User Reviews

Adapted from the autobiographical novel by Earl Hamner, Jr., "Spencer's Mountain" is, firstly, a nostalgic look at a way of life from the viewpoint of the writer. Released in 1963, the story undoubtedly had great appeal for those who see that way of life as quintessentially "the American way".

Set in New Dominion, the name is the first clue to the outlook of the residents (and the film's producers). "Dominion" might be translated as a territory under God's authority or control. Religion is one of the subjects of the film. But life in New Dominion has a simplicity that is a central theme.

In this valley that nestles under the Grand Tetons, there are only two churches. There are also few choices of occupation, few neighbors, and few visitors. Residents are connected to the land in an elemental way--mostly through farming, quarrying or via the lumber mill. One unstated but permeating message of the film is the goodness and value associated with such a connection.

The central character is Clay Spencer (Henry Fonda), father of eight and salt of the earth. Living under sparkling blue skies, he and his wife, Olivia (Maureen O'Hara), raise their children to be kind and to have dreams. Another central theme of the film is the value of dreams. The family is dedicated to the purpose of sending the oldest child, Clayboy (James MacArthur), to college.

One of their long-term projects is a dream house set on an idyllic hillside overlooking the valley and the grandeur of the mountains.

As Clay and his family strive for their dreams and negotiate the hardships that intervene in all lives, the viewer is treated to vignettes that are dipped in Disney and Doris Day. Bountiful streams and pastures bursting with fecundity frame a Norman Rockwellian world even homier and more basic than Mayberry. The film has been accused of mawkishness and justifiably so. No chance is missed to sing a hymn, recognize a milepost of life, wave the American flag or jerk a tear from a moment.

But that is not all bad. The film does what it does very well. Henry Fonda's voice almost feels like the bedrock that supports the entire family. The rosy-cheeked cast is the perfect picture of God's grace. The end product feels very iconic and touching, no doubt extracting tears from numerous scenes. I wish the sentimentality had been dialed down a notch--like when "America" is unnecessarily played behind the toasting of Clayboy.

"Spencer's Mountain" was well-designed for audiences in 1963. Even with it's overly sentimental tone, it has a wholesomeness and a respect for values that will appeal to viewers of any era.

Later, the story would be adapted again as TV's "The Waltons".

Henry Fonda throughout his career showed a great flair for playing rustic characters and endowing them with dignity. In fact that was his introduction to film when he did the movie version of the play that made him a star, The Farmer Takes A Wife. Of course as Fonda started playing more of a variety of roles he was less and less in rustic settings.

His last role of this type was as Clay Spencer in Spencer's Mountain a feel good family type picture with a rather interesting take on the facts of life. Country folks like the Spencers who deal a lot in livestock are familiar with the breeding process so it's not a huge big deal with them. At least it's not in this film as Mimsy Farmer is ready to finish James MacArthur's eduction in that regard. One of the best scenes in the film is Henry Fonda bringing over his bull to mate with one of Dub Taylor's cows with everybody looking on. I guess they're starved for entertainment in that part of the country.

In fact MacArthur's further education is what drives the film. He's the oldest of Fonda's and Maureen O'Hara's nine children and the first to graduate high school. His teacher Virginia Gregg wants to see him get ahead and go to the university. But the financial and other obstacles are considerable. Even the new minister Wally Cox tutors MacArthur in a needed Latin course.

If the Spencers bear no small resemblance to the Walton family that's because Earl Hammer who created the Waltons also wrote the novel this film was based on. Spencer's Mountain is beautifully photographed in the Grand Teton mountains of Wyoming, just as pretty and more majestic than the Walton's Appalachians. Delmer Daves who directed Spencer's Mountain also directed Jubal a few years earlier, a western also set in the Grand Tetons. The cinematography is just as good, but the resemblance stops there because Jubal is quite the adult western.

Spencer's Mountain marked the farewell performance of Donald Crisp who was 81 years old when he filmed this and had a career going back to the earliest silent films. He was a grand character actor who played an awesome variety of parts. Here he's in his family patriarch persona as Fonda's father married to Lillian Bronson in the film. Crisp won his Oscar as the family patriarch in John Ford's How Green Was My Valley.

