Russell (James Griffith). A lynch mob forms led by Willoughby but the Masons arrive and......................................................
John Payne, in my opinion, gives one of his best performances as the vengeful father out to bring down his son's killer(s). The scene where he attempts to take an ax to Cooper is unexpected. He goes from a peace loving farmer to a man filled with hate seamlessly. Ruth Roman is also good as the wife who tries to clam her husband down in spite of her own sorrow.
J. Carrol Naish, complete with southern accent, makes a fearful leader of the confederates. Ben Cooper also stands out as the sympathetic and remorseful Gray. John Smith as the trigger happy "Cain like" brother also stands out. Unfortunately, Ben Johnson, whose performances I always personally liked, has little to do in this one. Sterling Franck, for some reason, is billed as his character Cain Mason. Watch for sagebrush veteran Kermit Maynard as a Deputy.
Great cast, grim humorless story well mounted.
Following the Civil War, John Willoughby (John Payne) and his wife Ruth (Ruth Roman) and son Peety (Bobby Clark) live on a small ranch where Peety likes to play soldier (Union of course). A gang of ex-Confederates is roaming the area robbing banks in order to survive.
The gang is led by Bedloe Mason (J. Carroll Naish) who along with his four sons: Gray (Ben Cooper), Wesley (John Smith). Frank (Ben Johnson) and Cain (Sterling Franck) is looking for its next score.
One day Frank Wesley and Gray ride into town for water. Young Peety, who has just received a pair of cap pistols for his birthday, sneaks up behind the men and is shot (in a gruesome realistic scene) by the trigger happy Wesley. Wesley and Frank flee but Gray is shocked and feels remorse, but he too is forced to flee.
Willoughby and his wife are devastated by their loss and he vows revenge on the killers. Back in the rebel camp dissension among the gang develops as Gray decides to leave and go back to town to see if the young boy was killed or not and to try to atone for the tragedy on behalf of his family.
Before he can go, Wesley confronts him, stabs him in the back and takes Gray's share of the loot. Believing Gray dead, Wesley ties him to his horse and drives them off. Willoughby comes upon the wounded Gray and takes him home to be treated for his wound unaware that Gray is one of the gang who murdered his son. But Ruth had met Gray briefly on that fateful day and recognizes him.
Eventually, Willoughby finds out who Gray really is and becomes enraged to the point of taking an ax to him only to be stopped by Ruth. Gray tries to convince Willoughby of his remorse and desire to return to town to take his medicine. The two proceed to town where Gray is immediately arrested by Sheriff Adam Russell (James Griffith). A lynch mob forms led by Willoughby but the Masons arrive and......................................................
John Payne, in my opinion, gives one of his best performances as the vengeful father out to bring down his son's killer(s). The scene where he attempts to take an ax to Cooper is unexpected. He goes from a peace loving farmer to a man filled with hate seamlessly. Ruth Roman is also good as the wife who tries to clam her husband down in spite of her own sorrow.
J. Carrol Naish, complete with southern accent, makes a fearful leader of the confederates. Ben Cooper also stands out as the sympathetic and remorseful Gray. John Smith as the trigger happy "Cain like" brother also stands out. Unfortunately, Ben Johnson, whose performances I always personally liked, has little to do in this one. Sterling Franck, for some reason, is billed as his character Cain Mason. Watch for sagebrush veteran Kermit Maynard as a Deputy.
Great cast, grim humorless story well mounted.
This One Brought Tears....
Stormy_Autumn18 October 2008
Warning: Spoilers
I was able to watch "Rebel in Town" (1956) & gave it 8 out of 10. I have looked for this movie for ages.
I remember when the Bedlow Mason (J. Carrol Naish) family showed up in town to water the horses, get supplies & check into staging a robbery.
It was there that John & Nora Willoughby (John Payne & Ruth Roman) lost their only child Petey when he startled outlaw Wesley. Wes turned & blew Petey away. This becomes bad for the baby brother of Wes & worse for John & Nora.
John was filled with grief, anger & revenge. Nora's was grief, loneliness & sorrow. Her forgiveness became stronger when she realized John had brought home an injured young man, Ben...Ben Mason! The boy she saw at Petey's murder.
There is so much that you will miss if you don't take time for this film. Will there be any peace between the Willoughbys & the Masons? Will the "sad", then, possibly, "understanding" emotions be overwhelming for all? If 'Pro' is the opposite of 'Con' then what is the opposite of Progress?
I remember when the Bedlow Mason (J. Carrol Naish) family showed up in town to water the horses, get supplies & check into staging a robbery.
It was there that John & Nora Willoughby (John Payne & Ruth Roman) lost their only child Petey when he startled outlaw Wesley. Wes turned & blew Petey away. This becomes bad for the baby brother of Wes & worse for John & Nora.
John was filled with grief, anger & revenge. Nora's was grief, loneliness & sorrow. Her forgiveness became stronger when she realized John had brought home an injured young man, Ben...Ben Mason! The boy she saw at Petey's murder.
There is so much that you will miss if you don't take time for this film. Will there be any peace between the Willoughbys & the Masons? Will the "sad", then, possibly, "understanding" emotions be overwhelming for all? If 'Pro' is the opposite of 'Con' then what is the opposite of Progress?
"Why should he become a murderer because someone else was?"
classicsoncall24 April 2017
Warning: Spoilers
"Rebel in Town" offers up an interesting character reversal with the portrayals of John and Nora Willoughby (John Payne, Ruth Roman), in that it's the wife's role to maintain a balance of composure and common sense when her only child is accidentally shot and killed when a trio of ex-Confederate soldiers makes it's way to the town of Kittreck Wells. One would expect the woman in the situation to become hysterical and call out for blind vengeance, but here she maintained the voice of reason long enough for the truth of the incident to reveal itself.
The Mason clan was an interesting bunch I'd have to say. Led by Bible thumper Bedloe (J. Carroll Naish), the clan always took a vote when it came to important family decisions. Although I didn't catch any vote when Pa took a whip to bad boy Wesley (John Smith) for scheming against brother Gray (Ben Cooper). You know, I would have sworn that the part of Gray Mason was portrayed by Richard Thomas, except the math wouldn't have worked for the year the picture was released. Thomas would have been five years old, but if you pull up their pics on IMDb you'll see the resemblance.
The movie eventually reestablishes your conventional norms by the end of the story, as John Willoughby realizes his wife's advice is sound and successfully dissuades the good folks of Kittreck Wells to lay down their hangman's noose. I always hate to see a young kid get killed in one of these old time Westerns, so that's my biggest downside for the picture. However it was satisfying that Pa Willoughby was vindicated, and didn't have to exact revenge with a restless gun.
The Mason clan was an interesting bunch I'd have to say. Led by Bible thumper Bedloe (J. Carroll Naish), the clan always took a vote when it came to important family decisions. Although I didn't catch any vote when Pa took a whip to bad boy Wesley (John Smith) for scheming against brother Gray (Ben Cooper). You know, I would have sworn that the part of Gray Mason was portrayed by Richard Thomas, except the math wouldn't have worked for the year the picture was released. Thomas would have been five years old, but if you pull up their pics on IMDb you'll see the resemblance.
The movie eventually reestablishes your conventional norms by the end of the story, as John Willoughby realizes his wife's advice is sound and successfully dissuades the good folks of Kittreck Wells to lay down their hangman's noose. I always hate to see a young kid get killed in one of these old time Westerns, so that's my biggest downside for the picture. However it was satisfying that Pa Willoughby was vindicated, and didn't have to exact revenge with a restless gun.
Rebel in town
mhrabovsky69125 June 2009
Hollywood made a slew of so called "B" westerns during the 1950s, mainly black and white 80 minutes jobs meant to fill a second feature at the local theatre.....when I saw the top notch actors in this film I figured it would be worth watching and it was very good....John Payne, J. Carrol Nash, John Smith, Ben Johnson and Ruth Roman round out a very solid cast.....in a lot of these so called B westerns there were a lot of films about confederate soldiers on the run rummaging and pillaging so the plot was somewhat familiar....what set the tone for this film was the slaying of a young boy who was gunned down by a rebel coward, who thought that a cap gun going off was the real thing and he turned around in an instant and shot the kid dead...what follows are real character studies of the rebel family and their self righteousness about how a member of their family killed a little boy and the intense manhunt led by John Payne, the boy's father....Ruth Roman plays a very compassionate, caring mother while grieving for her dead son and tries to instill logic and a level head into her husband Payne who starts to lose his cool nearly every moment in the film.....Strange part to the movie when one of the rebel band is rounded up by Payne and brought to his house not knowing he was one of the rebel band....questions follow and soon Payne realizes his "guest" is part of the family that killed his son....a mob scene follows as usual and soon law and order is restored....in the end Payne nails the real killer (John Smith) in a knife fight in a barn as he tries to escape town....his father, J. Carrol Nash forgives Payne in the end for his son's cowardice..... Payne is reunited with his wife who was at the breaking point with her husband's blood thirst for revenge.....a solid, very worthwhile western, considering it was made rather cheaply by a small studio Bel Air productions..but released by United Artists.....
A Very Good Western
jromanbaker7 May 2022
A mixture of Film Noir elements, a lot of psychological insight and scenes that are typical to the usual Western this makes for an unusual film. A child is killed and the man who caused it tries to evade responsibility for it, and many brutal scenes are shown before the final outcome. Filmed in black and white this accentuates the Noir feel, and the direction and casting is excellent. Ruth Roman is at her best as the child's mother, and so is Ben Cooper as one of the brothers of the killer, who tries to restore justice in his own way. John Payne gives a good performance as the father and I cannot fault the acting. In my opinion this film should be better known, and valued but if found it is well worth seeing. A deserved 10.
