Proxy War (1973) Poster

(1973)

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8/10
The decline of eastern civilization part 3
chaosrampant4 January 2008
Chances are, if you're reading this, you've already seen the first two installments or have a vague idea of what The Yakuza Papers are all about. Battles without Honor and Humanity. That sums up the yakuza lifestyle pretty well, and even though I haven't done any research on the actual yakuza, there's a palpable sense of gritty realism in Fukasaku's crime sagas that is very convincing.

Proxy War is another chapter in the long series of betrayal, scheming and chaos among the rival families of Hiroshima. Alliances are formed only to be broken the next second and rival parties are renonciled only to go at it again the next day. Without going into much details, Proxy War details the chronicles that led to the Hiroshima battle between the Yamamori and the Akashi families in the early 60's. There's a semblance of honor among thieves here, but it's just a semblance. These people lack the warped sense of honor and loyalty the Cosa Nostra had. As Hirono says, "he just wants a safe ground to stand". The same could be said for all of them.

Once again, Bunta Sugawara steals the show as Shizo Hirono, and there's also a welcome cameo by the beautiful Reiko Ike (a pinku regular). There's not as much blood as in previous installments, but when violence erupts, you feel it. Fukasaku's direction is solid and keeps the convoluted plot going on a steady pace. The fights and shootings are gritty and raw, there's no Guy Ritchie glamour or glorified violence here. It kind of reminds me of the urban guerilla film-making of a Cassavetes or Mean Streets-era Scorsese. Coupled with a haunting score, and great performances all around, PW doesn't dissappoint.

There's a semblance of honor among thieves here, but it's just a semblance. These people lack the warped sense of honor and loyalty the Cosa Nostra had. As Hirono says, "he just wants a safe ground to stand". The same could be said for all of them.

My only gripe is, that plot-wise, there's no counter-balance to the scheming and back stabbing. Unlike The Godfather and other crime epics about the Italian mob, we never get to see the criminal side of the Yakuza. Money-laundering, smuggling, drug trafficking, prostitution, they're the bread and butter of any self respecting mob. Yet we never get a glimpse of that world in The Yakuza Papers. And if the unrelenting violence and interesting plot were enough to make the first two installments amazing, it gets repetitive here. People gather around tables to discuss their plans, form alliances, break alliances and that's it for most of the time. IMO it would be more interesting if the two aspects were combined. As it is, it feel kind of incomplete. The Akashi family, for example, butt in to help Uchimoto, but it's obvious that apart from defending the honor of their sworn brother, in the same time, it serves as a way of getting in the Hiroshima underworld. Yet we never witness what makes said underworld a place worth risking their men over.

All in all, this is strongly recommended to people who enjoyed the first parts of the series. If you're a newcomer, start with the first one. The plot, characters and motivations will make more sense. And you'll know by the point you reach Proxy War, if this is your cup of tea or not.
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6/10
the fights are bloody and violent enough
christopher-underwood12 January 2020
Third in the series, Battles Without Honour & Humanity and even more confusing than the first two. Those were interesting and involving enough to persist, especially with the historic background but here it seems to be just one 'battle' after another. Admittedly the fights are bloody and violent enough but the constant references to duty and family and honour and betrayal is very waring. I found it difficult to keep up with all the inter family struggles and very soon gave up trying.
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7/10
Continuation of a superior series
Leofwine_draca30 May 2016
The third film in Kinji Fukasaku's unremitting, sprawling, epic yakuza series, made up of five films shot in Japan between 1973 and 1974. The first film, BATTLES WITHOUT HONOR AND HUMANITY, I thought was pretty good, but a bit confusingly plotted which worked against it. The sequel, Hiroshima Death Match, was excellent in its plotting of Sonny Chiba and his grudge match and a big improvement over the first.

PROXY WAR is a slight step down from Hiroshima Death Match, but only slight. This is an effective tale that draws you deep into the yakuza underworld as it explores rivalry between various factions and the sort of violent, day-to-day incidents that make up gangster warfare. I found that series lead Bunta Sugawara had a much clearer role this time around, and gets to do plenty of quality acting as the conflicted, hard-headed man of violence.

As is the norm with this series, Fukasaku's production values are top notch and the pace is lightning fast. I particularly liked the vignettes of non-stop violence that reveal the brutality of yakuza warfare. The supporting, all-star cast is exemplary and PROXY WAR makes a particular effort with the characterisation this time around so that the heads of the families and the underbosses are no longer just names and faces but living, breathing people. I look forward to the fourth instalment, POLICE TACTICS.
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6/10
Kind of funny plot and confusing gangster politics
realIK1724 February 2019
Warning: Spoilers
I had to check the plot descriptions on Wikipedia to see how the various scenes are connected and how they work together to drive the plot of the entire series. I can understandably appreciate some scenes, like Naimoto's public humiliation, but the rest aren't impressive at all. I appreciate the mood at the end of the movie. The portrayal of a devastated mother really moved me. I realize these are senseless (without honor and humanity lol) killings. I love the fact that the film connects gangster politics to the international politics of the time. This reminds me of the proxy war between Vietnamese and the superpower.
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9/10
Showed how lots of young man were killed for the top leaders chair fight.
mihokonluke15 December 2021
Warning: Spoilers
I was shocked to here that this story was based of truth story and how many man were sacrificed for the war this movie was about choosing the next seat of Kumi you and people surrounding it and I felt strong sympathy towards Hirano and his man.

This film becomes more critical when you think about Seij a man who sacrificed himself ans his love towards yasuko just for the devotion he had towards the boss and sad to see how slowly the clan is fading out to the bad way.

