User Reviews

I followed this short-lived serial for most of its 6-month run on ABC back in 1970 - and it's amazing how TV soap watchers from that era still remember it as fondly and curiously some 40 years later. I recall "The Best Of Everything" being preempted or cut into a few times so local ABC news affiliates could update viewers on such life-changing events taking place in the real world (Vietnam War, Kent State shooting), not just an alternate world in Manhattan we watched through the eyes of this show's ingénues: Linda Warren (former child actress Patty McCormack), April Morrison (Julie Mannix) and Kim Jordan (Katherine Glass). Patty McCormack was Oscar-nominated for her dead-right portrayal of cold-blooded pig-tailed murderess Rhoda in "The Bad Seed" in the mid-50s. But as career girl Linda on TBOE, the producers saddled the young actress with a hackneyed love triangle that went nowhere. It kept Patty's alter ego too low-key and forgettable, rather than letting Linda be written as a soap vixen variation of devious Rhoda, all grown up and taking New York and its men by storm. Married Mike Carter (Jean-Pierre Stewart) had fallen for Linda, but was obligated to his needy, bitter wife Anne (Diane Kagan), who had some rare, incurable disease and/or was wheelchair bound (yet may have been faking it to keep Mike and Linda apart). Linda was often featured in the office scenes at the Key Publishing Company with her fellow stenographers: blonde, perennially rattled April and cool, upbeat Ginnie Curtis (Gwen Mitchell), an attractive young black woman who lent a sympathetic ear to her troubled co-workers. I don't recollect her having a storyline of her own, but she always wore groovy hair pieces and miniskirts. The company's steno pool was supervised by a tense older gal, Kate Farrow (Me'l Dowd), who was often at odds with the other women - since they brought their ongoing personal baggage to the office daily, getting little work done. April was having a shameful fling with playboy Dexter Key (James Davidson), son (or was he the orphaned grandson?) of wealthy, imperious Amanda (Gale Sondergaard, movie actress who won the first Best Supporting Actress Academy Award given - she was 71 when TBOE aired). April became pregnant, but no marriage proposal from Dexter followed - just panic. I remember finding April's character a bit strident, but maybe it was just Julie Mannix's tight hair bands and overbite that distracted me. And I suspect April lost the baby after a car accident, or perhaps after a confrontation with Dexter's nasty mommy. Details are sketchy on that one - the same set-up of sorts was used in the 1959 movie "The Best Of Everything" (also based on the novel by Rona Jaffe), where in the film version, April impulsively jumped from a speeding car and subsequently miscarried her love child fathered by Dexter. Several characters lived and intersected in the same apartment building owned and managed by kindly Violet Jordan (veteran movie actress Geraldine Fitzgerald) and her husband Joshua, while their young daughter Kim was either in college or grad school. She had a crush on tenant Eddie Perrone (Victor Arnold), a doctor at the hospital with whom she shared space in a basement room, which they had converted into a small laboratory. Eddie thought Kim was a nice kid, but he had eyes for wispy April, while April was headed for hard times with callous Dexter. Dexter had a free-spirited and outspoken sister, Joanna (Bonnie Bee Buzzard), who was usually at odds with the rest of her ruthless, pretentious kinfolk. Also in the Jordan's building lived an unhappily-ever-after married couple, Barbara and Ken Lamont (Rochelle Oliver and Barry Ford) and their young son Johnny. Barbara sank into a severe depression as her rocky marriage fell apart, though neighbors in the building tried to rally her sullen spirits, with little success. Ken eventually moved out and planned to divorce Barbara and seek custody of son Johnny since Barbara could barely function with her persistent melancholia. It was here where the story gets moving: Kim moves on from her infatuation with doctor Eddie, and begins dating a guy from the wrong side of the tracks, blonde motorcycle-riding tough guy Randy Wilson (Ted LePlat, a dancer on "Where The Action Is" a few years prior). At first the easy-going Jordans are nervous for their only daughter, but Kim's warmth and optimism turns Randy around, and he opts to leave his old street gang behind. Enter the unforgettable villain Squirrel (effectively realized by Gregory Rozakis, who portrayed a similarly sinister role in the Charles Bronson film "Death Wish"), a sadistic punk who vows vengeance against the Jordan family, blaming Kim for Randy's defecting from his gang, a dangerous group of dope peddlers and thugs. Inside the Jordan's apartment building one day, Squirrel slips into the basement laboratory and plants a box of chocolates laced with LSD. Unfortunately, little Johnny Lamont stumbles upon and consumes the drugged candy, has a horrible reaction and is hospitalized, sending frazzled mother Barbara further off the deep end. Meanwhile, the police suspect Kim is responsible for making the illegal drugs and for causing Johnny's condition. Randy confronts Squirrel and vows to rat him out to the police to save Kim from blame. But then Randy dies in an accident while riding off on his motorcycle to incriminate Squirrel (or did Squirrel's thugs run him off the road, or rig the brakes on his bike?). Kim finally realizes Squirrel's true colors and crimes, but is beaten up, stabbed, and left for dead outside a deserted storefront by Squirrel and his henchmen before she can expose his reign of terror, clear her name, and avenge Randy's death. Whew! So much for living in Manhattan in 1970. Memorable show and great cast. It deserved a happier ending.

