Hip Hip-Hurry! (1958) Poster

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8/10
The chase continues
rbverhoef16 May 2004
This is another fine cartoon in the Road Runner vs. Wile E. Coyote series. This time the Coyote tries to catch the bird with a catapult and dynamite, some more dynamite, some hand grenades, a falling rock, a speed boat and even some high speed tonic. Of course he fails with every new attempt, hurting himself over and over again.

Since this one is directed by Chuck Jones you can be certain that it is entertaining. Cartoons directed by him are always funny and the timing is perfect. Here it is not different. The gag with the speed boat and a waterfall is very good. The high speed tonic joke is quite good as well. First he tests the stuff on a mouse before trying it himself. Especially the running mouse looks very funny. 'Hip Hip-Hurry' is another fine example of the great cartoons from Chuck Jones.
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8/10
Mostly great, but let down by the music and the sound effects
TheLittleSongbird9 June 2016
'Hip Hip-Hurry' is a very funny, mostly well made and mostly great cartoon. It isn't one of the classics of the on-the-most-part enjoyable Roadrunner/Wile E. Coyote series but it is miles better than any of the late 60s efforts, which saw the series (and most of the Looney Tunes cartoons actually) declining.

The animation is not the most inventive or luscious of the series, nor did it need to be. The overall quality is still very good, it has beautiful rich colours, nice detail in the backgrounds (while not as meticulous as earlier outings, they're hardly sparse or simplistic either) and the drawing is fluid, a great job as ever is done with the drawing and characterisation of Coyote's many expressions. 'Hip Hip-Hurry' also benefits from being very funny.

As with a vast majority of the series (apart from two) there is no dialogue, the humour all comes from the physical comedy and sight gags. The physical comedy is very nicely drawn, no stiffness at all, while all the gags work thanks to good animation, crisp timing and Coyote as ever being the continually great character that he is. The standout gags being the one with the speedboat and in particular the riotous ending. The story is formulaic (as with pretty much all the RR/C cartoons, but the two characters and their sparkling chemistry, the gags, the animation and the efficient pacing make that not matter.

Roadrunner is cute and amusing if one-dimensional, but Coyote is funnier, more rootable and more interesting.

Unfortunately, 'Hip Hip-Hurry' is let down by two big things. While not as cheap sounding, as dull or as repetitive as Bill Lava's scoring, the music, stock not canned, is indeed no match for Milt Franklyn and especially Carl Stalling. It's not badly orchestrated and it's lively enough, but music in cartoons should add to the action and if you're a good enough composer enhance it and the music here distracts from the action. Rhythmically it doesn't quite fit and it's a bit too over-scored in places. The sound effects are also inappropriately loud and sometimes misplaced, that it becomes irritating.

In summary, apart from two annoyances 'Hip Hip-Hurry' is mostly great. 8/10 Bethany Cox
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6/10
Eatius-slobbius
utgard1420 September 2015
Fun but flawed Road Runner & Wile E. Coyote short from the great Chuck Jones and Michael Maltese. I don't know what was going on with this one. I haven't been viewing these shorts in chronological order so, as I type this review, I'm not sure if the cartoons before and after this one in the series have the same problems. The opening title card and music were a clue right away that something was off as they seemed decidedly generic. The animation is colorful and crisp. The gags are, for the most part, successful. The speedboat and Hi-Speed Tonic are two of the highlights. The biggest negative about the short are the music and sound effects. Neither felt like they belonged in a Looney Tunes short from this period. The music is energetic enough but didn't feel like it matched the rhythm of the action right. Another reviewer said it was canned music, which is entirely possible. It certainly doesn't match the quality work composers Carl Stalling and Milt Franklyn usually put forth. The sound effects are loud and annoying. They are definitely stock effects. If this short had been released in the mid-60s I likely wouldn't have batted an eye about the flaws because those cartoons were not of the same level of quality you expect from a Looney Tunes short from this decade. Still, despite the oddities, the short is nicely animated with some fun gags. It's not the best example of a Road Runner & Coyote cartoon but it's enjoyable enough.
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7/10
This one (or ANY "Roadrunner" cartoon) is almost TOO easy . . .
oscaralbert9 May 2018
Warning: Spoilers
. . . for readers of Warner Bros.' prophetic tea leaves to interpret. As most viewers know from a myriad of sources (including the director of HIP HIP-HURRY! himself), Warner's Animated Shorts Seers division (aka, The Looney Tuners) kind of found themselves in a not necessarily entirely welcome position, as the primary augers for America's upcoming Calamities, Catastrophes, Cataclysms, and Apocalypti. It's possible, and perhaps likely, that few if any of this clairvoyant crew imagined the extent of their foresight, with prognostications coming to pass well into this our Modern 21st Century. (Okay, of course the folks working on the Duck Dodgers Project most likely knew.) At any rate, only one U.S. Administration is perfectly encapsulated by HIP HIP-HURRY!, and only one Administrator-in-Chief is epitomized by the ever-woeful Wile E. Coyote. And guess what (as if YOU did not know), it's the one we're suffering through right now!
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10/10
Wile E. Coyote's Rocket Red Glare
stp431 April 2003
Warning: Spoilers
During 1958 Warner Brothers was hit by a musicians' strike. This affected six cartoons being produced for autumn release, and stock music cues were used by John Seely's music company, cues used for The Donna Reed Show, The Texan, and other movie and television projects; these cues would later flesh out Hanna-Barbera's initial forays into television.

