Black Eagle of Santa Fe (1965) Poster

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4/10
Snitchzel/Spaghetti Western co-produced by Germany/Italy and shot in Spain
ma-cortes14 December 2017
Warning: Spoilers
When Commanches allied to Navajos go on the warpath , settlers take refuge in the undermanned Ft. Eagle Rock commanded by Capt. Jackson (Joachin Hansen) . There arrives a mysterious adventurer who results to be an undercover agent named Cliff McPherson (Brad Harris) . In the fort there are rowdy , free-spending cowboys attracted saloon keepers , gamblers ,and all types of frontier riff-raff . Cliff McPherson lend advice as well as support and learns that the Commanches have been stirred up by local rancher Morton (Werner Peters) who wants to take control of the oil under the Indians' reservation. In the besieged fort , McPherson falls in love for a beautiful girl , Lana Miller (Olga Schoberová , Brad Harris's wife) . It follows the exploits of two adventurers , Cliff McPherson /Brad Harris and Blade Carpenter/ Horst Frank who join forces and attempt to seek peace and justice and to return tranquillity and calmness among the settlers and military attacked by Indians and Morton's hoodlums. Later on , military and settlers fleeing the fort towards Santa Fe . McPherson informs Chief Black Eagle (Tony Kendall) of Morton's betrayal and the Indians then ride to save the cavalry when Morton's henchemen (Serge Marquand) attack the soldiers .

This is an oater Western plenty of action , hatred , gun-play, an agreeable love story...in a word : emotion ; besides it contains effective action sequences as the Indian raids and lots of crossfires . The picture gets Western action , shootouts , Indian attacks , a love story , and results to be entertaining , but mediocre . It's a medium budget film with passable actors , technicians, production values and ordinary results . Of course , there are ritual shootouts among gunslingers confronting each other in some quick-draw duels in the accepted Western movie fashion . This is a so-so Spaghetti/Snitchzel Western with some moments genuinely entertaining if you can avoid thinking too much . Being realized in the wake of ¨Karl May's Winnetou and Old Surehand¨ series , a lot of movies produced in the sixties by the powerful German company ¨Constantin Films¨ , starred by Pierre Brice , Lex Barker , and Stewart Granger . It stars Brad Harris who hare falls in love for the gorgeousLana Miller (Olga Schoberová , in real life married Brad Harris) . Brad began doing stunt work , in the late 50s he traveled to Europe and he soon found himself working in Musclemen epics such as ¨Sansone¨ , ¨Goliath against the giants¨ , ¨Fury of Hércules¨ and he eventually moved into Spaghetti Western and spy movies . Brad Harris married the beautiful co-starring Olga Schoberová . Olga became the Czech sex-symbol because she was the first beauty from Czechoslovakia to appear on Playboy, and made it on the front cover, too . After winning the leading role in The vengeance of She (1968), Paramount renamed her Olinka Berova . She and Brad Harris have one daughter . Olinka played several films along with his husband Brad , such as "Poppea's Hot Nights" , ¨Formula 1¨ , "Kommissar X¨ or ¨Kill me gently¨ and a Western titled ¨Massacre at Marble City¨ . Secondary cast is formed by some familiar faces from Spaghetti Western such as Joseph Egger , Serge Marquand , Pinkas Braun , Lorenzo Robledo and Ennio Girolami or Thomas Moore , the latter ordinary in Enzo G. Castellari films . And Horst Frank , usually playing bad guys , here he plays a good guy . This one belongs an abundant group of German Westerns or co-productions , usually shot in Germany , Spain or Yugoslavia and habitually starred by some faded American actors , such as : ¨Alla Conquista dell'Arkansas or Conquerors of Arkansas¨ by Paul Martin also starred by Brad Harris , Horst Frank ; ¨Sien Nanten Ihn Gringo¨ (65) by Roy Rowland with Alexandra Stewart ; ¨La Lunga Strada Della Vendetta or Der Letzle Ritt Nach Santa Cruz¨ (64) by Rof Olsen with Edmund Purdom ; ¨7 Donne Per Una Strage¨ by Gianfranco Parolini and Rudolf Zehetgruber with Anne Baxter , ¨Sfida a Glory City¨ (65) by Sheldon Reynols with Lex Barker , ¨Last Mohican¨ (1965) by Harald Reinl and ¨Massacre at Condor Pass¨ (1976) by Peter Schamoni with Stephen Boyd .