A psychological drama about how the Civil War affected people's perspectives
audacious13 May 2017
I just watched this movie on Netflix. Although I am a big western fan, I had never seen this movie with its wonderful cast. The general story line is about a nervous confederate man shooting a boy and then becoming more cowardly than ever, allowing his brother to take the blame. That's not what this movie is truly about. It is about the psychological effects people had as the Civil War ended. On one side, we have the heroic Northern officer who can't resist always assisting the law and his perspective of the Confederacy that he has passed on to his son. On the other side, we have five war-weary confederate soldiers, four brothers and a father, having just robbed a bank in a nearby town, but having a need for water. Three of them ride into town and one is involved with a shooting. The youngest brother feels guilt and wants to do the right thing. The father of the shooting victim wants revenge against the soldiers, regardless of the fact it was an accident. The story hinges on the tug and pull of the emotions and feelings people had, due to the War. If there was something I would criticize, it would be the writer finding the easy out by making the shooter become cowardly and unconcerned about anyone but himself. What made this western stand out to me was the material it covered. It was not a simple plot. The emotional content is what makes this story special, the right and wrong perspective idea consistently flows throughout this movie with only Ruth Roman being the voice of reason and logic. All the actors did great jobs with their characters and it was refreshing watching actors, normally portrayed as stereotypical heroes playing people with huge flaws that pinpointed their humanity. I would like to have seen more of Ben Johnson (side bar complaint). Very worthy of watching more than once.
BOLD & BRUTAL...STAND-OUT WESTERN...DRAMATIZES DIVISIVE CIVIL-WAR TRAUMA
LeonLouisRicci12 August 2021
One of the Many, Many, B-Western Movies Cranked-Out in the 1950's.
Yes, there were Many. But Few Rise to the Level of this Outstanding Adult Look at the Ongoing Aftermath of the Civil-War.
It Still has a Lingering Residue Staining Otherwise Decent Folks.
The Villainous Gang of Displaced Southerners have Lost Everything but the Closeness of Family.
They are On-the-Run Avoiding Capture for Bank-Robbery.
While "Going to Town" for Water a Spontaneous Encounter Leads to an Accidental Killing that Fuels the Fire that is Simmering Everywhere.
A Good Cast with John Payne an Ex-Union Officer and His Wife Ruth Roman.
The Leader of Rebel Family is J. Carrol Nash in one of Better Roles.
But an Unlikely Western Hero is Ruth Roman, and with the Help of an Intelligent Script Steals the Show.
As the Conflict Unfolds there are Chilling Scenes Not Often Found in Fifties Films.
One of the Better Unknown Westerns.
A Sleeper Waiting to be Discovered as an Anomaly in an Avalanche of Lesser Westerns.
A Genre that Proliferated the Period with Mediocrity.
Definitely Worth a Watch.
Yes, there were Many. But Few Rise to the Level of this Outstanding Adult Look at the Ongoing Aftermath of the Civil-War.
It Still has a Lingering Residue Staining Otherwise Decent Folks.
The Villainous Gang of Displaced Southerners have Lost Everything but the Closeness of Family.
They are On-the-Run Avoiding Capture for Bank-Robbery.
While "Going to Town" for Water a Spontaneous Encounter Leads to an Accidental Killing that Fuels the Fire that is Simmering Everywhere.
A Good Cast with John Payne an Ex-Union Officer and His Wife Ruth Roman.
The Leader of Rebel Family is J. Carrol Nash in one of Better Roles.
But an Unlikely Western Hero is Ruth Roman, and with the Help of an Intelligent Script Steals the Show.
As the Conflict Unfolds there are Chilling Scenes Not Often Found in Fifties Films.
One of the Better Unknown Westerns.
A Sleeper Waiting to be Discovered as an Anomaly in an Avalanche of Lesser Westerns.
A Genre that Proliferated the Period with Mediocrity.
Definitely Worth a Watch.
Quite a Surprise
jjwolverine2 June 2023
Usually B & W Westerns that ran after the main feature in movie houses are superficial variations on the same theme. That this film might be different is evidenced by the strong cast. John Payne, Ruth Roman, J. Carrol Naish and Ben Johnson have been in several main feature films.
This one did not disappoint. A unique storyline, strong family ties by both the Willoughbys and the Masons provided a solid story with the ending not obvious.
I enjoyed this film and was surprised by how it moved me. I was impressed by the writer who came up with this idea. Rather than routine shoot 'em ups, we got a psychological story with enough going on to hold the viewer's interest without multiple scenes of B movie Western action. RECOMMENDED.
This one did not disappoint. A unique storyline, strong family ties by both the Willoughbys and the Masons provided a solid story with the ending not obvious.
I enjoyed this film and was surprised by how it moved me. I was impressed by the writer who came up with this idea. Rather than routine shoot 'em ups, we got a psychological story with enough going on to hold the viewer's interest without multiple scenes of B movie Western action. RECOMMENDED.
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