Fort Utah (1967) Poster

(1967)

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5/10
Where They Made Their Stand
bkoganbing7 December 2012
Fort Utah is another A.C. Lyles western with Hollywood's senior citizen crowd. By senior citizen we mean players past their box office prime. In this case the leads are John Ireland and Virginia Mayo.

The fort itself is a deserted army post, made empty by the fact that some real deserters led by Scott Brady killed the inhabitants and now are an outlaw gang. No one knows this yet because a telegraph is miles away. In the meantime Brady and his bunch massacre an Indian village filled with women and children. So the surviving braves of the tribe want his scalp, his hide, and any other functioning body part they can lay their hands on.

Ireland is famous frontier scout Tom Horn years before he met the fate described in the Steve McQueen classic. Ireland and Robert Strauss meet up and then both of them meet up with a wagon train headed by John Russell which train sustains an Indian attack. The survivors and Ireland and Strauss take refuge in the fort where they hoped to find live troopers. In any event it's a good place to stand off an attack from whomever.

Fort Utah moves at a good western clip with Lyles packing a lot of action in his short running time. The script and story left a bit to be desired, but the action is all any redblooded western fan could want.
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5/10
Routine But Entertaining Western with a Cast of Faded Stars
zardoz-1320 September 2012
Warning: Spoilers
Director Lesley Selander's "Fort Utah" is one of the thirteen westerns made by Paramount producer A.C. Lyles back in the 1960s that toplined actors and actress past their prime. John Ireland plays the protagonist named Tom Horn. In this movie, however, Tom Horn is not the cavalry scout that either Steve McQueen played in "Tom Horn" or David Carradine played in "Mr. Horn." Meantime, George Montgomery played Horn before he became a cavalry scout in the oater "Dakota Lil'." "Fort Utah" qualifies as a traditional American western for its day. The Native Americans are villainous, one-dimensional, but inexorable. Steve Fisher's predictable screenplay features far too much dialogue. The heroine is a desperate lady who doesn't realize that she is going westward to become a prostitute. Of course, our bachelor hero winds up saving her from this fate. The scenery, particularly Vasquez Rocks Natural Area Park in California, looks familiar because they've been used by hundreds of other westerns as well as television shows. Former gunfighter Tom Horn (John Ireland of "Villa Rides") is minding his own business, riding to "anywhere he pleases" when he encounters a hostile Native American. The Indian needs Horn's horse because he has lost his mount. A brief struggle ensues, and Horn kills his adversary by turning the knife that the redskin brandished against him. Buckskin-clad Indian agent Ben Stokes (Robert Strauss of "Stalag 17") rides up moments later. Stokes explains that the Indians have jumped the reservation, and the one Horn killed was a scout who belonged to a raiding party. Initially, Stokes doesn't know what prompted the redskins to leave the reservation. Eventually, Stokes adds that an individual named Dajin (Scott Brady of "Dollars") is the reason the Indians are rampaging on the warpath. At first, Stokes suspected Horn was Dajin. "You know, I'm out here looking for a wild hyena named Dajin and those Indians won't stop until I find him." Stokes adds he must "round them up and bring them back to the government feeding grounds." What complicates matters for Stokes is that he has never seen Dajin. Horn and Stokes spot a wagon train threading its way through the territory. "Looks like I'm not the only one around here who didn't know the Indians on the rampage," Horn observes. Neither Horn nor Stokes can figure out why the cavalry at nearby Fort Utah haven't warned the wagon train about the savages. "Tell them to get some soldiers over here to protect these people," Horn suggests after Stokes reveals that he is riding to Fort Utah. While Stokes sets out to alert the cavalry about the wagon train, Horn rides down to join the wagon train.