The picture displays a resounding and inappropriate musical score by Gert Wilden . Colorful Cinematography by Hans Jura , shot in Manzanares Del Real , La Pedriza , Madrid surroundings and Bavaria studios , Munich . The picture was middlingly directed by Ernst Hofbauer (1925-1984) , a craftsman who directed all kind of genres , Eurospies : "The Mystery of Three Junks" , "Women for Sale" , and Krimis : "Tim Frazer Contra Mr. X" , Comedies , an erotic biography about Rasputín and especially ¨Schulmadchen reports¨ movies .
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6/10
An undistinguished but adequate "spaghetti" western
dinky-47 June 2006
By this point, Idaho-born Brad Harris had switched away from the sword-and-sandal movies to the westerns and spy movies which formed the bulk of his later career. Since Brad looked good in both peplums and buckskins, the switch to westerns proved successful and this is a typical example of that genre. It moves well, has a fistfight or two, and ends with a noisy skirmish on the desert pitting Indians and cavalry against the henchmen of an evil rancher. Romantic interest is minor but there are two pretty young women on hand, one blonde and one with black hair. Needless to say, Brad winds up with the blonde, both on-screen and off. (He and co-star Olga Schoberova were married from 1967 to 1969.) He also has a chance to shed his shirt and show off that impressive torso when he prepares to take a bath in the local bath-house. Horst Frank gets second billing but his part seems largely extraneous. The music score hovers between the routine and the annoying, and despite its English title, the movie contains no reference to Santa Fe.
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Tiresome European oater
Wizard-87 May 2017
Warning: Spoilers
When you think of European westerns of the 1960s and 1970s, most likely you think of the output coming from Italy and Spain. But Germany got into the action several times, "Black Eagle of Santa Fe" being one such example. I've found these German westerns to be weaker than those coming from Italy or Spain, and this one is no exception. I will say that the production values are surprisingly solid, and the movie gets off to an okay start, with a lively attack lead by Native Americans, but the next hour or so is very tough to sit through. The plot moves at a near standstill, and there's pretty much no action. Instead, there's a lot of boring chitchat, occasionally punctured by a very bad and inappropriate musical score. Things do pick up a little in the last third of the movie, but it's too little too late. If you get stuck with watching this, try to figure out why the movie is called "Black Eagle of Santa Fe" when both the character of Black Eagle and the city of Santa Fe hardly make any appearances.
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7/10
Sauerkraut Western with Brad HARRIS, Olga SCHOBEROVA and Joachim HANSEN
ZeddaZogenau23 October 2023
Third Sauerkraut Western from Rapid Film with Brad Harris and Joachim Hansen

This is the third western produced by Wolf C. Hartwig and his Rapid-Film, but this time not based on a template by Friedrich Gerstäcker. The director was Ernst Hofbauer, who was to establish the world's most successful German-language cinema film series in the 1970s with the infamous series of report films ("Schulmädchenreport / Schoolgirl Report") and also the Bud Spencer and Terence Hill imitating films about the "Teufelskerle / Devil Guys " (for example "Zwei Teufelskerle auf dem Weg ins Kloster / Two devils on the way to the monastery"). This western, also known as "I gringos non perdonano" and "Black Eagle of Santa Fe", was released in West German cinemas on March 12, 1965.

Out of greed for money, a devious landowner (Werner Peters, known from "Der Untertan" (1951) but also seen alongside superstar Sean Connery in "A Fine Madness" (1966)) and his man for the rough (Pinkas Braun) stir up conflicts between the people Commanders around Chief Black Eagle (Tony Kendall, who would co-found the successful "KOMMISSAR X" series with Brad Harris a year later) and the peace-loving citizens of Santa Fe. As the death toll piles up, the citizens seek shelter in the fort of Captain Jackson (Joachim Hansen, in a less radiant role than in "Und ewig singen die Wälder / The Forests Sing Forever" (1959)). But he is a procrastinator and is not up to the whole situation, which especially goes against the grain of the robust Cliff McPherson (Brad Harris). The situation is getting worse...

