December’s home entertainment releases are starting off strong, as we have a great selection of horror and sci-fi titles to get excited for this Tuesday. First up are a pair of holiday horror films: Chris Peckover’s Better Watch Out and the awesome special edition Blu-ray for Silent Night, Deadly Night from the fine folks at Scream Factory. Twin Peaks: A Limited Event Series makes its way to both formats this week as well, and Arrow Video has put together a special edition release for The Witch Who Came From the Sea.
Other notable releases for December 5th include The Crucifixion, Dementia 13, 60 Seconds to Die, Werewolves of the Third Reich, and a 4K box set for the Men in Black trilogy.
Better Watch Out (Well Go USA, Blu-ray & DVD)
This holiday season, you may be home, but you re not alone... In this fresh and gleefully twisted spin on home-invasion horror,...
Other notable releases for December 5th include The Crucifixion, Dementia 13, 60 Seconds to Die, Werewolves of the Third Reich, and a 4K box set for the Men in Black trilogy.
Better Watch Out (Well Go USA, Blu-ray & DVD)
This holiday season, you may be home, but you re not alone... In this fresh and gleefully twisted spin on home-invasion horror,...
- 12/5/2017
- by Heather Wixson
- DailyDead
Netflix's women's wrestling comedy Glow is now streaming, and the show is overflowing with a diverse cast of misfits just waiting for you to fall in love with them. The show's unlikeliest's hero is the director of the Gorgeous Ladies of Wrestling, Sam Sylvia. A former B-movie king, Sam is tasked with making Glow a reality, but who is playing the man behind that impressive '80s mustache? Glow's Sam Sylvia is played by comedian Marc Maron, a name you have no doubt heard before. Maron is best known for his hit podcast Wtf with Marc Maron and his self-titled IFC comedy, the irreverent Maron. As you can tell, the comedian is his own brand. Thanks to his distinctive dry, culturally savvy sense of humor, it's not hard to tell when you're watching something Maron is involved in. While he's not credited as a writer on Glow, he brings...
- 6/24/2017
- by Sabienna Bowman
- Popsugar.com
One of the unsung heroes of '70s exploitation cinema is director Matt Cimber. The one-time husband of bombshell blonde Jayne Mansfield, Cimber made a career out of exploring the edges of popular cinema in a way that few others could boast. Though he doesn't get mentioned often in conversations about the classic age of exploitation, Cimber really was a comtemporary of directors like Jack Hill and Larry Cohen, often making more out of less than those two filmmakers had ot work with. Vinegar Syndrome recently released a pair of Cimber's black action films on one double feature Blu-ray and it's a solid release that should appeal to fans of the genre. The headline feature on the disc is The Candy Tangerine Man, a film about...
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[Read the whole post on screenanarchy.com...]...
- 8/29/2016
- Screen Anarchy
There is a fine line between stereo-typing and the honest portrayal of criminals in cinema. Films such as Public Enemy (1931), Goodfellas, and both versions of Scarface (1932 and 1983) are examples of films both under attack and praised for its portrayal of criminals. Brian De Palma’s version of Scarface especially divides audiences and critics as to whether the character of Cuban import Tony Montana is a racial caricature or an honest look at greed and corruption. Blaxploitation cinema’s portrayal of criminals is no different drawing criticism from the African-American community, especially Rev. Jesse Jackson and the NAACP. The pimps and drug pushers in Blaxploitation cinema are considered just the same, walking the line of stereo-type and being socially conscious.
#5 The Candy Tangerine Man (1975)
Written by Mikel Angel
Directed by Matt Cimber
“Your cash ain’t nothin’ but trash.”
The Baron is a Sunset Blvd pimp that pushes his women to...
#5 The Candy Tangerine Man (1975)
Written by Mikel Angel
Directed by Matt Cimber
“Your cash ain’t nothin’ but trash.”
The Baron is a Sunset Blvd pimp that pushes his women to...
- 11/4/2012
- by Gregory Day
- SoundOnSight
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