Horn warns the wagon train master about the presence of hostile redskins. Initially, Eli Jonas (John Russell of "Pale Rider") dismisses Horn's warning. You see, Jonas doesn't want to alarm the pioneers about the threat that the hostiles pose. Once Horn joins the group, he grows fond of a passenger, Linda Lee (Virginia Mayo of "White Heat"), after Bo Greer (James Craig of "Kismet"), makes unsolicited advances. Greer is a married man, but this doesn't keep him from antagonizing Lee. Horn learns Linda is heading to San Francisco to become a mail-order bride. Eventually, he learns the truth about Linda. She is destitute and masquerading as an opera singer until she gets to San Francisco where she will be a prostitute. Later, Jonas reveals to Horn that he is transporting a crate of Winchester repeating rifles. Unfortunately, when Stokes doesn't arrive with the cavalry, Horn sets out for Fort Utah. No sooner has Horn entered the cavalry fort than Scarecrow (Jim Davis of CBS-TV's "Dallas") and Britches (Harry Lauter of "Barquero") surprise and overpower him. When he awakens, Horn discovers that Stokers is confined alongside him in the stockade. According to Stokes, Dajin is an insubordinate Army sergeant with a gang of deserted troopers. They murdered the men in the fort. The cavalry shows up to escort Jones and the wagon train. The Indians descend upon the wagon train and wipe out the cavalry. They reduce the wagon train from seven wagons to one without canvas stretched over its hoops. Only nine pioneers survive, and they don't stick around to bury their dead.

Meantime, Horn and Stokes escape from the stockade by breaking through the roof. "You know this is the first time I ever busted out of anywhere since I was kid locked in the outhouse," Stokes laughs at the memory. Britches and Shirt (Eric Cody) blast away at them while Scarecrow rides off to warn Dajin. As it turns out, Dajin was after a $100-million in gold bullion that was stored at the fort. Our heroes eliminate both Britches and Shirt. Jones and the wagon train survivors arrive at the fort. They are saddened by the revelation that the soldiers are all dead. Horn fights with Greer after Greer barges into Lee's bedroom. After Scarecrow informs Dajin about Horn and Strokes' escape, the outlaw chieftain murders Scarecrow. At the fort, Jonas rallies the pioneers. Stokes says he needs Dajin alive so he can hand him over to the Indians. Dajin and his gang attacks the fort and the pioneers drive him off. Later, Dajin and his henchmen infiltrate the fort. The Indians attack the fort and Dajin and his men demand sanctuary. Stokes strikes a truce with the redskins and turns Dajin over to the Indians to prevent further bloodshed. The Indians want Dajin for massacring their women and children. Unfortunately, Horn kills Dajin. Nevertheless, they strap Dajin to his horse like El Cid style and present him to the angry Indians. The Indians riddle Dajin with gunfire and ride off. Naturally, when all the shooting stops, Linda and Horn decide to start a new lift together.

Director Lesley Selander puts these veterans through their paces in this 83-minute oater. The adult-themed predicament of Linda Lee is the only thing that differentiates "Fort Utah" from a 1950s western.
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5/10
Another typical AC Lyles oater ........
revdrcac3 June 2006
A.C. Lyles produced a number of cheapie westerns in the 1960's, many of which featured former marquee stars that were approaching senior citizen status. This reformed gunman vs. the greedy villain follows that same, tired pattern. The writing and budget were poor.

Don "Red" Barry, John Russell and others were always at home in the saddle, but this low-budget, unchallenging western did not give them a whole lot to work with. The film had a lack of energy & freshness that failed to draw me in as a viewer.