Other roles include Horst Frank, Helga Sommerfeld, Edith Hancke (as a wonderful Berlin accent barmaid), Josef Egger and the beautiful Olga Schoberova. She and Brad Harris, who would later become her husband in real life, have a funny bathing scene in the washtub in which both of them show off their physical assets perfectly. As a proven stunt choreographer, Brad Harris also ensures that there is good fighting and that the tension is maintained.

In his long career, the actor and stuntman Brad Harris (1933-2017) has done an incredible amount for German cinema through his participation in many adventure films produced in German-speaking countries. These achievements have not been adequately recognized. Unfortunately, Brad Harris failed to be given an overdue Bambi or honorary Lola during his lifetime. A missed opportunity! On September 7th, 2017, a few weeks before his death, Brad Harris was awarded the Cineways Lifetime Achievement Award in Braunschweig.
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8/10
Brad Harris Rides Again
Steve_Nyland6 October 2018
German produced Westerns made in the former Yugoslavia during the 1960s are a pet favorite. The long running "Winnetou" series with Tarzan actor Lex Barker were as popular in Europe as the James Bond films, or any other semi-serial of related features. The best known examples of the Schnitzel Western form, they have an unreal quality about them, set in uniquely decorated East European hill country with rock formations even more bizarre in appearance to those used for locations by the Spaghetti Western directors in Spain. "The new old west" is what Roger Ebert called the look. North American Westerns all look the same, no offense intended. European made Westerns look like Star Trek episodes in comparison: "Fake", confined to tightly claustrophobic sets, populated by actors costumed for style rather than authenticity.

This is a pretty smooth one. "Sampson/Hercules" actor Brad Harris plays the secret agent who rides into a bloody landscape torn apart by Comanche raids on frontier settlements as reprisal for having traditional Native lands taken away by a would-be oil baron who sets up the U.S. Cavalry to take the fall for him. Or any other caucasians who happen by, the story opening with a massacre which would have been wholly unacceptable for American audiences in 1965. The film is brutally violent yet it's cartoon violence rather than the bloody carnage of a Peckinpah. The look mimics the American productions which inspired the Italian, French and German filmmakers who churned these things out for a decade until the fad dried out once it devolved into self-parody.

This one may not have the style or panache of a sumptuous Sergio Leone or Corbucci epic, instead still rooted in the Experimental era of the EuroWestern form prior to the grubby unwashed look of the Classic era productions. These helped set the tone, and gets the job over and done with quickly, with little time for remorse for the dead or character development. They are archetypes, roles crafted to check off list items on the formulary of Western films. Harris' tough-guy persona is well served by the role he plays, a youngish Horst Frank is enjoyable as his counterpart, and Euro Horror actor Tony Kendall is just swarthy enough to be cast as an Indian Chief without eliciting too many guffaws.

For that matter the Native Americans are regarded with surprising sympathy by the filmmakers, scoring plot points by having the Cavalry and despotic white men who drive the plot as the bad guys, their savage reprisals somehow understandable. The establishment of the Anti Hero was the great contribution by the Euro's to the idiom, and indeed contemporary viewers will be surprised at how "modern" the film feels in this unblemished English version presented by the awesome Wu Tang Collection of restored European produced Westerns.

The results may lack the sweeping epic feel of the "Winnetou" fans but was skillfully filmed in widescreen and has a passable twangy electric guitar vibrato music score which will please those who admire such things. Not as plaintively mournful as a Paella-flavored Spaghetti Western score and closer to popular music forms than an operatic Morricone concoction. In fact I'll say that the film is charming just by having less at stake than a grim, sweaty Italo Western, instead playing a cool, calculated and streamlined game of make-believe which reminds me so much of playing Cowboys & Indians as a kid. That's why we watch em, period authenticity be damned.
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