The Big Show (1961) Poster

(1961)

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6/10
All in the family
sol-kay2 March 2011
Warning: Spoilers
***SPOILERS*** Just released from the "clink"-prison-for good behavior after spending 3 years of a 5 year sentence Josef Everard, Cliff Robertson, has a score to settle with his older brother Klaus, Robert Vaughn, who in fact if you check both his and Robertson's birth-dates is actually 9 years younger then him. Klaus had taken over his and Josef's late father the great acrobatic catch-man Bruno Everard's ,Nehemiah Persoff, circus and just about ran it into the ground while Josef spent time behind bars. It's then that we go into flashback mode were we get to see the circumstances that lead to this showdown between the Everard brothers.

Bruno never had any use for his son Klaus who was on his payroll at the circus just to give him a job, as the accountant, to make him feel useful. It's when Bruno wanted his favorite son Josef to get friendly and marry famed polar bear animal trainer Teresa Vizzini, Renate Mannhardt, that Klaus saw his big chance to get in good with his old man. Josef who was having an on and off affair with American businesswoman Hllary Allen,Esther Williams, had no interest in Teresa who's pop Piestro Vizzini, Peter Capell, was Europe's top wild animal exporter. A marriage between one of his sons,preferably Josef, would cement and straighten Bruno's grip on the circus business and make him top dog in the German as well as European entertainment world!

The tyrannical Bruno taking over all control of the circus and doing things his way or no way at all leads to a number of disasters that culminate with the famed bicycle high flier act that crashes killing three of it's members. It's the surviving member of that act Carlotta Martinez, Margia Dean, who was Klaus' lover whom he dropped for Teresa, when Papa Bruno strongly objected to their relationship, who ends up suing Bruno in her becoming a cripple and not able to make a living to support herself as well as paying her hospital and doctor bills.

In fact it's Josef who willingly takes the rap for the high wire accident to keep his dad who used faulty rigging,in order to skimp on money, that caused it from going to prison for criminal neglect! It's later that Klaus lets his shocked wife Teresa have it in what a dog she is, I found her to be quite pretty, and how he was forced to marry her by his father Bruno. That has a heart-broken and suicidal Teresa go into the polar bear cage not to do her world famous act of teaming the ferocious bruins, all 12 of them, but get viciously mauled and killed by one of them to the shock and horror of everyone, on screen and off, watching!

Voted out of controlling interest of the circus by Klaus and his two brother brothers Hans & Fredrick,Kurt Pecher & Franco Andrei,Bruno then plans to start from the bottom up by doing his famed acrobat act in public and draw a whole new generation of fans. This big plan on Bruno's part sadly ends up with him suffering a fatal heart attack, during practice, for all the trouble he went through in putting his future plans into action.

***SPOILERS*** Now back to the present both Josef & Klaus begin to square off and settle differences with a knife throwing Klaus unloading on his unarmed brother Josef who just wanted to duke it out. That's until Klaus got a bit too close to the polar bear cage when the 1,500 pound bear "Teddy" who killed his wife Teresa earlier in the movie grabs him by the head and proceeds to make hamburger meat out of the conniving and back stabbing creep.

P.S We also have in the movie 1950's and 1960's teenage heartthrob, who in fact was 24 years old at the time, David Nelson from the Ozzie & Harriet TV show as the love sick US serviceman Sgt. Eric Solden. Eric who despite Bruno's strong objections, in Eric not being a circus person, married his teenage daughter Grada, Carol Christensen, even if it meant her being disinherited from the family business.
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6/10
The Bears!
boblipton7 November 2005
A good cast struggles with a silly, mawkish script about how the children of tyrannical circus owner Nehemiah Persoff struggle for control of the circus -- a remake of HOUSE OF STRANGERS -- and the result is boring, but some pretty shots of mountains and great animal acts -- including trained polar bears and hippopotomi -- make this worth seeing at least once.

The casting is interesting. Esther Williams is present for star power, even though, as others have noted, wet she's a star, dry she's nothing. The rest of the cast is excellent, including Robert Vaughn and Cliff Robertson before they hit it big, but they aren't given much help in direction. Still the animal acts may make this worth your time.
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6/10
Poppas, and Sons, and Polar Bears, oh my...!
michellephillips20 August 2008
Warning: Spoilers
This movie is fun. It's one of those bad movies with enough good elements in it to make it enjoyable for the length of the film, even as you alternate between watching with a wince and a laugh. First of all, the story is compelling, all on it's own. Yes, it is a melodrama, but melodramas have their charms and this film exploits them all. It is well cast, with a surprisingly good, slimy performance by Robert Vaughn as the conniving Klaus. Nemiah Persoff is also very good as Poppa,providing a bellicose counterpoint to the sneaky Klaus. The rest of the predictable cast gamely grab on to the melodramatic elements of it and hang on for the ride. The polar bear act is a real highlight...watch out for those polar bears if you decide to view this film.
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4/10
Ho-Hum
utgard1426 December 2013
Boring melodrama about a family of circus performers. I only watched it for Esther Williams and I was sorely disappointed she has little to do but play the rich lady slumming with Cliff Robertson. If these were the kinds of roles she was being offered, it's no surprise Esther would retire from the screen a couple of years later. The story is uninteresting. Good son (Robertson), bad son (Robert Vaughn), hard-to-please father (Nehemiah Persoff). It's a variation on "House of Strangers" and not the least bit exciting. All in all, a mediocre film that's instantly forgettable. I can't recommend it as anything other than a sleep aid.
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7/10
Why the circus? Why Germany??
planktonrules27 November 2020
One of the best films of the late 1940s was "House of Strangers"...starring Edward G. Robinson and Richard Conte. It's a tense and exceptionally well written and well acted movie...one you'll long remember. In light of just how good it is, you wonder why the studio decided to remake the film....and change the setting from a family business in the States to a family-owned circus in Germany. My only guess is that the 1950s and early 60s saw a butt-load of circus films, including the Oscar-winning "The Greatest Show on Earth", "Trapeze", "Circus World". For the most part, I actually thought these circus films were pretty dull....and moving the setting to a circus made the movie a hard sell for me.

