User Reviews

The "help me, help meeeee" scene revolted and scared me so much as a young child that it was years before I could see this movie again. Even now I cringe when I witness that nightmarish scene. As good as Cronenberg's movie is (and it is very good), there is nothing that surpasses the delirious horror of the man-fly in the spider's grasp.

Elsewhere, the movie is rather subdued. In some spots, almost too much so. Although the first revelation of The Fly's appearance is another classic spot...the multiple reflections was a great touch. Like all great monsters, the Fly has a very sympathetic edge to it. We are revolted by the horror of this monster but we feel overwhelming pity for him as well.

Vincent Price does a workman-like job in a rather blasé part. Usually he adds a special touch to a film, but really, any number of actors could have played his part here.

The scientific basis of this movie is pure rubbish, as there is no way that insect and human parts could biologically interact with each other. The result of such a mixture would be instantly dead in real life.

But that doesn't matter here. A nightmare has its own logic. And "The Fly" is a nightmare.

The Fly (1958)

You might be convinced to see a movie just because it has Vincent Price and Herbert Marshall in it--they come from different backgrounds, but both are serious actors with nuance and clearly chiseled personalities. And they definitely raise the movie up.

But it's the story that is the star here. A Ray Bradbury kind of science fiction, where a futuristic idea enters middle America, and where something goes terribly, bizarrely wrong. If you think about it it's disturbing, but the movie doesn't pause to let you think. One of its strengths is that it never flags. And the main character, the handsome father and scientist (who creates the invention of the century in his basement), is brilliant. He's suave, alternately relaxed and obsessed, reasonable and believable even when talking about the unbelievable.

The flaws are so obvious they you can skim over them--the fly effects at the end, their stupidity at catching and losing the fly, the notion of insanity, the television kind of family interactions--but it does make the movie more of an entertainment than some fine art classic. But hey, that's what it's supposed to be, and really enjoyable. Even in parts brilliant. Watch it!

The Fly is a movie I have just been dying to see, I have heard a lot about this movie, mainly the infamous "Help me! Help me!" scene. But of course the number one reason being that this is the original to the remake with Jeff Goldblum which is an incredible movie in itself, but I was curious what the original would be about. Honestly I was thinking that it was going to be very cheesy, it's a 1950's horror movie that would probably be over the top, but honestly, from the very beginning you get gore, which was odd, but sickly enough I love it! I am also a huge Vincent Price fan, this is the man of the classic B horror movies and his voice and presence make these movies worth the watch. So I finally got to see this on netflix, I absolutely loved The Fly. Is this better than the remake? Honestly, the remake is more realistic on what would happen if this really did occur, but don't overlook the original, as cheesy as a fly in a giant trench coat can be, it's all good and this story is tons of fun and really scary.

A woman named Helene Delembre phones her brother-in-law, Francois Delambre to tell him that she has just murdered her husband. Francois calls in the police and she admits killing him but refuses to say why. Later, Francois tricks her into telling the story to him and Police Inspector Charas. A scientist, Andre Delambre, has invented a teleportation device. After a few failed attempts, he succeeds with living organisms, deciding to go for the ultimate risk and transport himself. The first time works, but, unknown to him, a fly enters the cabin with him and the two are hopelessly scrambled together. The scientist emerges as a half-man, half-fly, a human with a fly's head, leg and arm/claw. His wife finds out something is wrong as she now sees him with a cloth over his head and a hidden arm. He eventually tells his wife what has happened and she first sees his claw and screams, then later sees his fly head and screams more. His wife, son and maid try to find the "fly with a white head" and fail. The son had caught it just after the accident but had been made to let it go, before any of them knew what it was. Andre attempts to reverse the process to return himself to normal, but fails and when he realizes that his mind is being overtaken by that of the fly he asks his wife to end his suffering by killing him with a heavy machine press.

