A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all ...Written by
Gen. Ripper's paranoia about water fluoridation being a Communist plot is based on a conspiracy theory circulated by the extreme-right-wing John Birch Society in the 1950s and 1960s. The organization, which was founded in 1958, was quite influential in conservative politics at the time, and the "fluoridation is a Communist plot" theory took hold in many rural areas of the US, with some small towns going so far as to not only ban fluoridation of water but to pass ordinances requiring the arrest and jailing of anyone who advocated it. See more »
The Coca-Cola machine squirts drink into the face of Colonel Guano after he shoots holes in it. However, there would be no reason for the bottles or cans in the machine to be under pressure, as the shooting wouldn't have shaken them up. Also, the bottles wouldn't be stored to the side of the vending door (where the bullet holes are), but above it.
The style of machine shown mixes tap water from a water line attached to the building's plumbing with carbon dioxide and drink syrup stored in tanks inside the machine under pressure and dispenses it into a paper cup that drops into a chamber in the door which is plainly visible in the shot. Therefore, it is quite plausible that water would squirt from the machine under pressure if the tanks or water lines were pierced by gunfire. This style of machine used to be quite common when this film was made in the 1960's, but are now fairly rare, as the machines had to be restocked with raw drink syrup (a different tank of syrup for each drink flavor) and recharged with carbon dioxide. Otherwise, if the syrup, carbon dioxide, or both ran out, you often received either a cup of plain soda water, a "flat" soda with no bubbles, or worst of all, a cup of plain water if both the syrup and carbon dioxide tanks were empty. See more »
For more than a year, ominous rumors had been privately circulating among high-level Western leaders that the Soviet Union had been at work on what was darkly hinted to be the ultimate weapon: a doomsday device. Intelligence sources traced the site of the top secret Russian project to the perpetually fog-shrouded wasteland below the Arctic peaks of the Zhokhov Islands. What they were building or why it should be located in such a remote and desolate place no one could say.
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The screenplay title is incorrectly spelled. It reads: 'Base' on the book "Red Alert" by Peter George. This is pointed out on the DVD supplement about the making of the film. See more »
Three different screen aspect ratios have been used for video releases. The initial video releases up until the last VHS used a pan & scan transfer. Starting with the Criterion Collection laserdisc, as well as the later Columbia laserdisc, the film was presented "open matte" which meant that as much of the frame was captured as possible. Since many scenes were shot with mattes in-camera, the aspect ratio varied between 1.33:1 to roughly 1.66:1. This same version was used for the original and later Special Edition. In 2004, Columbia completed a new restoration of the film using an original fine-grain positive. This was utilized for a high definition transfer used for the 2-disc 40th Anniversary Edition DVD set. For the first time, this edition used 16x9 enhancement and presented the entire film at its theatrical exhibition aspect ratio of 1.66:1. While this obscures image previously seen on the variable ratio transfers, this preserves the intended "matted" wide-screen composition - very important for shots like Major Kong riding the bomb to the ground. In the variable ratio transfers, the rigging and projection screen edges are visible. See more »
Few films are able to take a deadly serious issue and place it within the context of a broad comedy successfully. Dr. Strangelove does exactly that. Kubrick's masterpiece illustrates in brilliant fashion the idiocy of nuclear war and the idiots who are orchestrating it. What strikes one most however in this cinematic gem are the individual characterisations of Sellers, Scott, Hayden and Pickens. To refer to them as memorable roles is a gross understatement. With names such as President Merkin Muffley, General "Buck" Turgidson, General Jack D. Ripper and Major T.J. "King" Kong, you know that these characters will not be soon forgotten. Other features of the film such as the remarkably designed "war room" set, the hand-held camera techniques employed by Kubrick and the black and white cinematography of Gilbert Taylor only add to the power and impact of "Strangelove." Quite simply, the greatest American film by the greatest American director.
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