The story begins with the oldest son, Josef (Cliff Robertson), arriving at his family-run circus after spending some time in jail. Why he was in jail is unknown and the film then consists of a long flashback. In the flashback, you see that the family patriarch, Bruno Everard (Nehemiah Persoff) is a controlling man who treats his grown children more like employees or children than adults. He tells them what to do and, aside from a bit of grumbling, they all knuckle under and do what he demands. Whether for right or wrong, he never allows them to live their lives or make important decisions...including who they can or cannot marry. Obviously something has to give....as this arrangement cannot go on forever.

There is nothing wrong with "The Big Show". Persoff in particular is a great actor (and the father in this story is still alive and kicking at 101 years of age) and Robertson is just fine. But the problems are that only one of the sons is actually German and none seem to have German accents...which is odd for a family of Germans!! They sound American. In addition, while a good film, it offers no improvements over the original and is actually a bit disappointing because of this and a lack of originality. My advice is to just watch the original film and "The Big Show" only if you insist on comparing the two.
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5/10
Rise and fall of Everard circus
MegaSuperstar3 June 2020
The best performance in the movie is by Nehemiah Persoff's as Everard father. The main problem is that any of the characters is kind or sympathetic nor well written (Carol Christensen does not have much to do with her sister's role) and this, added to a poor script burdens the film. Esther Williams' appearance is little more than anechdotic and she appears in a swimming pool in a glimpse of what could have been the best part of the movie. Best performances run on the animals' account, which I am not very fond of as a form of slavery. Even a hippo appears (I had no idea they could be tamed). The end is totally absurd and preposterous, adding a silly final curtain.
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5/10
The lance breaks in this house of strangers.
mark.waltz18 February 2024
Warning: Spoilers
The third version of the novel by Jerome Weidman takes the business from the banks of Wall Street and the old west to the circus (traveling through Germany), with family patriarch Nehemiah Persoff even more demanding and sour than either Edward G. Robinson and Spencer Tracy. His sons seem even more messed up, even the one he favors (Cliff Robertson), and the black sheep (Robert Vaughan) extremely poisonous with bitterness.

Top billed Esther Williams as the wealthy American is supporting in the story, and doesn't do anything that would embarrass her acting wise. Carol Christensen, playing Persoff's only daughter (not a character in the other films if I recall correctly), makes the mistake of falling in love with a soldier whom daddy dearest instantly goes ballistic over.

The circus scenes are acceptable but far from thrilling, although a polar bear act led by Vaughan's wife Renate Mannhardt, is certainly unique. The scene where she takes drastic action after a confrontation with her husband is poorly filmed, obviously a man inside a polar bear costume, only seen from the back. This is not as good as the previous two (both certified classics) as if it was just tossed together thinking it would succeed mainly on its pedigree.
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4/10
Big Top excitement takes a backseat to family melodramatics...
moonspinner551 August 2008
Reworking of "House of Strangers" has Nehemiah Persoff in the Edward G. Robinson role of a widower patriarch, this time a demanding, domineering circus owner who keeps his sons and one daughter tightly under this thumb. Cliff Robertson, who keeps calling Persoff "Pup-puh", takes the rap for Dad once a tragedy strikes; shady sibling Robert Vaughn assumes control of the business after Robertson is sent to prison (what Vaughn plans to do with the circus isn't really clear, except that is sounds like a sell-out). Two sideline romances are much more interesting than the family conflicts, and Persoff is grueling and merciless while criticizing his children (this Daddy Dearest is hardly a sympathetic character, though I'm pretty sure we're meant to feel something for him in the final reel). The circus asides are given surprisingly short shrift in favor of the melodramatics, which are both over-the-top and stilted. Good cinematography helps quite a bit, as does a fine, non-showy performance by Esther Williams as a wealthy woman in love with Robertson. ** from ****
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Circus family drama
searchanddestroy-110 November 2023
That's my second James B Clark's favourite films after his delicious and surprising ONE FOOT IN HELL, a western that was unusual at the most. All that before Jim Clark lost his soul in stupid Disney like - or not - movies, as Robert Stevenson or James Neilson. This film is totally underrated, forgotten now. It is a good and effective drama where Cliff Robertson and Robert Vaughn face off in a brilliant way for my taste. I don't even mention the glamorous presence of Esther Williams which brings some spice to this story. We can consider it as a circus film but not the greatest though. I was lucky enough to see it in LBX frame.
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