Spencer's Mountain did good box office and it's a nice family film. But Henry Fonda's new agent passed on a Broadway play called Who's Afraid Of Virginia Woolf and signed his client for this. Fonda never forgave the agent, I can't really blame him.

"Spencer's Mountain" is an enjoyable family drama with touches of humor throughout. The outdoor scenery is spectacular. The film was shot in Grand Teton National Park, around Jackson Hole, WY, and in California. The movie is based on a 1961 novel of the same title, by Earl Hamner Jr. Some of the characters and experiences in the film are from his background, growing up near the Blue Ridge Mountains of Virginia during the Great Depression.

Hamner would write another novel in 1970 that further expands on his boyhood growing up as the oldest child in a large family. That book, "The Homecoming: A Novel About Spencer's Mountain," led to the 1971 movie by the same title that in turn spawned the nine-year TV series, "The Waltons."

I don't know why this film was set in Wyoming instead of Virginia, but the expansive shots of the scenery could be one reason. By the middle 20th century, it would have been hard to find shots like that in Virginia that didn't show much more modern development. "The Homecoming" was also shot in Wyoming in 1971, although the story was clearly set in Virginia.

Many people who watched the later film and then the Waltons on TV (1972- 81) didn't know that this movie was part of Hamner's story of Walton's Mountain as well.

The cast of "Spencer's Mountain' is very good. Henry Fonda excelled as Clay Spencer. Another reviewer commented about the types of role he played, and I agree that Fonda was best with this type of role. He also was good with dramatic roles, but he didn't have the stuff for comedy. He was mildly OK in a couple that he made, but not too good in the others. That's probably why he made so few comedies. His forte in Westerns was as the bad guy.

Maureen O'Hara is wonderful as Olivia Spencer and James MacArthur plays Clayboy. That's the role that Richard Thomas had in the later film and the series as John-Boy. The rest of the cast are all quite good.

This is a somewhat different story than what Hamner writes for the Waltons. The special home that Clay starts to build for Olivia, and then the fire that destroys it. It's an interesting and entertaining movie that most should enjoy.

Leonard Maltin calls the film "mawkish", and he is right on, but it is still great fun. Mimsy Farmer's Claris is a hoot ("friction, friction, friction!")! Excellent use of the Jackson Hole locations, especially the Triangle X guest ranch, which served as the Spencer homestead and is still in operation here. Two trivia notes: Bronwyn Fitzsimmons, who played the college secretary, is Maureen O'Hara's daughter in real life. According to AMC Magazine, Henry Fonda showed some off-screen interest in her that O'Hara had to squash. Fonda did the film even though he thought it was so corny it would set U.S. movie-making back 20 years. Also, you have Wally Cox's character listed as GoodMAN, but the name was actually GoodSON. Highly recommended.

Fun and wholesome story about a Wyoming landowner called Clay Spencer (Henry Fonda) , he is a hard-working man who loves his wife (Mauren O'Hara) and large family. Clay abhorring religion , though allows his wife to raise the children as Christians and keeps promising to build another family house . Spencer runs a loving and attractive family and the kids long for a permanent home . Clay is respected by his neighbors and always ready to give them a helping hand . Meanwhile , his son Clayboy wants to go at University , and the schoolteacher impresses upon Clayboy the following phrase, "The world steps aside to let a man pass, if he knows where he is going" . Problems start when the misfit kiddies join themselves as the free spirits and the undisciplined preppies, along with troubled Clayboy (James MacArthur) who falls in love with Claris Coleman (Mimsy Farmer) . There are various family crisis but it is all very heartwarming .