Fort Utah is a mediocre film, that leaves you wanting more ........ Recommended for die-hard sagebrush fans only .
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Low-budget western with an exciting finale
BrianDanaCamp9 June 2016
FORT UTAH (1967) is another A.C. Lyles western with faded Hollywood stars who were put through their paces for a week of shooting, supplemented by a ton of stock footage. This one's about a wagon train of settlers heading for California, an Indian attack, a band of army deserters committing murder and mayhem, and a gunslinger and an Indian agent trying to protect the settlers. That's pretty much all you need to know. Every shot containing more than one wagon came from another, more expensive western. Every shot containing more than ten Indians came from another western. A location shot featuring smoke signals came from another western. At one point, a cavalry troop joins the wagon train but we only see one cavalry officer in this film's actual footage and no troopers at all, until stock footage of an Indian battle from another movie is inserted to give us a quick glimpse of other troopers. I kept thinking I'd rather be watching that other, bigger-budgeted western. Every time the hero, Tom Horn, gets into a fist fight, the actor who plays him, then-53-year-old John Ireland, is doubled by a stuntman with little resemblance to Ireland. And he has fights with at least four of his co-stars, some of whom have stuntmen with at least a mild resemblance to the actor they're doubling.

For the record, this one has fewer name actors in it than most other Lyles westerns. (TOWN TAMER, for instance, is packed with former stars.) John Ireland seems a bit slower and less proactive here than his character ought to be. After this and his next Lyles production, ARIZONA BUSHWHACKERS, he went off to Italy for a lucrative career in spaghetti westerns and war thrillers, usually in supporting roles. Virginia Mayo plays a wagon train passenger who claims to be an opera singer headed for a performing gig in San Francisco. The truth turns out to be much more sordid, which doesn't bother Ireland at all. Her backstory takes up way too much screen time, although I can't imagine that Mayo would have taken the part with any fewer scenes. I'm a huge fan of Mayo, but she's much more subdued here than the shameless brassy blonde she was during her Warner Bros. heyday in the 1940s and '50s (WHITE HEAT, THE IRON MISTRESS). Some of her contemporaries were a much better fit for the Lyles westerns, e.g. Jane Russell, who made two, and Yvonne De Carlo, who made four. Robert Strauss, who made a career out of playing comical gangsters, is quite good here as the grizzled Indian scout, Ben Stokes, who is out to find the army deserter, Dajin (Scott Brady), who caused all the trouble. I wonder why Strauss didn't make more westerns. Brady is billed third but doesn't appear until the last 25 minutes. His henchmen include Jim Davis, Harry Lauter and Donald "Red" Barry, all old hands at this kind of thing. John Russell, James Craig and Richard Arlen are also on hand lending dependable support. The character of Horn is no doubt based on the actual gunslinger of that name and he is treated here as someone whose fame precedes him. (The real Horn was hanged in 1903 for a murder committed during a range war.)

Having said all this, I must add that the action at the title fort, which takes up the second half of the movie, is quite suspenseful. Once the heroes arrive and find it mysteriously abandoned, except for a trio of Dajin's deserters who are quickly dispatched or driven off, they welcome the wagon train survivors and decide that their only chance against either Dajin's band or the rampaging Indians (angered by a massacre committed by the deserters) is to hole up in the fort with the repeating rifles stocked up by the wagon master (John Russell) and defend it when the attackers appear. There's a far-fetched but very clever resolution. Despite its seams showing, I found this film quite enjoyable and better than average for a Lyles western. I saw it on the Encore Western Channel in a pan-and-scan print. Which is how some of the other Lyles westerns are shown on Amazon Prime. I wish Paramount would spring for some widescreen prints.
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4/10
A.C. Lyles Western number ten
kevinolzak2 March 2019
1967's "Fort Utah" was the tenth of 13 B Westerns courtesy Paramount producer A.C. Lyles, populated by a large number of familiar faces who had seen better days. John Ireland takes the top slot as infamous gunfighter Tom Horn, finding himself in the middle of an insurrection by Indians and unable to find help at the nearby fort because it's deserted. Meanwhile, John Russell's wagon master suffers a number of casualties from a redskin attack, leading what's left of his settlers to that same fort, where they learn that villainous Scott Brady's marauders butchered every soldier in a fruitless search for gold bullion that had been secretly moved elsewhere months earlier; Brady is the real target after his evil band led a massacre on a helpless Indian village, making haste for the safety of the fort before vengeance catches up with them. The cast is smaller this time around, with Richard Arlen, James Craig, Jim Davis, and Donald Barry, plus Virginia Mayo a very fetching heroine. The only true spark is provided by Robert Strauss, a very witty government agent who makes a good team with Ireland's Tom Horn.
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3/10
John Ireland slums in poorly made low budget western
a_chinn4 August 2017
John Ireland plays an ex-gunfighter who finds himself having to stop a baddie from stirring up the Indians in order to enrich himself. For a western made as late as 1967, this is a very old fashioned of western story that would have worked much better as a corny Tim Holt western form about 20 years earlier. When there were revisionist westerns coming out around this same time like "Ride the High Country," "Hombre," or even "The Professionals," this film seemed really out of step with the times. I suppose the Native Americans are not necessarily the bad guys here, which is a bit progressive, but they're still portrayed as dangerous unthinking creatures easily manipulated by the white man. So top off that terrible story with amateurish direction and a low budget (complete is awful use of stock footage), you get a pretty worthless film that's not even worth watching for western fans. Just skip this one.
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5/10
Mostly Fluff
drystyx8 September 2015
This is one of those Westerns that has very stock characters and relies on the "fluff" of scenery and action.