The Fly is a fantastic and thrilling movie. I know that the ending sequence of "Help me! Help me!" was cheesy and over the top to some, but to me it was just plain creepy, it really scared me. The whole atmosphere of the film just felt uncomfortable and disturbing. Granted, I know these were not top of the line make up effects with the fly, I do have to laugh juts a little bit with seeing a fly in a trench coat. But still it was effective and made for a great sci-fi story. I love these old movies for a specific reason, this was the time when film meant something to the cast and crew making it and The Fly was made to give people the chills. It's just rare now-a-days, if this was made in today's world, it would be all gore and just stupid. So I do recommend that you see this film if you are looking for a good scare. Both this and the remake are terrific films and are a ton of fun to watch.

8/10

It's been said again and again that this is a good horror film. A Very Good film. But it is more than that.

I can still hear with my mind's ear (is that right?) the sound of the hydraulic press "WHUMP" and the echo. Then again that "WHUMP" ... is there another sound experience that reverberates through a movie like that?

Sure, surround sound, THX, all that tech stuff, but the sound as the manifestation of the crime that encircles this story, the horror as the mind tries to put together the images that (finally) is seen in a flashback as this scene bookends the start and "finish" of the plot.

The inner struggle of the scientist as he fights with his human hand to control the spasms of his "fly" arm is both horrible and heart-wrenching.

The shock as the cloth is torn away from the scientist's head... the fly's POV shot with facets and mirrors of the the screaming face of the scientist's poor wife! The scene at the spider's web as the shrill voice begs "help me... help me"

The horror of murder of a man/thing and a thing/man being shown and even compared in sharp (but obvious) dialogue.

You MUST see this and experience the earlier days of horror -when classics like this, like "The Thing From Another World," like "It, the Terror From Beyond Space" (the original model of Alien) exhibit a freshness and a palpable terror that remakes cannot capture, whatever wonderful special effects are thrown in to add to the creepiness. Sure these later gorefest horror films are good. I buy them all the time. But they are a different genre. The Fly with Vincent Price is NOT the same story as The Fly with Jeff Goldblum. It's not really a remake as a retelling.

See the original. It is rich with emotion and intelligence, not to mention some pretty fine acting for what was really a "B" movie.

"The Fly," directed by Kurt Neumann and released in 1958, stands as a timeless science fiction classic that seamlessly weaves suspense, horror, and tragedy into a compelling narrative. This iconic film, based on a short story by George Langelaan, explores the consequences of scientific curiosity gone awry and remains a benchmark in the annals of classic horror cinema.

The plot centers around the brilliant scientist André Delambre, portrayed by David Hedison, who becomes the victim of his own groundbreaking teleportation experiment. The film unfolds as André's wife, Helene, played by Patricia Owens, recounts the chilling events leading to her husband's gruesome demise to André's brother, François (Vincent Price). The narrative structure, with its flashback-driven storytelling, adds an air of mystery and anticipation, heightening the film's overall tension.

Vincent Price delivers a stellar performance as François Delambre, bringing a perfect blend of sympathy and unease to the role. His on-screen presence is captivating, and he skillfully conveys the conflicting emotions of a grieving brother seeking the truth behind André's tragic fate.

The practical effects used to portray André's metamorphosis are a testament to the creativity of the filmmakers of the era. The gradual revelation of the horrifying consequences of the teleportation experiment is both shocking and morbidly fascinating. The iconic "fly head" remains an indelible image in the history of cinematic horror, a testament to the film's impact on the genre.

"The Fly" is not merely a creature feature; it delves into deeper themes of the ethical implications of scientific experimentation and the unforeseen consequences of playing with the laws of nature. The film raises poignant questions about the limits of human knowledge and the dangers of tampering with forces beyond our understanding.

The atmospheric score composed by Paul Sawtell and Bert Shefter enhances the film's mood, contributing to its overall sense of foreboding. The use of shadows and lighting, classic elements of film noir, further heightens the tension and adds a layer of sophistication to the movie.