Henry Fonda's entertaining vehicle with young people and agreeable actors . The film deals with a happy family , the father is a notorious handy man and the mother is a brilliant housewife . Charming tale though stuck with average screenplay based on the Earl Hamner Jr novel . Henry Fonda and Mauren O'Hara ought to keep the familiar order involving in their own home while at the same time occupy the works . Nice work by filmmaker Delmer Daves in demonstrating his skill at all areas : as technical , using all kind of resources for illustrating the interesting as well as enjoyable story with an engaging screenplay , adding great actors , professional filmmaking and correct narration , including his characteristic use of landscape .The picture is pretty entertaining and amusing , the film contains bemusing scenes , zany shenanigans , continuous laughters and various chuckles with lots of fun . Humanity and humor are high in the priorities of the director Delmer Daves who shows a considerable talent recapturing funny situations . Fine settings and adequate local colour , in fact , many locals of Jackson Hole, Wyoming were used as extras for scenes in the movie , such as the graduation of Clayboy . The picture belongs to family sub-genre whose maxim representation is ¨Cheaper by dozen ¨ with Myrna Loy and Clifton Webb and a modern version starred by Steve Martin and Bonnie Hunt ; ¨Yours , mine and ours¨ also starred by Henry Fonda and Lucille Ball, being recently remade (2005) by Raja Gosnell with Dennis Quaid and Rene Russo . Formidable main cast , very well featured by Henry Fonda and Mauren O'Hara . Secondary cast is frankly good such as Virginia Gregg as Miss Parker , Whit Bissell as Dr. Campbell , Hayden Rorke as Colonel Coleman , Dub Taylor as Percy Cook , Mike Henry ¨Tarzan¨ as Spencer Brother and Victor French of "Little House on the Prairie" as Brother . And film debut of Barbara McNair and final film of Donald Crisp. Besides , there appears as sons ,some young actors who will have an acceptable career as TV or cinema stars such as Verónica Cartwright of ¨Alien¨. Director Delmer Daves' granddaughter, Michele Daves, made her only film appearance to date in this movie, appearing as the youngest Spencer child, baby Donnie . Maureen O'Hara's real-life daughter, Bronwyn FitzSimons, plays the part of the college dean's secretary. Colorful as well as evocative cinematography by Charles Lawton Jr filmed on location in Grand Teton National Park, Moose, Wyoming, Jackson Hole, Wyoming, and Raymond , California . Rousing and lively musical score by the classical composer Max Steiner .

The motion picture was well directed by Delmer Daves , though results to be excessively maudlin . His films have a special penchant for recapturing a particular atmosphere , many of this movies are about real people but they remain muted in impact . He was a notorious screenwriter , but Daves was especially a expert on Western genre , for the reason he lived a long time of his boyhood with the Navajo and Hopi Indian tribes as he realized the notorious trail-blazing ¨Broken arrow¨ the first movie for many years not treat the Indians as cannon-fodder for the cavalry , which made the picture unpopular in some quarters . He went on directing the suspenseful ¨3:10 to Yuma¨, other pro-Indian as ¨The last wagon¨ and about Modoc Indians as ¨Drum beat¨ , the Shakespearian style of ¨Jubal¨ , ¨Return of the Texan¨ and ¨Cowboy¨ which a fairly spectacle about a long cattle drive . He also realized Noir films such as ¨Dark passage¨ and ¨The red House¨ that is absolutely recommended . From 1959 Delmer Daves becomes embroiled for the remainder of his career with teenage love epics and very popular at the Box-office as ¨A summer place¨, ¨Parrish¨, ¨Susan Slade¨, and ¨Rome adventure¨, and family movies such as ¨The Spencer's mountain¨ . Worthwhile seeing .

My above comment is alluding to the overall blandness of the film. It isn't a BAD film, but it seems a bit too gosh-darn happy and perfect and unremarkable--sort of like the Stepford Wives meet The Waltons (the latter was the obvious movie version of Spencer's Mountain). And because of that it's so inoffensive and ordinary that I have no desire to see it again. The sad thing is the acting was pretty good (it's hard to go wrong with Henry Fonda and Maureen O'Hara) but the story just wasn't compelling. Overall, it's a time passer and that's about all. About the only thing that is interesting is watching a younger Jame McArthur ("Danno" from Hawaii 5-0--also the son of Helen Hayes) playing the role later played by Richard Thomas.

When I joined the IMDB community, I was asked about my favorite movie. I was at a loss for about five minutes, trying to think of movies that I could truly consider my favorite. This movie finally won over the others I considered when I realized that a favorite is something personal and beyond reproach - you may hate this movie, but I saw at the perfect time of my life and now it means much more to me than it probably could otherwise.

Henry Fonda turns in an excellent performance, which is testimony to his work ethic - he vocally denounced the script as "corny" enough to throw back Hollywood film-making 20 years. The children are troopers of the same era as other classic family movies, ala Disney's "Swiss Family Robinson." I imagine the casting companies used were the same.