The "fluff" is good. The fights look more like reality than the goofy choreographed ones for the bubble boys. People wrestle clumsily. The only comical fight is between the hero and wagon master, which has the look of a goofy choreographed fight of taking punches.

They seemed to want to make several characters work, but they are poorly written. The wagon master, played by John Russell, and the Strauss Indian agent were obviously meant to be the two "deep" characters, but they are written so horribly, that even clever acting and directing can only lure in the most brain dead.

A lot doesn't work here. The most perplexing plot hole is how a wagon train full of people is wiped out by Indians with legitimate anger, in such a fashion. They have trained cavalry men helping, and new repeating rifles. When it is over, there are only corpses and about ten healthy survivors, none with any serious wounds. Why they are left, one can't explain, unless they found a really good hiding place, but most of them were plainly in the middle of the melee. I can only surmise that at the end, the Indians kicked up horse dust to finish them off, and somehow the survivors found an air pocket. Best explanation I can give. However, this should have been explained.

What does work is the "normal" look of the leading characters. Even the heroine is no "model". She looks like any one else. These are ordinary looking people, and that gives an interesting look to a film that relies on the "interesting look".
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7/10
Utah Saints.
hitchcockthelegend10 January 2017
Fort Utah is directed by Lesley Selander and written by Steve Fisher and Andrew Craddock. It stars John Ireland, Virginia Mayo, Robert Strauss, Scott Brady, John Russell, Richard Arlen and James Craig. Music is by Jimmie Haskell and cinematography is by Lothrop Worth.

Drifter Tom Horn (Ireland) teams up with Indian Agent Ben Stokes (Strauss) to help a pioneer wagon train against army deserters and Indian renegades.

Filmed in Technicolor/Techniscope out at Vasquez Rocks and Santa Clarita in California, Fort Utah, in spite of being shot in 1966, feels like a 1950s Oater. Of course the big giveaway is that the headliners in the cast are more long in the tooth than back in the day. Yet collectively they have produced a a very decent Oater with old fashioned value.

There's plenty going on in the plotting. The Indians have had enough of the reservation living arrangements so a renegade band have fled, leaving Ben Stokes the not unenviable task of trying to locate and placate. There's a gang of army deserters - The Marrauders - led by nefarious Dajin (Brady) out for what they can get their hands on, illegally of course. Right in the middle of hostile territory is a wagon train of pioneers who unbeknown to themselves are going to need help to survive, enter Tom Horn and the Fort Utah of the title.

