Directed by
| Gerry O'Hara | ||
Writing Credits
| Jackie Collins | ... | (based on the novel by) |
| Gerry O'Hara | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Ronald S. Kass | ... | executive producer (as Ron Kass) |
| Oscar Lerman | ... | executive producer (as Oscar S. Lerman) |
| John Quested | ... | producer |
| Edward Simons | ... | executive producer (as Edward D. Simons) |
| George Walker | ... | executive producer (uncredited) |
Cinematography by
| Dennis C. Lewiston | ... | director of photography (as Denis Lewiston) |
Editing by
| Eddy Joseph | ||
Casting By
| Marilyn Johnson | ||
Art Direction by
| Malcolm Middleton | ||
Costume Design by
| Penny Rose | ... | (uncredited) |
Makeup Department
| Betty Glasow | ... | hairdresser |
| Freddie Williamson | ... | make-up supervisor |
Production Management
| Caroline Langley | ... | assistant production manager (as Caroline Neame) |
| Jake Wright | ... | production manager |
Second Unit Director or Assistant Director
| Redmond Morris | ... | assistant director |
| Terry Pearce | ... | assistant director |
| Michael Zimbrich | ... | assistant director |
Art Department
| Michele Howell | ... | production buyer |
| Bill Surridge | ... | construction manager |
| Ian Watson | ... | set dresser |
Sound Department
| David Crozier | ... | sound mixer |
| Mike Hopkins | ... | sound editor (as Michael Hopkins) |
| Ken Scrivener | ... | dubbing mixer |
| Colin Dandridge | ... | boom operator (uncredited) |
Special Effects by
| Malcolm Bubb | ... | main titles |
Camera and Electrical Department
| Brian Aris | ... | title stills |
| Martin Evans | ... | gaffer |
| Laurie Ridley | ... | production stills |
| David Wynn-Jones | ... | camera assistant |
| Dennis Fraser | ... | grip (uncredited) |
| Ronnie Rampton | ... | best boy (uncredited) |
Costume and Wardrobe Department
| Piero Di Monzi | ... | the producers wish to acknowledge the following contributions and co-operation on the film: Michael Coby's clothes exclusively by |
| Bill Gibb | ... | the producers wish to acknowledge the following contributions and co-operation on the film: wardrobe for Pamela Salem & Carolyn Seymour by |
| George Herman | ... | the producers wish to acknowledge the following contributions and co-operation on the film: furs by |
| Paul Howie | ... | the producers wish to acknowledge the following contributions and co-operation on the film: swimwear by |
| Pip Newbery | ... | costume supervisor |
| Bruce Oldfield | ... | the producers wish to acknowledge the following contributions and co-operation on the film: Joan Collins' evening wear by |
Editorial Department
| Richard James | ... | assistant editor |
Location Management
| Dusty Symonds | ... | location manager |
Music Department
| Biddu | ... | composer: incidental music / music and lyrics by: original songs |
| Don Black | ... | music and lyrics by: original songs |
| Mike Moran | ... | orchestrations |
| Ivor Raymonde | ... | arranger: additional music / conductor |
| Dick Rowe | ... | music supervisor |
| Mike Moran | ... | conductor (uncredited) / music arranger (uncredited) |
| Ivor Raymonde | ... | composer: additional music (uncredited) |
Script and Continuity Department
| Ceri Evans Cooper | ... | continuity (as Ceri Evans) |
Transportation Department
| Richard Booz | ... | driver (uncredited) |
Additional Crew
| Jeffrey Broom | ... | production accountant (as Jeff Broom) |
| Peter Burton | ... | dialogue coach |
| John William Ault | ... | film extra (uncredited) |