This movie accomplishes what it sets out to do - make you care about the Spencer family, their desire for respect and honor, and the sacrifices they make to do what they think is right. There are many moments in this movie where you could be moved to tears.

An emotional movie with, dare I say it, a lot of heart. It is my favorite movie.

Whenever I see "Spencer's Mountain" (1963) I can't help doing a compare and contrast with "Sometimes a Great Notion" (1970). There is the obvious Henry Fonda patriarch connection; Clay Spencer and Henry Stamper being essentially the same character with much the same "never give an inch" relationship to their respective environments. Clay Spencer is a bit more bending and a bit less self-involved than Henry Stamper, but Fonda did not have to stretch much for the role replication. And there is the obvious parallel between the logging accidents. And the showcasing of dazzling wilderness beauty.

But just as Earl Hamner Jr. was no Ken Kesey, "Spencer's Mountain" is no "Sometimes a Great Notion"; if for no other reason than the differing energy levels of the two films. One could accurately describe it as what "Sometimes a Great Notion" would be if Kesey had heavily sedated himself on an overdose of "The Waltons". Interestingly the novels were released in 1961 and 1964 respectively so it is at least possible that Hamner influenced Kesey.

And both novels and films strip down to stories about the collision between the traditional and the modern, the past and the present. Although Kesey's story is far more gritty and far more ambitious, they are more similar in theme and style than they appear at first glance (I suspect that both authors would be horrified by this notion).

The film version of Spencer's Mountain" suffers in any comparison by the relative weakness of its cast. Fonda is a constant and Veronica Cartwright (as Becky Spencer) makes you wish she had a bigger part, but the rest of the cast is borderline embarrassing; saved only by the one-dimensional nature of their parts. Kym Karath's "Pattie-Cake Spencer" manages to recapture, 20+ years later, the most irritating qualities of Phronsie Pepper. In fairness to James MacArthur, he manages to portray the mega earnest Clayboy Spencer accurately, but this early version of John-Boy Walton is truly cringe-worthy. MacArthur's scenes with 18 year-old ingénue Mimsy Farmer, however, play on a much higher level and nicely illustrate that it was possible in conservative days to create a smoking sexual tension without anything even remotely explicit.

Then again, what do I know? I'm only a child.

I don't know what the other guy was talking about, but I found this movie to be great. Henry Fonda as the head of the family was jovial, but stern. Maureen O'Hara was her usual tough, but beautiful leading lady. The story was engaging, the scenery is breath-taking, and makes one yearn for those old films that made going to the movies an event, something really special. I'm also glad it's finally out on DVD, as my pan and scan VHS copy isn't the greatest. Plot-wise, it followed the life of the Spencer family and their many adventures, if you will. The plots weren't all over the place, it was just documenting the various happenings in the Spencer family. Anyone with a heart will love this movie!

Quarry employee Henry Fonda, living on a cows-and-chickens estate in Wyoming with his wife and nine children, works on building the couple's dream home in the hills while also trying to get his book-learnin' eldest son into college. Sudsy adaptation of Earl Hamner Jr.'s thinly-disguised memoir, which led in due course to TV's "The Waltons", is full of now-familiar elements: the whiskey-sippin' grandpa, the gaggle of young 'uns who bathe together in one tub, the fiery-tempered Mrs. (Maureen O'Hara, giving us nothing new) who asks her husband to work overtime so she can buy her son a graduation ring, the funeral which brings all the scattered relatives together. Given a pictorial sheen by writer-director Delmer Daves and his team of cinematographers, this location-rich drama is so well-intentioned that it becomes rather turgid. James MacArthur seems a tad mature to be just coming-of-age and noticing girls, though Daves feasts on his creamy skin and masculinity--the only instance where the director gets some sensuality going (it sure isn't there between the adults). "The Waltons" usually managed to add a dash of vinegar to its mix of homilies and cracker-barrel wisdom; here, when papa Fonda explains sex to son MacArthur by saying, "Just remember, you ain't no bull and she ain't no cow," the incredulous will not be won over. ** from ****

This movie was very enjoyable. It was fun, heartwarming & great story for the whole family. If you like "The Walton's" you will like "Spencer's Mountain" Henry Fonda does a wonderful job trying to care for his "babies" This movies proves that not all dreams have to come true to be happy. Sometimes you can be happy right where you are if you are, if you only give life a chance. Maureen O'Hara couldn't of done better as her role as Clay Spencer's wife. Also Wally Cox was super as the new preacher in town. This movie will have you laughing and crying. It is one of the best. I have watched this movie many times and know I will watch it several more times.

