Gates to Paradise (1968) Poster

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7/10
No Return On Small Prophets
Theo Robertson30 August 2013
First of all I have to confess that the version I saw was a dubbed German version and this probably helps the film because Lionel Stander best known for his role in HART TO HART is probably the last person in the world you'd employ to portray a former crusader turned monk in 13th century Europe taking the confessions of young teens on the Children's Crusade . Not being up on German accents this gives the film a uniformity that one suspects might be missing in the original English language version

The second point was I had no knowledge whatsoever as to what I expecting . I had vaguely heard on the 13th Century children's crusade that apparently ended in complete disaster but most historians consider this crusade to be a complete work of fiction . I had of course heard of Andrzej Wajda and KANAL remains one of my favourite pieces of European cinema but being a Pole one might prejudge Wajda of being someone who's going to take a genuine ecclesiastical and portray it as historical and spiritual fact . If nothing else it's a warning to never prejudge anyone or anything because this isn't what takes place

Bare in mind this is a totally unknown film . As an IMDb junkie I'd never heard of it and to my knowledge it's never been broadcast on British network television and long before the end titles appear you know why this is . At the centre of the story is a pederast Count Ludovic who has been manipulating two of the key characters to his own ends , namely to satisfy his own sexual desires . We don't get any explicit scenes of child rape but even so it does make for a rather disturbing film which even for 1968 when the Hays Code was becoming increasingly redundant sail very close to the wind

At the heart of the story is a subtext that everyone should be aware of false prophets of whatever philosophical persuasion . Some people will of course view this film as a critique of religion , that all religions are based on myth and legends and this is a film for secular humanists . Indeed it is but one can also view it as a critique on the secular religion of communism where humanity's faith on a doctrine that conditions the concept of greed out of human beings is no less true that a Bronze Age Palestinian Jew being crucified for our sins is . It's notable that two apes follow he Crusade on its travels and perhaps the point is that only human evolution can save humanity for itself
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1/10
Betrayal of a great writer
jromanbaker6 December 2020
Jerzy Andrzejewski was the author of ' Ashes and Diamonds ' arguably Wajda's best film, adapted from the novel. The novel is justly considered a Polish masterpiece and the film is good, but this film, known as ' Gates to Paradise ' a novel written by Andrzejewski was too complex to bring to the screen, especially as Wajda himself considered the film a failure. The fact that the film deals with homosexuality was probably too distasteful for him to handle was probably the cause of it being a total failure. He must have known that Andrzejewski was a great writer and that in the book the subject matter was written experimentally in one long sentence, followed by a short sentence afterwards, and needed an equal experimental approach, and that the homosexuality was treated with a great deal of beauty. Instead of approaching it with understanding he made a clumsily flat film, without empathy or passion and cast it with actors that looked and acted very badly, due no doubt to his ham fisted direction. In colour and crudely dubbed it is a disaster that betrayed the author's intentions entirely. Polish film has no great record on portraying homosexuality and Wajda, knowing he was incapable of doing the book justice should have left it alone. As for the cast Ferdy Mayne was miscast as the so-called ' predator ' and he was out of his depth, missing out on the romantic aspects of the relationship with the youth he has had a relationship with. It should be re-filmed by a braver director and it would be an achievement for a Polish director to film it in Polish with Polish actors who thankfully understand their roles instead of making them one-dimensional puppets. It deserves its cinematic oblivion.
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9/10
13th century Christian "Children's Crusade" as a hormonal teen road trip
rokcomx27 November 2012
Warning: Spoilers
I've long been fascinated by the so-called "Children's Crusade," historically described as peaceful march to Jerusalem launched around the year 1212 by a charismatic teen Christian who traveled from town to town in medieval France and Germany, recruiting young people to accompany him to the site of Jesus' grave because "God told me to."

Polish writer Jerzy Andrzejewski wrote a 1960 novel about the Children's Crusade, which was adapted as the screenplay for 1968's La Croisade Maudite, aka Gates to Paradise.

Directed by Polish auteur Andrzej Wajda, the obscure gem unfolds as a sort of 13th century Road Trip, with youthful hormones and selfish impatience trumping nearly all of the (supposedly) pious preoccupations of their handsome leader Jacques (blonde heartthrob John Fordyce, constantly and comically running his fingers through his Beatlesque moptop).