The use of these "canned" scores has been unfairly criticized, for these cues imbue a different feel to the cartoons without hurting their entertainment value; this is especially true with the two Road Runner cartoons to use John Seely scores. Hip Hip Hurry! is the last of the Seely-scored cartoons, and is the best of the six, and among the best of Chuck Jones' most famous series.

Seely's score here uses more melodramatic effect than other Warners cartoons, from the opening clip onward (highlighting the very effective title card used). More comedic cues are also given good use, notably when the Road Runner splits a three-way road fork, then gives Wile E. Coyote a couple of good jolts. A visual highlight then occurs as we see a head-on shot of Wile E. closing on the Road Runner before the fleet-footed bird lights the afterburners and burns a bridge behind him.

The gags include a grenade bouncing off phone wires, an acrobatic swing, and the usual sticks of dynamite that blow up in Wile E's face. Among the funniest gags are the rock from the uncooperative cliff, followed by the speedboat and waterfall.

Spoiler - But it is the thunderous finale that sends the cartoon (and the score used) to its zenith as an overdose of speed juice turns on the jets and establishes the rocket's red glare for all to see, a strong triumph to a great short film.
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10/10
Looks like gin and tonic requires gin!
lee_eisenberg27 October 2006
More of Wile E. Coyote's perpetually unsuccessful, self-harming attempts to trap Road Runner in an unidentified part of the American Southwest. As can be expected, there's no shortage of dynamite here, but there's also boulders, a grenade, and even a form of tonic containing some most unusual vitamins. You gotta wonder why Wile E. doesn't just give up, but of course, then there would be none of these cartoons. "Hip Hip-Hurry!" may not really add anything new, but it's always great to see what happens to these characters. The waterfall gag was great, as was the end. I guess that Wile E. doesn't have to reach for the stars anymore!
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9/10
Pretty funny -- despite the "canned music"
DaniGirl196914 August 2011
Warning: Spoilers
"Hip Hip Hurry!" is an improvement over the previous episode ("Hook Line & Stinker") but, like that episode, suffers from the effects of a musicians strike. That means that instead of the outstanding and completely sympathetic music scores of Carl Stalling, we have very obtrusive "canned music" borrowed from some production library. At least most of the gags are pretty funny, such as the grenade Wile E attempts to drop on Road Runner but which is caught up in a power line and fired back up at the luckless coyote -- with a wicked little surprise in store moments later. In fact, Wile E gets blown up quite a bit in this episode, which is always fun to watch, especially his facial expressions both before and after the blast. Road Runner, who's at her teasing best at the beginning of the episode, even lends him a hand -- or beak -- at one point when his matches flare up in his face, kindly offering him a lit match to ignite the very long fuse of a stick of dynamite he'd left out for her. Of course she has her own ideas about how that should play out. There's also a great scene involving Wile E's attempts to drop a huge boulder off a rather fragile cliff-edge. One of the cutest scenes involves a little mouse that Wile E uses to test out some Acme Hi-Speed Tonic, which sends the poor little thing ricocheting around the desert and into the glove of the delighted coyote, who kisses it in gratitude (if he's so hungry, wouldn't he have eaten the little critter instead?). A pretty funny episode -- which ends with a bang!
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