As a continuation for Shitoku hen I think this film is very well made and I love it and I would recommend this series proudly.
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7/10
Not bad at all, but probably my least favourite of the series
Jeremy_Urquhart9 October 2021
Stumbles in ways the first two didn't, and so easily is my least favourite entry in this series so far... but that being said, it's still pretty good.

While the Yazuza Papers films are often hard to follow, at least with the first two I understood the different sides of the conflicts, and could identify a handful of important individuals. This one really expands things and has far more names to remember. As far as I can tell, it also has more factions, and also more areas to keep track of, as geographically, things also feel like they expand.

I struggled to keep up, but it may be because I watched an unfortunately edited version? It was an offical bluray release, but it ran at about 102 minutes instead of the nearly two-hour runtime listed here. Perhaps the extra 15-ish minutes would make things more clear, if you happen to find the longer version.

I still liked the film's style of course, as well as the handheld camerawork and the crazy bursts of violence. The intrigue I could understand was neat, and I stayed engaged by wondering about whether the protagonist was actually in control of what he was doing, or just pretending he was and consistently panicking internally at the insanity around him.

It ends well too, and in a way that got me excited to see parts 4 and 5, so despite this being a slight misstep, hopefully the rest of the series is onward, upward, and unedited!
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8/10
The Battles Without Honor and Humanity saga:Part 3.
morrison-dylan-fan9 August 2020
Warning: Spoilers
After being left breathless by the second film in the saga, (also reviewed) I looked forward to seeing the third. Learning that the 3rd was the first of a two parter,I got set to vote for a viewing, via proxy.

View on the film:

Backed by detailed extras interviewing cast/crew looking back at the film, Arrow present a wonderful transfer, with the print retaining a film grain whilst the image remains clean, and the soundtrack being played smooth.

With the studio having made clear when part 2 was being made that they actually wanted this title to be the second entry (!) Bringing the returning Hirono up the ladder in the bubbling build up to a all-out war, and revealing later that he had at first felt daunted about writing a script based on the real underworld war taking place in Hiroshima City,returning screenwriter Kazuo Kasahara noticeably makes this the most dialogue-heavy of the trio, which allows for the terrific warring gangster punch-ups to be blended with a psychological warfare, with Hirono moving from being the isolated wild one of the first film, to attempting to navigate the creation of a alliance with one of the two biggest families.

Giving Hirono the false hope of a honourable deal having been made, Kasahara continues the major theme running across the films of the sense of heroic and loyal outlaws, being smashed as a façade image, where each time a deal is made between the feral gangs, the next day it cuts into a bloodbath across the streets, leading Kasahara striking Hirono with a hard-hitting ending,where last rites are performed on any type of deal.

Laying out all the factions and families fighting to the death, auteur director Kinji Fukasaku & cinematographer Sadaji Yoshida neatly take the Japanese New Wave (JNW) freeze frames and jump-cuts that had been used for shoot-outs in the first two, and twists them as a way to intelligently establish each of the group in a compact way.

Getting told by the police that his dipictions of real life gangster killings was giving the city "A bad image", Fukasaku responds by upping the excellent fluidity of the JNW whip-pans, thanks to Fukasaku giving each gang the appearance of attack dogs, who the camera rushes towards to see them tear their prey to shreds. Sitting in on discussions between the gangs, Fukasaku ignites a refined Neo-Noir atmosphere of elegant wide-shots and sharp-zoom close-ups,hanging on every line being drawn in the proxy war.
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6/10
Yakuza Papers Pt. 3 - Fight for Muraoka Inheritence
jimniexperience21 April 2018
Warning: Spoilers
This film sets the stage and battle lines for the Battle for Hiroshima

Film follows the various proxy wars within the Yakuza system: the battle for Muraoka successor (Uchimoto vs Yamamori), the battle of Japan (Akashi clan vs Shinwa Group), Hamazaki clan vs Komori clan, and Yamamori vs Shozo for loyalty of Underbosses -------------------------------------------------------- Muraoka is on his death bed and the question arises who will be his next successor. Underboss Uchimoto is the best candidate, but his indecisiveness on clan decision's put the other bosses at unease. The three Muraoka Underbosses (Matsunaga, Eda, Takeda) decide to reach out to Mr. Yamamori to combine clans and revive the Muraoka clan.

Shozo is against the plan, but is currently re-indebted to Yamamori after he makes himself Shozo's guarantor to stay out of police trouble. To save his own neck, Shozo connects Uchimoto with the Akashi clan under blood oaths. Akashi is currently fighting for #1 gang in Japan along with the Shinwa Group, and the latest battle has taken stage in Hiroshima. Both clans are choosing battle lines among the gangs of Hiroshima for control of the West.

When Yamamori takes control of Muraoka clan, Uchimoto books it for the Akashi clan. Yamamori wants to go to war with Uchimoto for his alliance with Komori, a rival to their sworn brothers Hamazaki, but the Underbosses of Muraoka are against it. Yamamori then persuades the Underboss of Uchimoto, Hayakawa, to betray his boss and join his sides. Due to Yamamori's harassment towards Uchimoto, the Akashi clan steps in to mediate.

Yamamori convinces Takeda to help eliminate Shozo, and by joining forces with the Shinwa Group they'll take down Akashi and control Japan. After a failed attempt on Shozo's life, his henchmen take it upon themselves to kill Makihara. Meanwhile, Shozo makes a deal with Akashi to get rid of Yamamori in Hiroshima. He devises a plan with Elder Okubo to pull Yamamori out but the plan backfires once they both forge a Letter of Resignation for Shozo.

It ends with the Three Underbosses split between alliances, Akashi siding with Shozo, Hayakawa siding with Yamamori, and the Shinwa Group shooting up the Akashi Hiroshima Branch to kick off the Battle for Hiroshima. When some Yamamori thugs shoot up Shozo's henchmen funeral and drive over his tombstone, things get personal
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