- One of the pioneers of the double version, one accommodating the strict moral censorship of Spain (87 minutes), and another with more daring scenes for the export market (97 minutes). Rita Cadillac, a professional stripper from the Crazy Horse (Paris), sings two songs in the Spanish version - a Cha Cha Cha in a disco, and a French song at a gambling house; it's in the foreign version that Rita shows more of herself, and her strip-tease art. The director explains how he created the scene: «"I was in Paris and the Crazy Horse was showing a gal named Rita Cadillac - a wonderful lady. One evening I met her, put her in a car, and brought her to Barcelona. We started shooting, without asking for permits. She was a «stripteuse», at a time when most people got very nervous about «strip-tease». We did one version for the foreign markets, and it was obviously sold all over the world." This quick shooting operation was made possible because at the time, director Federico De Urrutia managed a party room at Castelldefels, a beach village in Baix Llobregat, Barcelona.
- For the U.S. release in 1964, Jerald Intrator shot additional nudity scenes in New York, and inserted them through the movie:
- five minutes into the film two topless models in a dressing room exchange menacing words and fight with a pair of scissors, as a third girl looks on and says, "C'mon, break it up, the phone's ringing!" As the fight abruptly stops, the third girl happily shows off her monokini (then a novelty)
- in the back room of a club, a high-haired honey drinks a spiked drink, and is carried away by a creep;
- a thug with a knife and a topless gal pose for the cover of a detective magazine;
- Gigi Darlene and another model discuss men;
- at a club, Audrey Campbell and another girl follow a man into a bedroom, both eager to have the guy for herself, and she says, "I want some of that!"
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