While some aspects of the film may appear dated to modern audiences, "The Fly" remains a compelling and thought-provoking cinematic experience. Its enduring legacy is evident in the numerous adaptations and references it has inspired over the decades. The 1958 version of "The Fly" continues to captivate audiences, reminding us that even in the realm of science fiction, there are moral lessons to be learned from the consequences of unchecked scientific ambition.

"The Fly" is one of the better giant insect movies of the 50s. It starts out with the discovery by a night watchman of the grisly killing of scientist Andre Delambre (Al Hedison aka David Hedison) apparently at the hands of his wife Helene (Patricia Owens). She calls Andre's brother Francois (Vincent Price) to tell him of the tragedy. Francois in turn, calls in Inspector Charas (Herbert Marshall) and together they question Helene to try to find out what happened.

In a flashback, we learn that Andre had been experimenting with transporting matter at light speed from one point to another. When he reached the stage of using a human in the tests, he had used himself. Unfortunately, when he transported himself, unbeknownst to him a common fly had been in the disintegrator with him. When they re-integrated things were not quite as they had been before. Of course no one really believes Helene's story until Francois and the Inspector are shown the unfortunate fly by Andre and Helene's son Philippe (Charles Herbert).

Director Kurt Neumann builds up the suspense by first letting us guess what has happened in the laboratory and then delaying the unmasking of Andre as long as possible. That scene reminded me of the unmasking of the Phantom in Lon Chaney's "The Phantom of the Opera" (1925). The wide screen is used to great effect in that scene when Helene first sees what has happened to her husband, and we then see multiple images of her, much in the way that we believe a fly would see it, screaming in terror.

The fly makeup was, I thought, quite convincing and who can ever forget the final scene when a spider is closing in on the title character (Help me, please...Help me..).

A slick, clever, engaging and unique (if a bit slow-paced at first) sci-fi story. Although the special effects leave something to be desired, especially if you've seen the incredible (and incredibly nauseating) images of the 1986 remake, the film's restrained approach to horror can be very pleasurable if you get used to it, and the script is stronger and more character-driven than the one of Cronenberg's version. A surprisingly good film. (***)

After killing her husband Helene Delambre recounts the story of why she done it. Her husband was a scientist who was deeply into his work and through those long days and weeks he makes a big breakthrough in science by inventing a teleportation machine that can transmit matter from one spot to another. After some glitches he fine tunes the device and decides to test it by using himself as a guinea pig. While, in the process of this test, a housefly gets caught inside with him and when he emerges from the other capsule he shares its genetic structure and physical attributes.

"The Fly" is classic Sci-Fi / horror from the 50s and what a nice surprise this was! Unlike many of its kind in the 50s, this one didn't have a childish feel. The context may seem silly here, but its executed with enough skill and handled in a relax manner by director Kurt Neumann to set above the rest. Just don't be expecting a monster on the rampage tale. This one veers more towards a much more broaden and imaginative story with a certain eeriness contained in its psychological material rather than visuals. Even though it doesn't scare you witless, it still does provide a couple of memorable and ingenious shocks that are hard to put out of your mind. The film opens with the horrific outcome of Helene's husband Andre and then it goes into flashback mode where we learn the fate of Dr. Andre Delambre. What does make it surprisingly good is that we're treated with such passionately vivid characters and a interesting set-up that pulls you in by taking a more serious approach with a dabble of irony along the way. The talkative first hour slowly builds up to its taut last half-an-hour, where we get a smart and venomously bleak climax. Although, it could have done without that preachy conclusion. The rational script by James Clavell works by being incredibly dense with it thriving on some quick wit and sincerity. The story is more about a woman trying to save the man she loves as he slowly fights the genetic effects of the fly's DNA. He may seem hideous on the outside, but inside he is still more so human and he's trying his best to keep control of his dieing humanity. This is proved by how much he cares for his family's safety when he's willingly to take his own life for the best of everyone. It's practical story telling at its best.