Spencer's Mountain is an old fashioned drama about a family living on a mountain. It's very dated and unlikely to appeal to modern audiences but it does have a certain charm which makes up for the relative lack of action.

Personally I'd have preferred the film to follow the family over a longer time period which would have given the viewer more interest. Instead it is slow moving and whilst there are a few decent moments of pathos, it does get weighed down by clunky superfluous scenes.

Although undoubtedly the star of the film, Henry Fonda merely appears to be going through the motions. The rest of the cast are merely adequate with no-one really standing out. This however, may have been more to do with the unimaginative characters and dialogue than their acting ability.

Worth watching for an old slice of gentle drama but unlikely to live too long in the memory.

Wyoming father Henry Fonda (as Clay Spencer) and attractive wife Maureen O'Hara (as Olivia) live on "Spencer's Mountain" with their nine children, plus a grandpa and grandma. To give his large family more room, Mr. Fonda is constructing a bigger "dream house" on his vast mountainous estate. Another dream the family has involves education. Looking mature for his supposedly teenage years, eldest son James MacArthur (as "Clayboy") becomes the first in his family to graduate from high school.

Everyone hopes Mr. MacArthur will go on to college, but he has to learn his Latin for admission. New community preacher Wally Cox (as Goodman) helps MacArthur, but there are other obstacles to overcome. The Spencer family is so large, lack of monetary funds is a concern. Last but not least, the almighty God is against MacArthur's higher education, until he can strike a deal with the Lord; if this seems strange, consider the verse "Pride goeth before destruction, and an haughty spirit before a fall."

A good-looking man, often appearing shirtless, MacArthur invites much female attention - but he is apparently unsure of his sexuality during the early running time. Doing everything she can to let MacArthur know she is ready for action is sexually aroused Mimsy Farmer (as Claris Coleman). MacArthur does a lot of running in this movie, but everything finally catches up with him.

This is all based on the autobiographical novel "Spencer's Mountain" by Earl Hamner Jr., which even more famously became "The Waltons" when adapted for television in the 1970s. "Clay Spencer" was changed to "John Walton". It was the last appearance for veteran Donald Crisp, who has little to do but does it well. The location photography by Charles Lawton is beautiful.

***** Spencer's Mountain (5/16/63) Delmer Daves ~ James MacArthur. Henry Fonda, Maureen O'Hara, Wally Cox

Before The Waltons, there was Spencer's Mountain. Based on the autobiographical novel by Earl Hamner, Jr, this heartwarming family drama fathered the beloved TV series and features all its familiar ingredients-poor family with nine children struggling to make ends meet, rural setting, live-in grandparents, gifted oldest son, mother named Livvie, coming-of-age crises-the list goes on and on. Even the famous (and corny) "good night" ritual debuts here; the names may be different (there's no Mary Ellen, Jason or Jim-Bob), but the indelible long shot-darkened house with one lamp burning in an upstairs window-is framed exactly as it would be on television nine years later.

Along with the similarities, though, come some changes. Instead of Depression-era Appalachia, the Spencers confront their problems in contemporary Wyoming, affording a more dramatic backdrop and the ability to deal with modern mores. And instead of John-Boy, we have Clay-Boy (James MacArthur), the oldest son of Clay Spencer (Henry Fonda) and his wife (Maureen O'Hara). While Clay-Boy is not an aspiring writer like his TV counterpart (and flaunts a decidedly more beefy physique), he does win top honors in his high school class and harbors a potent desire to attend college and escape his sheltered mountain life. Clay-Boy's efforts to meet the university's academic and financial requirements, as well as Clay Sr.'s burning wish to build his dream house, are among the everyday issues the Spencers must face.

Maybe if The Waltons never existed, Spencer's Mountain would better stand the test of time. But so ingrained is The Waltons in our collective conscience, it's difficult to divorce Spencer's Mountain from it-and from the elements that have prompted merciless parody over the years. The folksy, homespun attitudes that permeate Delmer Daves' production alternately provoke charmed smiles and withering cringes, usually depending on who is speaking the lines. And while the film benefits from breathtaking location shooting in Grand Teton National Park, even the majestic snow-capped peaks can't dilute the sugar coating that drips from many scenes.