Pic never wants for action, Horn gets into a fight pretty much every ten minutes, be it fisticuffs or shoot-outs, there's barely pause for him to take breath, well except for when he's getting smitten with Linda Lee (Mayo a gorgeous mature at 46) that is. She's travelling with the wagon train and has a secret as well as a major cleavage that gets an airing during a ferocious Indian attack on the wagon train. Whilst unsurprisingly she's getting unwanted attention by a scallywag pioneer fellow...

Some of the stunt doubles are very poor, which sort of sits with Haskell's cheesy musical score, and the big finale features a WTF moment to close down the encounter. But with some very nice photography for the night time scenes, and the superb backdrop of Vasquez Rocks pleasing the eyes, one can't grumble about not having it all. It's not a classic of course, and it has some formulaic baggage to carry around, but for old fashioned Oater lovers this has much to recommend. 6.5/10
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7/10
I wonder what the Geritol bill was during the making of "Fort Utah"...
planktonrules21 September 2012
In his review, revdrcac was right on--this is a fairly typical sort of A.C. Lyles production. In the 1960s, he made quite a few westerns starring folks who used to be stars. Few of these films were particularly distinguished and most seemed to have very small budgets--but they were entertaining (especially "Johnny Reno"). The likes of Dana Andrews, Richard Arlen, Howard Keel, George Montgomery, Rory Calhoun, Lon Chaney and Yvonne De Carlo all found work in his films--folks whose careers had long seen better days. Perhaps Lyles just liked these older and experienced professionals or, more likely, he liked that they could be had for a lot less money than the hotter and younger actors of the day. Here, John Ireland, Arlen and Virginia Mayo all get a second chance--which I appreciate, as they were good actors (particularly Ireland).

The film begins with Ireland on his horse--minding his own business. Suddenly, an Indian attacks him and the attacker is killed in the mêlée. Soon, an Indian agent (Robert Strauss--in a VERY atypical sort of role for him) meets him and they decide to ride together for safety. Soon, they are attacked by even more natives. Obviously, SOMETHING is up with the local Indian tribes! Then, they soon meet up with a wagon train and their leader (John Russell)--and they decide to help them, otherwise they could soon be massacred. What about this Fort Utah? Well, the hope is that someone can get their and get help...otherwise they're all on their own. But, when Ireland makes his way to the fort, he finds it nearly abandoned...except for some nasty killers who are deserters. See this film to see and to find out what happens next.

What I first started watching this film, I thought this was yet another film where the Indians were stupid and one-dimensional. Well, fortunately, this turned out not to be the case--they had a darned good reason to be mad! Aside from a bit of macho posturing and cheap production values (the lousy use of stunt-men in the fight between Ireland and the would-be rapist is pretty laughable), the film manages to work pretty well due to good acting and a decent script. I particularly like the relationship that developed between Ireland and Mayo, but also LOVED the weird casting of Strauss--he was a hoot. Not at all brilliant overall, but well worth seeing if you like the genre.
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8/10
Fort Utah was another entertaining obscure western I just watched on Netflix streaming
tavm28 August 2012
John Ireland is Tom Horn, a famous gunfighter. Robert Strauss is Ben Stokes, a government agent for the Indians. Virginia Mayo is Linda Lee, an "Opera singer". And Scott Brady is Dajin, an army deserter who's wanted by the Indians. Oh, and then there's Jim Davis as Scarecrow, one of Dajin's men among others in the cast. I'm not a big fan of heroes attacking Indians since that usually means those Natives are being portrayed as savages but here, there's at least a reason they're not always friendly to the white men who are simply trying to survive. The fights between Horn and various of the villains attacking him are, however, quite entertaining the way they're choreographed. I also liked Ireland's dialogue with Ms. Mayo and his friendship with Strauss. Oh, and knowing about Davis' previous western roles as both bad and good guys and his later iconic role as Jock Ewing in the original "Dallas", he was the highlight of the picture for me. So on that note, I highly recommend this obscure oater, Fort Utah.
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7/10
"All right, let's bury the stink".
classicsoncall3 September 2016
Warning: Spoilers
You don't think John Ireland was talking about the film in my summary line above, do you? Actually, the picture wasn't all that bad, but certainly not memorable either. If I had to come up with the most positive aspect of the picture, it would be that it included four actors who had previously made their mark starring in TV Westerns at least a decade before. Most prominent of these would have been 'Lawman's' John Russell, here in a middle of the road characterization in between a hero and a villain. As the wagon master of a diverted and then destroyed wagon train, he manages to realize he made a bad mistake by originally going up against the film's principal, John Ireland as Tom Horn.