The look of the film is top shape with it being shot in vibrant Technicolor and the key is that the deformity is kept hidden, but when it's revealed it actually stands up rather well. It's ugly, that's for sure, but still it looks rather competent. They're also an inventive touch when we see the creature for the first time with multiple frames being used to represent the reflection from human fly's eyes. In Cronenberg's version we see the grotesque transformation, but because of the times and effects we don't see it here, but more so the aftermath of the mishap. All of the devices and gadgets in Andre's lab are well presented and the mounted score adds in a forceful touch with nice crisp sound effects. The performances are more than great by the likes of Al Edison, Patricia Owens, and Herbert Marshall and even though Vincent Price had a supporting role, you'll be in awe of his effortlessly suave performance.

An excellent classic of its field that's more concern about telling a moving and fascinating story than just giving us pointless action and cheap thrills to spice up proceedings. The more you stick it out, the more compelling it does become.

The Fly tells the story of an eager scientist named Andre Delambre. He is happily married and has a son. He has the perfect suburban life. That all changes when he invents a device that can transport inanimate objects, but it has trouble transporting live matter. When he tries it on himself, a fly gets into the chamber with him, and their particles mix up giving Andre the head and arm of a fly, and giving the fly Andre's head and arm.

The Fly isn't an overly terrifying film, but the plot is really interesting. The film starts off as a murder mystery, and slowly evolves into a mix of sci fi and horror as we see the transformed Andre Delambre's mind slowly seep away while being replaced with the fly's. The make-up is really good for a 1950's movie, and it's almost believable that the scientist's head was replaced with a giant fly head.

The characters in the film are all portrayed by great actors of the time, such as David "Al" Hedison as Andre/The Fly and horror master Vincent Price as Andre's brother Francois. The Fly offers up good acting and a great plot and should be recognized for its artistic effect on movies. If you're looking for a classic to watch, pick this up.

7/10

in terms of creepiness, this flick takes a back seat to no horror film. the goldblum et al remake is a gory over-the-top, special-effects show-off in comparison. instead this one grabs your psychological neck, shakes it about and forces you to answer serious questions regarding the scientific exploits of man. while doing so it hermetically seals you in a world of misguided, pitiless hubris. if that sounds like a bit too much, just give it your time and try to go to sleep without thinking, "why the hell would anyone proceed so far" and without thinking of ways to save the poor, doomed scientist. it is a tale of inevitability and loss that brings into stark contrast the foolish doings of man against a backdrop of an inhumane and unforgiving nature. view at your own risk... do not view at your own horror- enjoyment's peril!

In a Montreal machine shop, scientist Andre Delambre (Al Hedison) is found crush to death with his wife Helene (Patricia Owens) at the controls. She calls to confess to his brother Francois (Vincent Price). With the head crushed, Francois identifies the body with a long scar on his leg. Helene's confession seems suspicious and Andre's basement lab is trashed. Helene seems obsessed with flies and Francois pretends to have captured a white-headed fly. Helene recounts the story to him and Inspector Charas. Andre had succeeded in making a teleportation device.

This is much better than a simple 50's B-movie. The story is actually quite compelling. The acting is relatively good. Vincent Price is playing it straight. The production looks good. The directions are a little stiff which is the style of the day. It is still the story that is so great and the reveal is absolutely iconic.

Andre Delambre pays a terrible price, a schoolboy error leaves him trapped in a vice, takes his lips and his kiss, leaves him with proboscis, and looking like he's in disguise; after trying to make a machine, that Star Trek would make quite pristine, a transformative scrambler, a relocating sampler, if you're a cat, it can make you unseen; but trespassers will make you cry, causing multiple views from your eye, change your lifestyle and diet, larger version of a gnat, as you take to the skies and you fly.

A classic of the 1950s Sci-Fi revolution, as bonkers as any of them, and just as thoroughly enjoyable all these years later.