Unfortunately, the younger actors bear the brunt of the blame. MacArthur tries his best, but often is sabotaged by the annoying Mimsy Farmer (yes, Mimsy) as Clay-Boy's sweetheart Claris, whose hormones rage so ferociously she practically eats Clay-Boy alive during their breathy love scenes. Such frank treatment of blossoming sexuality is commendable, but seems laughably inappropriate in such a family-oriented film, at times transforming Spencer's Mountain into a watered-down version of A Summer Place (interestingly enough, also directed by Daves).

Fonda and O'Hara, on the other hand, make an ideal couple, acting with an ease and familiarity that gives their relationship a warm, comfortable feel. Fonda especially embodies the uneducated, hard-drinking, heart-of-gold Clay Sr., always willing to fight and sacrifice so his brood can enjoy a richer, more prosperous life. Without a doubt, Fonda is the soul of Spencer's Mountain, and his natural, beautifully shaded portrayal keeps the film from descending into a maudlin mess.

Despite its shortcomings, Spencer's Mountain is tough to knock. Featuring forthright, salt-of-the-earth characters, timeless family themes and lovely cinematography, it wiggles its way into the heart and, like the noble Spencers, we graciously forgive its faults.

This is the story of Clay Spencer and his family. He works as the foreman at the local quarry, loves his family, loves fishing and occasionally drinking. Beloved in the community, Clay is practically a saint...except you will never see him in a church, that is until he gives the new minister fishing lessons and gets him drunk which starts a snowball of events that eventually lead Clay into the first pew with his family.

"No, Ida. I don't have to wait for heaven. I've got heaven right here."-Clay

Clay and his lovely wife Olivia have nine children, the oldest of which is Clayboy. Clayboy is the first in his family to graduate from high school and he is doing so with honors! Clayboy is sweet, innocent, inquisitive and really naive when it comes to the opposite sex.

"Kind and gentle, if she loves you a little before you marry her, she'll love you a lot more after."-Clay's advice to his son Clayboy.

Over the summer will this poor family be able to figure out a way to help Clayboy go to college?

This was such a beautiful film that captures a simpler time, when family men were revered and community helped each other out. Henry Fonda really embodies Clay Spencer and holds down the entire film. Maureen O'Hara, who plays his wife Olivia, is gorgeous and commanding in her role...the perfect foil for Henry Fonda. James MacArthur plays a convincing innocent teen on the verge of manhood as Clayboy.

This is a wonderful family drama and I recommend it to classic film fans and fans of family focused films. I would love to say this is a family friendly film, and by today's standards it probably is, but it does contain sone coming of age (aka sexual awakening) topics...which start with the breeding of a bull and the heavy petting of teenagers. While there is nothing graphic, I do think it is necessary to prepare parents for the possibility that the implied might prompt done questions.

I enjoyed the film quite a lot, especially for its romanticized simpler life. I also enjoyed the trivia that the secretary of the college was played by Maureen O'Hara's real life daughter.

It was interesting reading the other reviews of this film. Clearly, some viewers have forgotten what life was like in 1950s in rural America. No, there's nothing controversial in this film, and I think that's why some see it as a white-wash. But I knew people in my hometown that were just about like these folks. In fact, as I sat watching this film, I kept thinking that the portrayals here were "real". It's a simple story, really, although so simple that one of our reviewers couldn't grasp it -- the story of a poor boy struggling to get to college at a time when not virtually everyone went to college. As the first boy in my very large extended family to go to college, I can understand this. This is real life...not dramatic life. The performances by Henry Fonda and Maureen O'Hara are superb, James MacArthur is excellent, and it's nice to see revered character actor Donald Crisp is what was his last film role, although he lived for another decade. As to the criticism that the other roles were not as well developed here as in "The Waltons", this is a 2 hour movie, not a 9 year television series! And to top everything off, the frosting on the cake is the snow-capped Grand Tetons where the movie was filmed. Absolutely top notch all the way.

Additionally, it was nice seeing Wally Cox is a more substantial role than we usually see him in.

