User Reviews

In the fall of 1974 Bobby Vinton was riding high on a new wave of popularity thanks to his #1 hit million selling record \\\"My Melody of Love\\\". The hit for Vinton a veteran sixties crooner and bandleader had come seemingly out of nowhere, after a year (1973) of terrible career news. In 1972 Bobby Vinton had wrapped up a 10 year deal with Epic Records. He had sold somewhere between 30 million and 50 million record for Epic and his success had made the company. He had been Epic\\\'s premier artist and selling machine for the entire 10 years of his deal. As the contract was ending, Vinton scored two back to back top twenty hits \\\"Every Day of My Life\\\" and Sealed With A Kiss\\\". Despite this success Epic chose to drop Vinton from the label saying his record selling days were over. Without a record contract for the first time since 1960, Vinton was dropped as a headliner by the Vegas hotels and Johnnie Carson stopped booking him. Things looked bleak. Then Vinton\\\'s mother Dorothy, a vibrant bandleader\\\'s wife and never say die supporter of her only son\\\'s, made a fateful suggestion. \\\"Write a song for the Polish people and they will love you forever, Bobby!\\\" she told him. That song, \\\"My Melody of Love\\\", sung with partial Polish lyrics swept the nation in the fall of 1974 and was the #1 record in the nation in the winter of \\\'74-75. Vinton was approached by the team of Alan Blye and Chris Beard who had produced successful variety shows for Sonny Bono among others about a TV show. He was delighted, having always coveted his own television program. In September 1975 while he was selling out concerts across North America, the slick, fast paced \\\"Bobby Vinton Show\\\" premiered in major markets everywhere. The format was tight and geared to Vinton\\\'s newfound ethnic appeal. \\\"The Polish Prince\\\" came out to a huge reception by a studio audience after a snappy instrumental version of his new theme. He sang an up tempo current number, then stopped to bring out his special guest of the week. That guest was wildly swung onstage by \\\"The Polka Lady\\\" an ethnically dressed Polish dancer and witty repartee would follow. Then Bobby and guest would reprise the opening number and go to break. This was a hugely popular opener and some very big names were \\\"Polka-ed\\\" onstage during the first season. A supporting cast of regular comedians included Freeman King, Billy Van and Murray Langston and inoffensive ethnic humor was featured. Bobby\\\'s appeal was highlighted with a second musical number, a frequent duet with the musical guest and his own unique mixing with the audience. The show proved a ratings winner and was the first of its kind in the variety world as a half hour show. The short format kept the show fast paced and the end featuring guests with Bobby attempting to sing the Polish lyrics to \\\"My Melody of Love\\\" never failed to please. The first season spawned a best selling album on ABC Records featuring songs performed on the show. The material was studio produced, not live TV show recording. Season two was more successful in terms of markets sold, (more TV markets now carried the show) but a format change proved trickier to sell. Bobby\\\'s ethnic theme was gone in the 1976-77 season, replaced by a more upscale set and selection of comedy material. The Polka lady was gone and much of the energy of the first season was too. The guest list continued to dazzle, but the unique feel seemed to be missing. A great new three girl backup group \\\"The Peaches\\\" was added. By this time Bobby had signed new record setting money deals with the newer bigger Las Vegas Casinos and was also recording new product again. His more polished act was reflected on the show as well. \\\"The Polish Prince\\\" would now rather be called \\\"The Prince of Entertainment\\\" Bobby explained that Sinatra would always be King. Privately, he expressed dissatisfaction with the show\\\'s direction but came back for a third season. The Bobby Vinton Show Starring Bobby Vinton Executive Producers Alan Blye and Chris Beard Producer Alan Thicke Director: Mike Steele Musical Director: Jimmy Dale A Chuck Barris Production Syndicated Ran US Nationwide and Canada 1975-1978 The 1977-78 season had its highs and lows. A definite high was the addition of Foster Brooks as a regular. His \\\"drunk\\\" comedy was a hit with the viewing audience. The low point was a ridiculous association with Sid and Marty Kroftt of puppet fame. Their creation, a giant St. Bernard puppet was featured in a series of awful skits with Bobby that were painful to watch. The Peaches who has brighten the second season were gone, and missed. A new \\\"Bobby\\\'s Place\\\" segment had the host in a tacky den style set chatting with guests. It was not a good idea. By the end of season three Bobby Vinton had had enough of weekly television. He said in interviews that the show could have continued if it had kept the original format, but he had lost enthusiasm with the changes and felt it just wasn\\\'t his show anymore. Of course times change and what was great in the fall of 1975 may not have been so in 78. The truly amazing guest list of the show includes: Ethel Merman, Ted Knight, George Gobel, Don Rickles, Phyllis Diller, O.J. Simpson, The Spinners, Peaches and Herb, Donna Summer (in her 1st US national TV appearance), Petula Clark, Teresa Brewer, Dion, Laine Kazan, Foster Brooks, Anne Murray, John Byner.

Just what everyone's looking for in a variety show...Bobby Vinton?

That's right, especially if that show happens to be "The Bobby Vinton Show", in which the original Mr. Show himself, Bobby Vinton, makes his own shot at a variety series as he sings (naturally), plays sax, trumpet and even gets to do a couple of comedy routines along with the rest of the troupe.

One part I'll always remember from this show is where he'd always sing his trademark song "My Melody of Love", and this big-boned (let's just say) woman in full traditional Polish garb, complete with fake blonde ponytails and a hat with horns (???) comes out and dances for the audience. For some strange reason, that part of the show always stuck with me.

Then there was another routine where this hot dog vendor and his manager were always getting orders for dogs and the manager would blare the order out through a huge speaker system, right into the poor vendor's ear. That was always good for a laugh, too.

And right in the center of it all was Bobby, singin' and struttin' and making a whole show about music, vaudeville-style comedy and good old-fashioned American variety...with a Polish host.

Only lasted for one season in syndication, though. A shame, since it was a perfect way to spend a summer afternoon if you were in a silly mood.

Ten stars and fond memories for "The Bobby Vinton Show".

TIDBIT - this show was produced by Chuck Barris. That explains a lot, doesn't it?