Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs and tries to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed ...
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Eugenie, a beautiful but shy young girl, has been living with her stepfather, Albert since her mother died when she was a baby. He is a famous writer specializing in stories of erotica. One... See full summary »
Dr. Frankenstein and his assistant Morpho are killed just as they bring their creation to life. The monster is taken by Cagliostro and he now controls the monster and plans to have it mate and create the perfect master race.
Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs and tries to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed monstrosity who delights in biting his victims. Orlof had better hurry, though -- a young police inspector and his ballerina girlfriend are onto his sadistic practices.Written by
Christo Hoffmania <email@example.com>
Director Cameo (Jesus Franco): Man playing piano in bar. See more »
In the English-dubbed version a female witness said about the perpetrator that "he walked like a robot". The story was set in 1912, and the word "robot" first appeared in a Czech science fiction play in 1921. The writer was Karel Capek. See more »
This film was cut by 37 seconds in the UK by the BBFC, to remove 'protracted scenes of sexualised violence against women'. See more »
Jess Franco's breakthrough film is a straight retelling of Yeux San Visage, albeit with some of the poetry removed and a more straightforward 'thriller' structure added. It's probably Franco's most 'normal' film, with only only a few of the the sleaze diversions that became the raison d'etre of his work from then until the present day. However, look closer and you can trace his obsession with nightclubs and mirrors (put to best effect in one scene in Vampyros Lesbos!) back to this film. Overall, a little on the long side for today's audiences, but a very important taboo-busting film at the time, and contains some very good cinematography, occasionally in an almost bava-esque style.
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