7.0/10
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Across 110th Street (1972)

Trailer
2:56 | Trailer
Two New York City cops go after amateur crooks who are trying to rip off the Mafia and start a gang war.

Director:

Barry Shear

Writers:

Luther Davis (screenplay), Wally Ferris (novel)
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Cast

Cast overview, first billed only:
Robinson Frank Adu Robinson Frank Adu ... Black Assistant (as Frank Adu)
Frank Arno Frank Arno ... Detective Rizzo
Joseph Attles Joseph Attles ... Mr. Jessup (as Joe Attles)
Paul Benjamin ... Jim Harris
Ed Bernard Ed Bernard ... Joe Logart
Tina Beyer Tina Beyer ... Black Whore
Gerry Black Gerry Black ... Patrolman
Samual Blue Jr. Samual Blue Jr. ... Dr. Christmas
Norman Bush Norman Bush ... Bartender
Anthony C. Cannon Anthony C. Cannon ... Sal (as Anthony Cannon)
Maria Carey Maria Carey ... Maria
Anthony Charnota Anthony Charnota ... Frank
Dick Crockett Dick Crockett ... Patrolman
Keith Davis Keith Davis ... Cab Driver
George DiCenzo ... Patrolman (as George Di Cenzo)
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Storyline

In Harlem, two Italian mobsters meet three black gangsters that work to the kingpin Doc Johnson to collect dirty money from their associates in an apartment building. Out of the blue, the smalltime thieves Jim Harris and Joe Logart knock on the door disguised as police officers to steal US$ 300,000.00 from the Mafia. However, they startle when the suitcase with the money falls on the floor and Jim kills the five men with a machine gun. They flee to the runaway car driven by Henry J. Jackson and they kill two policemen. The idealist NYPD Lt. Pope and the violent Capt. Mattelli investigate the case while the Italian Mafia and the black gangsters hunt the killers down. Will Jim Harris and his accomplices be found? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

If you steal $300,000 from the mob, it's not robbery. It's suicide.


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

23 March 1973 (Finland) See more »

Also Known As:

Across 110th Street See more »

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Box Office

Gross USA:

$10,000,000

Cumulative Worldwide Gross:

$10,000,000
See more on IMDbPro »

Company Credits

Production Co:

Film Guarantors See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono

Color:

Color (TVC)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Anthony Quinn hoped to cast Sidney Poitier as Lt. Hope, Harry Belafonte as Jim Harris and Sammy Davis Jr. as Henry J. Jackson. However, the community of Harlem objected to these choices, as they were from Hollywood and not the city streets, so they doubted their ability to accurately portray city life. Quinn relented. See more »

Goofs

At 7mins 57secs into the movie a patrolman runs out of an alley and alongside a parked blue station wagon, in a failed attempt to stop the robbers. He clearly has wires trailing from his pants leg and leading behind the car. Most likely they were attached to and used to activate the exploding blood packs hidden under his jacket. See more »

Quotes

Lt. Pope: What else brings whites to Harlem but business?
See more »

Alternate Versions

The original UK cinema version was cut by the BBFC with edits made to nearly all the fight scenes and shots of beatings, and heavy cuts to shootings and a man on fire during the climax. All later releases were uncut. See more »

Connections

Referenced in Hollywood Rocks the Movies: The 1970s (2002) See more »

Soundtracks

Across 110th Street
(uncredited)
Written by Bobby Womack and J.J. Johnson
Performed by Bobby Womack
See more »

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User Reviews

 
Gritty Violent Thriller That Deserves To Be Better Known
21 December 2014 | by Theo RobertsonSee all my reviews

I caught this on BBC 1 one night many years ago . I forgot the title but could vividly remember a number of scenes especially a line of dialogue where two characters describe a third one having his genitals mutilated . This type of movie would be broadcast on television 30 years ago and no one would blink an eyelid but at the same time you can understand why it wouldn't be shown on network TV today . It as also a sign of the times back then that the TV broadcast had the F word overdubbed to something less offensive but the racial slurs against both black and whites remained intact . Perhaps the fact this film is consciously insensitive and hard hitting works against it ? This is a pity because it's not some " Blaxploitation " fare but more of a New Hollywood thriller at its best

The story itself is no great shakes - a couple of black dudes rip off and kill a few members of the Mafia and the black underworld and also kill a couple of uniformed cops in the process and find if not the entire world against them then at least the law enforcers and law breakers of NYC wanting to cap their ass . It's the sort of film Tarantino has been inspired by but unlike Tarantino's work this movie is devoid of post modernism and crippling self indulgence and is a relatively tightly plotted screenplay where lots of nasty things happen to lots of nasty people . There's a subplot featuring character interaction between Anthony Quinn's nasty racist white cop and Yaphet Kotto's not very nasty by the books black cop that might have been clichéd but does seem fresh and realistic , probably down to the fact the performances and writing portraying a rather amoral relationship between the two men and the wider world . And this does feel like an exceptionally amoral film that we never see nowadays more is the pity


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