What other daytime serial in history corralled three Oscar winning/and or nominated ladies to head its cast? Only this--based on Rona Jaffe's novel of the same name and with big screen veterans Gale Sondergaard, Geraldine Fitzgerald and Patty McCormack.

This show seemed to have everything going for it--gifted and attractive performers, beautiful sets, evocative symphonic under-scoring, and a melodic theme song, (recorded on album and performed on the show by Connie Eaton). For those of us captured by its absorbing story in the long ago summer of 1970, its cancellation was as sudden as it was inexplicable.

Gale Sondergaard was the sinister proprietress and editress in chief of Key Publishing, the publishing house wherein the central action was located, the story centering on the interconnected lives of three stenographers. These were April (Julie Mannix), Kim (Katherine Glass) and dishy Patty McCormack as Linda. All three were effective in their roles as well as being very easy on the eyes.

And the plots! The girls may have been searching for the best of everything, but were sure stymied in attaining it--particularly Miss Glass who got involved with a hippie-biker pusher, ("Squirrel" played by Gregory Rosakis) and ended up being stabbed multiple times and left amongst the debris of a deserted alley,(near dead but not quite!).

Then there was the little boy who innocently ate from a box of sweets laced with LSD, and fell into convulsions whilst he rolled on floor screaming in agony.

Lurid, perhaps, but memorable...

I was a cameraman at ABC in 1970 and worked all of the episodes of "The Best of Everything." All the professionals attached to the show not only liked it but respected it which was unusual for the crew of a soap. When it suddenly went off the air in September of that year it was a surprise to the crew because the ratings were still good and there were no discernible problems with the production in the studio. We eventually got second and third-hand reports that there was some kind of dispute between the network and the producers. I'm not sure but I think I remember hearing something about disputed residuals. Anyway, the wrong show was knocked off the air. It was almost like seeing your best friend killed in an accident.

Altho' I mentioned in an earlier comment("Love of Life") that the only soap I had ever watched was "Love of Life",I had forgotten about this one & I always watched it for the short time it was on TV.Gale Sondergaard was terrific as Amanda Key--she was evil personified! I even got the original book,on which the programme was based,out of the library.It was very good,but nothing like the TV series.The film,which I also saw,was more faithful to the book.I was very disappointed when it was cancelled,as they didn't tie up the loose ends,so viewers were left hanging w/ unresolved story lines.I probably would've found it more satisfying if they had done a final episode,detailing what would happen.

I thought I saw the 1971 version of The Best of Everything on Turner Classic Movies But I went on their web site and checked their huge data base, but I couldn't find it (only the 1959 version with a very sad looking Joan Crawford, I mean, her disappointment with these soap opera movies she was being offered by that point is written all over her face. Poor woman. At any rate I saw a portion of the movie on cable, I just don't know which "classic" movie station has it in their library. I'm a sucker for these Bell Jar type of movies. Good girl from good family & good school, Vassar or Radcliffe or something comes to the big city (NYC) & learns about sex & money & how to become derailed by all the mean boys out there. But they know how to dress like Grace Kelly (with or without Edith Head) & they learn how to be shrewd business women. The Best of Everything is a little Sylvia Plath, part Valley of the Dolls & of coarse Rona Jaffe.

At any rate they were playing it on cable a couple of months ago, but was never able to see the whole thing, finished or unfinished. Maybe it was on the not-so-good Fox Classic Movie station. If anybody knows anything, I live in the Los Angeles area (I know I hate it here too) and if it comes on cable in this area...maybe someone could check in & I'll get lucky, like I am a character in a Woody Allen movie...