The Savage Eye (1959) Poster

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8/10
If you've got money and you've got your health, why do you need love?
mark.waltz5 February 2016
Warning: Spoilers
The amazing Barbara Baxley was not a household name. A veteran actor of stage, movies and television, she covered everything from soap operas to musical comedy. Her leading roles on screen were rare, and in this, you only get fleeting glimpses of her. But that voice, like lemon candy and ginger snap cookies, is unforgettable. She's taking her guardian angel (Gary Merrill) through her world following a divorce, and when you do catch glimpses of her, she is obviously one extremely unhappy lady. Happy to be alone, that's only surface happiness, she is obviously in deep pain over her ex- husband's infidelities, both hating and loving him still at the same time. When she goes to the mailbox and gets her alimony payment, she is distraught that there's barely a note attached.

Seemingly mostly stock footage filmed all over the Los Angeles area, this shows equally miserable people living shallow lives and pretending to be happy, or are they really just getting rid of aggressions? People gardening, eating in restaurants, playing cards, yelling obvious obscenities at the fights. It's a sad, sad, sad world for the human beast, and Baxley is just the latest pod in the bed of misery that is real life. No stone of the world is ignored from a Pentecostal church service where old women suddenly begin talking in tongues to an outrageous drag show featuring some of the most bizarre drag queens ever to be seen on screen.

This reminded me of docu-dramas of the 1950's such as "The Little Fugitive", "Lovers and Lollipops" and "Weddings and Babies", all unique in their way, but this is the darkest of them all. The musical score reminds me of the background score of "West Side Story", jazzy and tough and sad and profound. This is a definite change from the mainstream movies of the times, an adult movie for sure, and one that holds no bars in its vision of human bitterness, lust and loneliness. But even when it becomes very depressing and melancholy, you can't turn your head away. It is truly addicting.
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10/10
The best film about LA street life ever made
jsmog26 November 2003
That sounds like a heady comment, "best film about LA street life ever made," but I stick by it. Encapsulated in the rather thin plot, about a divorcee wandering the city, this is really a documentary on Los Angeles in 1959, and an amazing one at that. No one who lives here should feel they really know what it was like until they see this film, which includes footage of a New Year's celebration, the roller derby, a wrestling match, a strip club, and yes, the Second Street Tunnel again.
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10/10
The Fifties: Not Quite the Cleavers
taro-41 August 1999
Anyone who thinks of the 1950s as a plastic people sort of place must see this marvelous film. Cast as a documentary about a woman the first year after her divorce, it is really a travelogue through the underside the 1950s, the part the Beaver Cleavers didn't want to see. In a deeper sense, it touched on the universal sorrows of a person cast loose from her contact with people (something I understand well as I go through my own divorce). It shows graphically that there is nothing sadder than a human being cast out of her or his group. So it's a tale specific to the late 1950s, but simultaneously universal in its assessment of the human condition.
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10/10
Amazingly realistic depiction of life after divorce
rollo_tomaso7 January 2001
One of cinematographer Haskell Wexler's earliest efforts that unabashedly reflects the influence of Edward Hopper and depressing street scenes. Barbara Baxley's heartfelt "everywoman" performance is nothing short of amazing. The supporting cast, led by Herschel Bernardi, is also magnificent. THe funny thing about this chronolgue of American hopelessness is that it is much better known in the European Art House circuit than here among the US indy crowd. It definitely should get more exposure; I give it 10 out of 10.
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10/10
A film light years ahead of its time
Dave Godin25 April 2001
An amazing roller-coaster ride through the full range of human emotions, THE SAVAGE EYE is just as remarkable today as when it was first made, and the title is so apt and pertinent. Didactic and profound, it comes across almost as a warning or an alert to human society showing us the high price paid by our psyches for the "joys" of civilisation. The things we really need we ignore and despise, and instead pursue an empty materialism that leaves our "souls" impoverished and starved; not because we choose to do so, but because we mindlessly drift along with whatever the dominant ideology of the day tells us we should want. Brilliantly assembled and conceived, it is one of those films that once seen will linger deep in your subconscious forever.
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fascinating footage, pretentious narrative
wilbrifar14 July 2011
This film features wonderful documentary footage of Los Angeles circa 1959, and is a valuable artifact for that reason alone. Unfortunately, the woeful attempt to form the footage into a narrative featuring actress Barbara Baxley as a lonely woman wandering the city and sharing insufferably pretentious voice-over with Gary Merrill (pompously billed as "The Poet") make the film a chore to endure.

I enjoy seeing this kind of footage, showing me how a city I love looked in another age, but the grandstanding voice-over is a deal breaker. Except for the disturbing faith-healer sequence, which is the only portion of the film to use sync sound, this is a movie best enjoyed with the volume turned down and some good music playing, maybe a little jazz from the era.
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10/10
Moving, Either Way.
progenitor-126 November 2008
I would either give this movie 1 or 10. It's stunning relevance to modern day life goes far beyond that of the divorcée. This contains amazing truths about humanity - too long denied by our face-value culture. It's relevance can be denied simply because of the issues it confronts - life, superficiality, death and everything in between. It's moments of striking ambiance are empty and fulfilling at the same time. Don't get me wrong - I hate this movie - but only because it explains a deeper truth that might be better off hidden if anything else. The absence of futility abounds in this epic, and I suggest you judge for yourself and make your remarks known.
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