For the second year running, the Munich International Film Festival has secured six world premieres as part of its strategy to position the event as an attractive launchpad for international titles.
Luxembourg-born actress Desirée Nosbusch will be in Munich with her directorial debut Poison, starring Trine Dyrholm and Tim Roth.
The drama about an estranged couple who meet up nine years after their son’s death at the cemetery where he is buried is an adaptation of the Dutch dramatist Lot Vekemans’ much acclaimed 2009 play Gif (poison in Dutch). Poison is a co-production between Nosbusch’s Deal Productions, Dutch company...
Luxembourg-born actress Desirée Nosbusch will be in Munich with her directorial debut Poison, starring Trine Dyrholm and Tim Roth.
The drama about an estranged couple who meet up nine years after their son’s death at the cemetery where he is buried is an adaptation of the Dutch dramatist Lot Vekemans’ much acclaimed 2009 play Gif (poison in Dutch). Poison is a co-production between Nosbusch’s Deal Productions, Dutch company...
- 6/11/2024
- ScreenDaily
Who lives in a pineapple under the sea and is about to make award show history? Sponge! Bob! Square! Pants!
With his best friend Patrick Star by his side, the porous icon will host the Nickelodeon Kids’ Choice Awards 2024, marking the first time (ever!) that animated characters will host a full-length award show. SpongeBob and Patrick are voiced by Tom Kenny and Bill Fagerbakke, respectively.
More from TVLineThe Thundermans Gets Spinoff Series - Which Original Cast Members Are Involved?GLAAD Media Awards 2024: Heartstopper and The Last of Us Among Second Wave of Winners - View Full ListThe Fairly OddParents:...
With his best friend Patrick Star by his side, the porous icon will host the Nickelodeon Kids’ Choice Awards 2024, marking the first time (ever!) that animated characters will host a full-length award show. SpongeBob and Patrick are voiced by Tom Kenny and Bill Fagerbakke, respectively.
More from TVLineThe Thundermans Gets Spinoff Series - Which Original Cast Members Are Involved?GLAAD Media Awards 2024: Heartstopper and The Last of Us Among Second Wave of Winners - View Full ListThe Fairly OddParents:...
- 5/22/2024
- by Andy Swift
- TVLine.com
It would be nearly impossible to underestimate the excitement triggered by Gina Lollobrigida during her many visits to the Venice Film Festival.
The legendary actress, who died Jan. 16 at 95, always created a stir. Journalist Oriana Fallaci, writing in L’Europeo magazine, described Lollobrigida’s arrival in 1956: “A roar rose up from the crowd. The metal barricades risked snapping like twigs, the 156 policemen trying to hold back all those bodies were on the verge of being overwhelmed by the crush. Gina alighted from a taxi. … The photographers rushed towards her. [Her] bodyguard enclosed her in a circle of arms. … All of this took place at 10 in the evening on … the day of the inauguration of the 17th Film Festival, also known as Lollo’s Festival, for the heroine of our time.”
In an interview with Eilidh Hargreaves of The Daily Telegraph, Lollobrigida recalled a similar scene in 1962: “Before we could...
The legendary actress, who died Jan. 16 at 95, always created a stir. Journalist Oriana Fallaci, writing in L’Europeo magazine, described Lollobrigida’s arrival in 1956: “A roar rose up from the crowd. The metal barricades risked snapping like twigs, the 156 policemen trying to hold back all those bodies were on the verge of being overwhelmed by the crush. Gina alighted from a taxi. … The photographers rushed towards her. [Her] bodyguard enclosed her in a circle of arms. … All of this took place at 10 in the evening on … the day of the inauguration of the 17th Film Festival, also known as Lollo’s Festival, for the heroine of our time.”
In an interview with Eilidh Hargreaves of The Daily Telegraph, Lollobrigida recalled a similar scene in 1962: “Before we could...
- 8/30/2023
- by Gregg Kilday
- The Hollywood Reporter - Movie News
Berlin-based sales agency Picture Tree Intl. has picked up “Woodland” (“Wald”), written and directed by Elisabeth Scharang, which has its world premiere in the Centrepiece section at the Toronto International Film Festival. The film’s trailer has also just been launched.
Picture Tree Intl. also handled world sales on Scharang’s sophomore feature film, “Jack,” which also played at Toronto.
“Woodland” is inspired by the novel “Wald” from bestselling author Doris Knecht, and the personal experience of Scharang, who witnessed the attack of a terrorist shooter in Vienna in 2020 in which four people were killed and 23 others were injured. The film marks Scharang’s second collaboration with Dop Jörg Widmer, who is a frequent collaborator with Terrence Malick.
Brigitte Hobmeier as Marian Malin in “Woodland”
In “Woodland,” Marian Malin (Brigitte Hobmeier) has everything she could wish for — a passion, a job and love — until she and her husband (Bogdan Dumitrache...
Picture Tree Intl. also handled world sales on Scharang’s sophomore feature film, “Jack,” which also played at Toronto.
“Woodland” is inspired by the novel “Wald” from bestselling author Doris Knecht, and the personal experience of Scharang, who witnessed the attack of a terrorist shooter in Vienna in 2020 in which four people were killed and 23 others were injured. The film marks Scharang’s second collaboration with Dop Jörg Widmer, who is a frequent collaborator with Terrence Malick.