David Hedison stars as scientist and inventor Andre Delambre, who has created a teleporting machine capable of transmitting matter from place to place in enclosed cubicles. After one experiment with the cat goes wrong(poor Dandelion!) he tries again with himself, only a tiny housefly is in there with him, causing them to switch heads and an arm! His wife Helene, along with son Phillipe, try to help him, as does his brother Francois(played by Vincent Price) by locating the fly, which has flown away, in order to reverse the process, but it sadly doesn't work out... Popular thriller has some effective makeup, and a legendary climax, which is still disturbing, but is otherwise far too slow to overcome the ludicrous central premise. The cat scene is equally disturbing to me! Followed by two sequels, then later remade.

As a child in the theater I screamed and had bad dreams.... Then as a teenager I watched the "Fly" on TV and still Jumped back in fear at the sight of that horrible face! A few years later my friends and I watched it on TV again, but this time I turned down the sound at the scary scenes ( theorizing that the music was the cause of the fear) but even at low volume the haunting cries of "Help me...Help me" gave me the chills. A MUST SEE DF.

Yes it is full of holes. The whole business of conservation of matter comes into play. Even if such a machine could be built, why did the exchange involve so much fly material and so little human. Remember, the parts were true to their original form. Forget that because that would ruin the movie. As it is, we have this poor man, Al Hedison (later David on Voyage to the Bottom of the Sea), who makes this wonderful machine for transporting matter (beam me up Scottie). He gets into it, not knowing there's a fly in there. What about the bacteria on the wall (this could have been called "The Stroptococcus." Oh, well, the thing happens and we have two beings created. A little fly with a a man's head and fly's body, and a gigantic fly head with a man's body. The brain thing is a little confusing, although it is addressed in the fact that the giant fly man is slowly losing his wits. Of course, what must be done is to catch the fly and put the two entities back together. With their luck, they might have created a little man and a gigantic housefly. So much of the movie is about the despair of trying to get this to happen. Eventually, the wife is seen as a murderer for killing her husband in a giant machine press. He story is a little hard to swallow. That's why the final scene with Vincent Price looking down at the spider web is so important. She needs to get off the hook.

Several viewers have pointed out that last scene. I, too, had nightmares when I first watched this at our little movie theater in 1958. That shrill whiny voice, the man with the little vocal chords who had aged as a fly would age, waiting for that enormous spider to suck out his bodily fluids--well, talk about your nightmares. It's sure a lot scarier than showing up at your graduation without any pants. I love these movies. If I sound disrespectful, I'm not. They were a part of my childhood. See this if you never have.

"The Fly" is a really cool story which is sort of let down by fairly dull direction. It's never as horrifying as it should be, at least until the end.

The plot concerns a scientist who is found crushed by his own machine in a set-piece which is surprisingly bloody for a '50s picture. His wife admits to some involvement, but swears she didn't murder him. In flashbacks, we see the man invent teleportation devices which he uses on inanimate objects and then on animals. We learn that a mishap, perhaps due to this hubristic intrusion into God's realm, has led to the creation of a half-man, half-fly.

For much of "The Fly"'s run-time, I appreciated its story, but not the way it was told. Vincent Price, that actor of inimitable voice and bearing, does not, in fact, play the fly-man. His role in the movie is hard to account for. I understand that the audience might not have been expected to warm to the fly-man, but what about his wife? Could she not have been relied on to carry the movie, while at the same time providing a channel for pathos? I can't believe I'm having a hard time justifying Vincent Price's participation in a movie. It's not like his presence bothers you. It's just hard to explain.

Anyway, I was all set to give "The Fly" a seven out of ten. That is the rating I give to good movies which fail to hold my attention throughout due to pacing issues, or poor direction. Then I saw the ending, and what an ending. That will prove hard to forget, and was genuinely horrifying. Hence I would give "The Fly" seven-point-five out of ten, if IMDb would let me.