This film was directed by Delmer Daves. Daves had an interesting directorial career, particularly in regard to his move to more teen-romantic films in the 1960s. This film is not that, although there is an element of it within the plot.

This is top notch entertainment, and frankly, I have a hard time thinking of a film where Henry Fonda so masterfully portrayed a character...and that's saying a lot!

A beautiful fantasy of what Hollywood thought rural America should be. Beautiful scenery. Great score. At times a tearjerker. Well acted given the script. Marred by pretty blatant misogyny with the exception of the saintly wife.

So sappy one's brain cells become glued together! Much worse than it's progeny "The Waltons" (which did have some decent episodes). This tale of lovable, yet curmudgeonly and occasionally drunk Henry Fonda as the father of a poor but happy family living in a company mining town, is less believable than any fairy tale. It's only cinematic competition is "The Human Comedy". At least that one was absurd enough to be quite funny in spots, but this film has no edge of any kind.

"Spencer's Mountain" purports to portray a slice of Americana that never existed. This company town is a peaceful little community where no one grumbles about the high prices and enslaving credit rates of the company store. The mine president is just tickled pink about the romance between his daughter and miner Fonda's son, and their possible "union" is the only one either dad seems concerned about. The State University cheerfully accepts walk-in applicants and has plenty of full scholarships for the asking.

This film is more than a waste of time. I found it's flaccid, phony whimsy a true insult to my intelligence. One of the all time worst!!

This is the story of Clay Spencer Jr. and his family in Wyoming in the early '60's.

Henry Fonda is his father, an unstoppable "do it my way" kind of guy. Maureen O'Hara is the mother with an impossible waist line after having 9 children.

Clay Jr. wants to go to college. He'd be the first Spencer to do it if he does. The bulk of the film is trying to raise the money for tuition.

There are many funny scenes. Many sad scenes. The last 3rd of the film is soooo sad.

Put it this way: If you liked "The Waltons" you'll like Spencer's Mountain. Earl Hamner created "Waltons" and wrote this film.

The movie even features a "goodnight scene" just like the Waltons did.

If you have the chance to see this film in widescreen, do it. The shots of the mountains are beautiful. It was filmed in the Grand Teton National Park, and boy does Technicolor make the mountains look great!

Clay Spencer (Henry Fonda) loves to drink but dislikes the church. He gets pastor drunk and has to do some light blackmail to get his flock back. He and his wife (Maureen O'Hara) raise a large family in a small religious community in the mountains. Their oldest boy Clayboy (James MacArthur) is desperate to get out and attend college.

This is adapted from a novel and I don't know anything about the book. I do like Fonda anchoring this but the best part is the first act with the preacher. There is a good fight and a fun fight. After that, there is a rambling flow to this which isn't helped by Clayboy who is both utterly clueless and sometimes whiny. That might be too harsh but he doesn't give any reason to root for him. If he wants an education, it would help to show more clearly his hunger for reading. Instead, the clearest hunger is delivered by a sex-starved blonde. I like following Henry Fonda for being Henry Fonda. The rest is akin to a less compelling Little House on the Prairie.

Based on the same source material that was used for the TV series "The Waltons", "Spencer's Mountain" is cornier, shallower, and quite a bit duller than its television counterpart. The basic setup is the same - a poor but proud man lives with his churchgoing wife, his elderly parents, and a multitude of children, including an intellectual eldest son who aspires to go to college. However, this movie takes place in the present day, though (1963 at the time), and the action, what little there is, is moved from Virginia to gorgeous Grand Teton National Park in Wyoming. Enjoy the scenery, because it's probably the best thing about the film.

Unlike the series, the characterizations are not nearly as well fleshed out. Other than the eldest son (here named Clay Boy instead of John Boy), none of the children are given much to do. The grandparents are ciphers as well. Also, it's difficult to make lovely Maureen O'Hara unappealing, but this movie somehow manages - she plays the clan's shrewish, nagging mother, who lavishes most of her attention on her "special" eldest son. Even worse is Henry Fonda as the patriarch, who is prone to spewing corny, down-home platitudes and creepily refers to his "babies".

Sure, "The Waltons" had its corny side as well, but the early seasons can be surprisingly gritty at times. "Spencer's Mountain" will just make your teeth ache. Skip it.