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A Clockwork Orange (1971)

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In the future, a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned.

Director:

Stanley Kubrick

Writers:

Stanley Kubrick (screenplay), Anthony Burgess (novel)
Popularity
402 ( 49)

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Cast

Cast overview, first billed only:
Malcolm McDowell ... Alex
Patrick Magee ... Mr. Alexander
Michael Bates ... Chief Guard
Warren Clarke ... Dim
John Clive John Clive ... Stage Actor
Adrienne Corri ... Mrs. Alexander
Carl Duering ... Dr. Brodsky
Paul Farrell Paul Farrell ... Tramp
Clive Francis ... Lodger
Michael Gover Michael Gover ... Prison Governor
Miriam Karlin ... Catlady
James Marcus James Marcus ... Georgie
Aubrey Morris ... Deltoid
Godfrey Quigley ... Prison Chaplain
Sheila Raynor ... Mum
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Storyline

Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by Nikki Carlyle

Plot Summary | Plot Synopsis

Taglines:

Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven. See more »

Genres:

Crime | Drama | Sci-Fi

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

2 February 1972 (USA) See more »

Also Known As:

Stanley Kubrick's A Clockwork Orange See more »

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Box Office

Budget:

$2,200,000 (estimated)

Opening Weekend:

£618,615 (United Kingdom), 19 March 2000, Limited Release

Gross USA:

$26,589,355, 31 December 1973
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital (re-issue)| Mono

Color:

Black and White | Color (Warnercolor) (uncredited)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Of the 11 adaptations that Stanley Kubrick worked on in his career, this is the most faithful to its source material. See more »

Goofs

There is a running theme of the Government referring to Citizens and the State, implying that Great Britain has abolished the monarchy in this "future". Yet the prison is called "HM Prison Parkmoor", HM being a common designation for Her/His Majesty. See more »

Quotes

[first lines]
Alex: There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
See more »

Crazy Credits

The opening and closing credits are slides with the random colors in the background and the text are only white, instead of the black background. See more »

Alternate Versions

In the 1971 X version, when Alex is smashed with the milk bottle, it is in slow-motion. In the edited R version, it is at normal speed. See more »

Connections

Referenced in The Cinema Snob: The Eerie Midnight Horror Show (2008) See more »

Soundtracks

William Tell (Overture)
by Gioachino Rossini
Recorded by Deutsche Grammophon Gesellschaft
See more »

Frequently Asked Questions

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User Reviews

My brief review of the film
3 January 2005 | by sol-See all my reviews

A disturbing but yet very beautiful piece of film-making, Kubrick has created the ultimate study of mind manipulation in this film. It is a protest against reform programs that take away freedom of a choice, and the message of the film in terms of paying for one's sins in all eternity is inescapable, evident to a large extent in the sardonic nature of the tale. Although set in the future, it hardly feels like it is, this being because the message of the film is overwhelmingly powerful and capable of applying to any age. The film has a number of possible hidden meanings to it – a feat equaled on scale only by Kubrick's former film '2001: A Space Odyssey'. Besides for the meaning behind the film, there are still the marks of a masterpiece. Kubrick's direction is superb alongside the good photography, capturing shadows and angles needed to establish tone. The editing is excellent too, done in a flashy, brainwashing style at times to have relevance to the film. The choice of cast is again inspirational, however the film achieves the most in terms of music. Kubrick manages to use one of the earliest forms of art, classical music, and give it an unforgettable style and importance in the film. It is truly a difficult task to explain what is so great about a film such as 'A Clockwork Orange' – it is maybe best explained by watching the film itself.


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