What cheesy Fun! This movie is not deep or profound, except for one message I will comment on later in my review. This is mostly pure, campy fun with a slight edge. The typical 1950's women who faints (eye roll.) Everyone stumbles and fumbles in every part of the movie in an attempt to put things right again. "Catch the fly, don't kill it!" and a second later the maid with that exact instruction has a fly swatter, and kills a kitchen fly. WTH?? There is one line I love when Vincent Price says "They couldn't hurt a fly." It isn't Shakespeare nor is it ever intended to be. I kind of enjoy movies from another generation. There is an innocence to these films that does not exist today. A movie without sex, nudity, excessive violence yet holds your attention. Under all the campy fun it does give us a message that is even more true today. Science can be a slippery slope and the "blessings" of modern medicine can turn into a curse. A fun, campy horror film with a interesting message for the genre. I would recommend!

The Fly is directed by Kurt Neumann and adapted to screenplay by James Clavell from the short story written by George Langelaan. It stars David Hedison, Patricia Owens, Vincent Price, Herbert Marshall, Kathleen Freeman and Betty Lou Gerson. Music is by Paul Sawtell and cinematography by Karl Struss.

When science goes berserk, The Fly finds Hedison as scientist Andre Delambre, who after successfully inventing the ability to transmit matter from one place to another - falls prey to a cruel slice of horrific fate...

Kurt Neumann would sadly pass away shortly after The Fly was released. Itself a terrible shame, it's doubly sad that he didn't get to see his film become a cult favourite with longevity assured. It's a film that smartly blends sci-fi with horror, and even managing to be fun into the bargain.

It's sometimes by modern observers accused of being too slow, but really it's a lesson in fine story telling. For at the heart of the tragic tale is a bountiful love story, the loyalty of a great wife in full effect. Throw in Andre's stoic pursuit of a science to benefit mankind, and this is a film that needs time to lay the story foundations.

Once we get to the horrors, and the surviving characters of the flashback structure play out this fateful tale, it simultaneously grips and fascinates. The effects work of course now looks a bit creaky, but those who first sampled them many decades ago have never ever forgotten the impact of the critical sequences.

Two pretty poor sequels would follow, which in turn would see a brilliant remake by David Cronenberg some 28 years later. Neumann's film is still a great piece of 1950s sci-fi, clinically adapted from a genius piece of short story writing. Loop holes exist, of course, but who cares, dive in and be haunted by what transpires on the screen. 8/10

A scientist (David Hedison) has a horrific accident when he tries to use his newly invented teleportation device.

The creators of this film made an interesting decision: casting Vincent Price in a supporting role rather than the lead. Of course, if he was the lead, he would have his face covered and relatively few lines to speak. So maybe that was the clincher.

This film really embraces the 1950s science fiction boom, with the giant computer and invention. Is this a "mad scientist"? Not in the least. Although he is not a particularly logical or well-reasoned scientist. Who tests something on the family cat before using something smaller, like a dead fish? And who tests things on themselves before others? Foolish.

Here's one case where the re-make is far, far better than the original. This also is another case of a vastly overrated science-fiction film of the '50s. Most sci-fi films of that period, including this one, have such primitive special effects that they destroy any credibility of presenting a scary story.

In this particular film, the main drawback is not the dated effects but the sheer boredom of the story. It's too slow. A fly moves a lot faster than this flick.

One odd thing about the cast. The two stars of the film were "no-names" (Al Hedison and Patricia Owens) and the two supporting cast members were big names (Vincent Price and Herbert Marshall).

One plus for the film that you certainly didn't see in the re-make is they give God His due realizing that human beings are not supposed to "play God" and they state just that. Of course, that was edited out in the 1986 version. However, if you are looking for a straight horror/sci-fi thriller, watch that '86 re-make with Jeff Goldblum and Geena Davis. It is far better than this snoozer.