What makes the storytelling so intriguing is how each of the main characters tells their own tale in the form of (frequently alarming) confessions to the one adult accompanying the children, a former Crusader turned monk who seeks to atone for the many murderous since he committed while still a knight.

The monk is portrayed by Lionel Stander, who'd later play Max on the TV show Hart to Hart, here resembling an unfortunate amalgam of Yogi Berra and Buddy Hackett.

Thusly, we end up seeing the same events through several different POVS, each slightly askew from the others ala Rashomon.

In one notable case, the biographical story told to the monk by the somewhat devious beauty Blanche (egged on by her apparent boyfriend Alexander) differs radically from the more truthful account that we get to see in her private thoughts and recollections.

Blanche is portrayed by the almost impossibly beautiful Pauline Challoner, best known for the vintage Titanic drama A Night to Remember and the highly regarded (and epically ahead of its time) 1969 Spanish horror classic La Residencia, aka The House That Screamed, said to be Dario Argento's main inspirations for Suspiria.

Blanche seems to be the one teen who holds all the pieces of the puzzle that led to the beginning of the Children's Crusade.

However, only after several more accounts are unfolded via the recollections and confessions of the other children closest to Jacques does it become clear what REALLY sparked and drives the epic march on Jerusalem.

Among the cast is young Jenny Agutter (Logan's Run), shortly before she was hired by Nicolas Roeg to star in the woefully obscure lost-in-the-Australian-outback epic Walkabout (1971).

As the supposedly devout and pious young maiden Maud, she pours her heart out to the audience while hanging from a tree (oddly presaging a similar scene in Walkabout), revealing that she's in love with the kids' charismatic leader Jacques – as is just about everyone else at the front of the parade, males and females alike, including/especially Blanche's sexually omnivorous boytoy Alexander (Mathieu Carrière).

Is Maud's obsession with Jacques and her determination to always march at his side the only reason she's on this pilgrimage? What about Blanche's and Alexander's likeminded libidos? Or have they too been called upon by God to free Jerusalem?

The latter notion seems backed up by the fact that none of the kids were willing to follow Jacques until MAUD spoke up and defended his vision, in a passionate life-changing speech that we can only see, not hear, with powerfully persuasive words that – for some unexplained reason (divine intervention?) - not a single child can remember.

Agutter is most prominently featured in the first half hour of the film, though she's instantly upstaged within her own flashback when Pauline Challoner's flirtatious character Blanche skips into the frame and announces her intent to make love to the reclusive and handsome shepherd Jacques (the libidinous goal of just about everyone other than the adult monk, who becomes increasingly horrified by the ungodly hormones raging all around him as the march progresses).

Challoner would play a similarly rebellious teen the following year The House That Screamed, continuing an intriguing body of work that dates back to playing a somewhat Carrie-like "killer kiddie" in a 1961 episode of the TV thriller One Step Beyond called "The Tiger."

Stunningly beautiful (imagine a younger and even more lovely Brigitte Bardot, or perhaps Ewa Aulin from the 1968 Ringo Starr film Candy, only with actual acting chops), the British actress would make around two dozen films before retiring in the mid-'70s, despite winning several acting awards and earning herself a devotional cult of admirers.

Challoner goes through the most far reaching character arc of the film, eventually revealing herself to be a pretty decent, if typically amorous and confused, teen. She's even seen comforting her one-time romantic rival Maud as inclement weather beats down on the presumably tired and hungry horde, as well as helping Maud climb a particularly daunting rocky hilltop.

The only other adult among the major players is seen only in disturbing but revealing flashbacks, the manipulative and predatory Count (Ferdy Mayne, later cast by Roman Polanski as Krolock in Dance of the Vampires).

Director Andrzej Wajda, an honorary Oscar winner, is probably best known for his war movie trilogy - A Generation (1954), Kanał (1956), and Ashes and Diamonds (1958) – and for The Maids of Wilko, which in 1979 was nominated for an Academy Award.

If I've piqued your curiosity about this obscure cinematic gem, be warned, that the subject matter becomes increasingly mature - some might even say sordid - in ways I tried to avoid mentioning so as not to incur more spoiler alerts.

Though starring and ostensibly about children, Gates of Paradise is definitely NOT a children's film.
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