Brigitte Hobmeier as Marian Malin in “Woodland”
In “Woodland,” Marian Malin (Brigitte Hobmeier) has everything she could wish for — a passion, a job and love — until she and her husband (Bogdan Dumitrache...
- 8/10/2023
- by Leo Barraclough
- Variety Film + TV
The Venice Film Festival will pay tribute to late Italian icon Gina Lollobrigida, who died in January, with a pre-opening event featuring a double bill of freshly restored works in which she stars.
The Lido’s annual pre-opening event on Aug. 29 will feature a 27-minute short by Orson Welles titled “Portrait of Gina.” In 1968, Welles interviewed Lollobrigida in her villa on the Appian Way as the pilot for an ABC TV series — a U.S. version of “Around the World With Orson Welles”– that ABC rejected.
Welles’ portrait of the diva remained in the vaults until 1986, when it was screened at the Venice Film Festival one year after Orson Welles’ death. This piece has been defined by Welles as a “personal essay” on Lollobrigida. Interestingly, when Lollobrigida saw “Portrait of Gina” in Venice in 1986, she reportedly tried to have it banned. The short’s restoration was done by the Munich...
The Lido’s annual pre-opening event on Aug. 29 will feature a 27-minute short by Orson Welles titled “Portrait of Gina.” In 1968, Welles interviewed Lollobrigida in her villa on the Appian Way as the pilot for an ABC TV series — a U.S. version of “Around the World With Orson Welles”– that ABC rejected.
Welles’ portrait of the diva remained in the vaults until 1986, when it was screened at the Venice Film Festival one year after Orson Welles’ death. This piece has been defined by Welles as a “personal essay” on Lollobrigida. Interestingly, when Lollobrigida saw “Portrait of Gina” in Venice in 1986, she reportedly tried to have it banned. The short’s restoration was done by the Munich...
- 7/18/2023
- by Nick Vivarelli
- Variety Film + TV
Picture Tree Intl. has picked up global sales rights to “Gina” (working title), by Ulrike Kofler, which follows her Netflix debut “What We Wanted.”
“Gina” tells the story of a 9-year-old girl longing for a home and family while having to take care of her younger siblings and mother, who is too overwhelmed to take care of herself, let alone her children.
The film, produced by Film Ag, is the second feature by Kofler, who is a long-time editor for Austrian director Marie Kreutzer. Kofler’s editing work includes “Corsage,” which won best film at the London Film Festival and three nominations for the European Film Awards in 2022, “The Ground Beneath My Feet”, and Josef Hader’s “Wild Mouse”.
Kolfer’s directorial debut “What We Wanted,” starring Elyas M’Barek and Lavinia Wilson, was sold by Pti exclusively to Netflix, and was Austria’s official entry for the Academy Awards in...
“Gina” tells the story of a 9-year-old girl longing for a home and family while having to take care of her younger siblings and mother, who is too overwhelmed to take care of herself, let alone her children.
The film, produced by Film Ag, is the second feature by Kofler, who is a long-time editor for Austrian director Marie Kreutzer. Kofler’s editing work includes “Corsage,” which won best film at the London Film Festival and three nominations for the European Film Awards in 2022, “The Ground Beneath My Feet”, and Josef Hader’s “Wild Mouse”.
Kolfer’s directorial debut “What We Wanted,” starring Elyas M’Barek and Lavinia Wilson, was sold by Pti exclusively to Netflix, and was Austria’s official entry for the Academy Awards in...
- 5/10/2023
- by Leo Barraclough
- Variety Film + TV
The Bitter Ash
A rather precious thing happened in Montreal in the mid 1970s. Canadian cinema had been dominated by the National Film Board since its formation in 1940, and the generally-perceived character of Canadian film was all educational documentary, and not a lot of fun. Directors such as Claude Jutra, Don Owen, and Gilles Groulx struck off on their own to make the first Canadian new wave fiction films (A tout prendre [1963], Nobody Waved Goodbye, and Le chat dans le sac [both 1964] respectively), on the back of independents like Sydney J. Furie’s groundbreaking A Dangerous Age (1959) and Larry Kent’s student feature The Bitter Ash (1963), but for all their youthful, semi-bohemian trappings, these were still quite po-faced affairs. Then came the “genial loser” films of the 70s, led by Owen’s Goin’ Down The Road (1970), and others such as The Rowdyman (Peter Carter, 1972) and Paperback Hero (Peter Pearson, 1973), for the...
A rather precious thing happened in Montreal in the mid 1970s. Canadian cinema had been dominated by the National Film Board since its formation in 1940, and the generally-perceived character of Canadian film was all educational documentary, and not a lot of fun. Directors such as Claude Jutra, Don Owen, and Gilles Groulx struck off on their own to make the first Canadian new wave fiction films (A tout prendre [1963], Nobody Waved Goodbye, and Le chat dans le sac [both 1964] respectively), on the back of independents like Sydney J. Furie’s groundbreaking A Dangerous Age (1959) and Larry Kent’s student feature The Bitter Ash (1963), but for all their youthful, semi-bohemian trappings, these were still quite po-faced affairs. Then came the “genial loser” films of the 70s, led by Owen’s Goin’ Down The Road (1970), and others such as The Rowdyman (Peter Carter, 1972) and Paperback Hero (Peter Pearson, 1973), for the...
- 2/20/2015
- by Tom Newth
- SoundOnSight
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.