The others included Scott Brady ('Shotgun Slade') as renegade cavalry officer Dajin, and briefer appearances by Jim Davis ('Stories of the Century', and later 'Dallas') and Harry Lauter ('Tales of the Texas Rangers'). All of them by this time were showing their oats, particularly Brady who looked like he might have eaten a bag full. Man, did he pack on the pounds since his series ended.

The story had a fleeting reference to a million dollar gold bullion stash thrown into the mix which was a bit of a puzzler since that never came up again after it was mentioned. The renegade soldiers who sided with Dajin weren't all that competent in the final analysis as they mostly all got dispatched by Horn and his partner Ben Stokes (Robert Strauss) who he picked up along the way. The fate of Dajin himself was rather creatively handled the second time around; to get my meaning you'll have to see the film.

I thought the choice of the main character's name to be a curious one since there's virtually nothing recognizable in the role of John Ireland to suggest that he's the historical Tom Horn. For one thing, the real Tom Horn spent a fair amount of time living on an Apache reservation and wound up fluent in both Apache and Spanish. So it seems to me that in this story he would have had at least some knowledge of the Indian tribe in the story as much as Stokes, the Indian agent. A better film you might try is the 1980 Western "Tom Horn" in which Steve McQueen portrays the famed gunman in the latter years of his career as judge, jury and executioner who crossed the line from the side of the law to a veritable assassin and one of the prolific man-killers of the Old West.
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6/10
Fort Utah
coltras3528 March 2023
John Ireland plays Tom Horn, a man trying to go from nowhere to somewhere who rides right into an Indian uprising in the process. He finds himself trying to save the members of a wagon train, first from the Indians, then from the renegade whites who massacred an Indian village to set the redskins on the warpath in the first place.

John Russell plays Ela Jonas, a guide who lost one wagon train and desperately wants to lead this one to safety. Robert Strauss plays Ben Stokes, a grizzled Indian agent. And Virginia Mayo is Linda Lee, a woman headed West as a singer ... or a mail-order bride ... or perhaps a prostitute ... who tries to hide the truth from everyone but Horn.

All find themselves in the abandoned Fort Utah, wondering who they'll have to fight off - the Indians or the white renegades, led by Dajin (Scott Brady). And wondering where the cavalry troop that was supposed to occupy the fort has gone.

Wagon train travelling in perilous country, smoke signals, renegades, deserted fort and angry native Americans - this western full of familiar tropes but it's not any less enjoyable. Actually the plot is quite good - there's no cavalry coming to the rescue and the bad guys are not the Indians, but a band of renegade led by Scott Brady. There's some good action sequences especially at the end and good performances by John Ireland, Virginia Mayo and John Russell. It might have stock footages, poor stunt doubling but it does its job as diverting time filler.
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Good routine western
searchanddestroy-11 October 2023
AC Lyles productions, also known as Second Chance westerns - because the casts were composed mostly of Hollywood vets - are mostly acceptable, entertaining, but where clichés are unfortunately not always absent. Here, you have a tremendous Scott Brady as the lead villain, the bad guy in chief.... Nothing exceptional but quite good, better than a lead good guy played by a wooden John Ireland. It is action packed, with a bodycount that will help you wasting time without any boredom. So that's not the worst of AC Lyles productions, and maybe among the three or four best. I have always had tenderness for those features hiring forgotten Hollywood glories, giving them a second chance.
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