Operazione San Pietro (1967) Poster

User Reviews

Review this title
6 Reviews
Sort by:
Filter by Rating:
6/10
OPERATION ST. PETER'S (Lucio Fulci, 1967) **1/2
Bunuel197614 August 2008
This is yet another caper in the broadly comic style of the classic BIG DEAL ON MADONNA STREET (1958); actually, it's a semi-sequel to Dino Risi's THE TREASURE OF SAN GENNARO (1966) – via the presence in both of three incompetent thieves (the movie opens with them drilling through the floor of a building, believing it will lead into a museum but they find themselves inside a prison cell where the hero is currently confined!). Besides, it's one of numerous films in this vein which populated Edward G. Robinson's latter-day career; one further link to an earlier film is the fact that a previous "James Tont" adventure with the same star, Lando Buzzanca – which I watched recently – also involved a theft from the Vatican (the "St. Peter's" of the title).

Incidentally, the "Operation" isn't the actual robbery itself – which, committed on the spur of the moment by Buzzanca in a totally casual manner (making off with Michelangelo's Pieta' statue on a fork-lifter in broad daylight!), is treated almost like child's play by director Fulci (well-known for his anti-clerical views) – but rather the ultra-organized ecclesiastical retrieval of the missing item (which, at one point, is even compared to the work of the Mafia)! In fact, we see various priests doing incredible stunts on motor-bikes(!) and such – which renders the second half of this patchy offering agreeably irreverent.

Still, there are a few undeniable belly-laughs: when Buzzanca is forced to confess the crime to a priest by his girlfriend (they met during a failed "snatch & grab" attempt and with whom she fell immediately in love, since he happens to be a dead-ringer for her late husband!), we hear the man in the confessional tumbling down from fainting; another is when the trio of crooks are discovered lying about in their hide-out by Buzzanca and a Cardinal (Heinz Ruhmann) – the statue is no longer there, so they think that the men had been murdered by Robinson's gang: however, they had only passed out from over-eating (given them in exchange for the Pieta'!), not having had a decent meal in some time…and, in fact, one of them wakes up just in time to burp vigorously and loudly!!; also, during the lengthy climactic chase, a car with two priests inside is bumped into by another vehicle and torn in half!; also, among the parties to set out in pursuit of the thieves, are a group of laid-back and constantly chanting monks who use a derelict truck for the journey…so that, when they finally arrive on the scene, the operation has just wrapped!

Robinson is given a nice role as a former big shot, but who cracked after being beaten up by his own cronies (he now flicks between a semi-senile nature and his former bloodthirsty self!); incidentally, it was rather strange to watch the Hollywood veteran in the presence of scantily-clad female assistant Uta Levka! Reportedly, Fulci was unimpressed by the actor's legacy and seems to have had had little patience with Robinson when the latter couldn't remember his lines (incidentally, the director didn't even have a kind word for his own film – calling it "a piece of crap")! Anyway, also notable in the cast is Jean-Claude Brialy, appearing atypically as a speech-impaired Sicilian(!) stud: though married, he uses his dubious skills as crooner to seduce (and, consequently, live off) every rich old lady that crosses his path!
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Lucio? Is that really you?
haildevilman12 October 2006
WAS this a comedy? This played a late night cable channel recently. I saw it just because it had Lucio's name on it.

Il Maestro manages to talk Edward G. "Rico" Robinson into making a cameo in this heist caper. I hope Robinson needed the paycheck bad enough.

Four bumbling goofballs try to steal great art in Rome. Lead by a foppish type (despite his lack of cash) they cause one mishap after another.

We have a sea captain wannabe, the 'hero', and one of the creepiest looking guys I've ever seen. Like Jay Leno with his head flattened vertically.

It's a good thing I had several beers in me when I saw this. Otherwise, it might never have been watchable.

Western Fulci fans won't dig it. It's not a horror flick. Euro fans might. He did do other genres. But was he serious here? I still can't tell.
1 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Early Fulci
BandSAboutMovies19 April 2020
Warning: Spoilers
This movie was an Italian, French and West German co-production. It was released in France as Au Diable les Anges (To Hell With the Angels) and Germany as Die Abenteuer des Kardinal Braun (The Adventure of Cardinal Brown). It's also an unofficial sequel to Operazione San Gennaro, a heist-comedy film that Dino Risi directed.

This one is directed by Lucio Fulci, not yet the Godfather of Gore.

Napoleon has big plans for being such a small-time crook. He's accidentally released from prison by a villain named the Baron and his henchmen, who were on their way to rob a bank vault. Despite how well-dressed they are, they're broke. Napoleon takes over the gang and they move to Rome, where they joining up with a used car selling gigolo named Cajella.

While the rest of the gang steals money from tourists, Cajella falls for a gangster's moll named Samantha. Her man ends up being Joe Ventura (Edward G. Robinson!), a big-league American gangster. They both get involved when the gang steals the Pieta, one of the most famous statues in the world.

As they say, all manner of shenanigans ensure. It's interesting to see Fulci's early comedies knowing the sheer insanity he had inside him and was ready to unleash in a decade or so.
0 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
2/10
MISSHAPEN AND OBNOXIOUS
J. Steed5 April 1999
Misshapen, obnoxious z-grade film about the stealing of the Michelangelo's Pietà in which both Heinz Rühmann and Edward G. Robinson somehow seem to have been mistakingly landed in; one indeed feels pity for them. Apparently this is a kind of sequel to the Father Brown (based on the stories by G.K. Chesterton) films with Rühmann; all those involved should have been excommunicated.
5 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink
3/10
Forget it...
p13r023 February 2004
Just a copy of another movie, "Operazione San Gennaro", realized in hurry to try to repeat its success. The plot is substantially the same (it is simply shifted from Naples to Rome) but without the humour and the style of the first one. Many of the secondary characters are the same in both the movies.

There is nothing particularly funny or smart in it, but for some strange reason this movie had more success outside Italy than the original, that is still broadcasted sometimes on the national television.
3 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Not bad at all
borman-16 March 2007
Operazione San Pietro is an OK eurocomedy. It's not one of Lucio Fulci's best comedies (his other movies featuring Lando Buzzanca - The Eroticist, Young Dracula - are funnier), but it's still watchable and entertaining. It's not a real ripoff of Dino Risi's film, as an other reviewer mentioned (though I haven't seen Operazione San Gennaro), since it was made (written, produced etc.) by the same people, and - as far as I know - the story and the characters are very different too (Fulci's film is not a real "heist" or "caper" movie). The Italian title implies that it's a sequel, and it does feature similar situations, but 1. that's not stealing in my opinion 2. it is very common in case of movies like this. It seems to be true that Operazione San Pietro is actually a "semi-sequel" to Heinz Rühmann's Father Brown movies, at least the German title (Die Abenteuer des Kardinal Braun) suggests that.

The acting is OK (Robinson is quite good in a parody of his earlier roles), the characters are funny, the direction is stylish (though not as stylish as Fulci's giallos or westerns).

The car stunts are similar to the ones in Louis de Funes' Gendarme movies, which is quite interesting, since the Funes movie which features almost the same stunts (Le Gendarme se marie) was released a year after Operazione San Pietro. (So if anybody is a "thief" among these people, it must be Jean Girault, the director of the Gendarme movies.) All in all, if you like European (italian) comedies, give this one a try. It's not a gory movie at all, but it's still a Fulci-film with Fulci's stylistics (and it's a lot better and stylish than some horrors he made in the eighties).

(John Bartha appears uncredited as the "talkative" one of the thugs who beat up Robinson.)
5 out of 8 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed