Kaala Patthar (1979) Poster

(1979)

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9/10
era-defying movie
abhilives7 February 2007
Amazing movie, and quite surprising that this is not one of the most highly regarded movies of its time.

The movie tells the story of a coal mine run by a greedy capitalist and the sufferings of the underpaid workers and the constant dangers they face in the depths of a coalmine. The script is extraordinarily strong, the romantic bits are kept at a minimum, and Amitabh Bachchan(AB)'s role of Vijay Pal Singh as the angry self-loathing hero fits like a T.

This is without doubt one of AB's best performances and his dialogues really fire up the movie. Salim-Javed have to be credited for the dialogues, after all they have provided ammo for AB all along with their scripts. Shashi Kapoor(SK) and Shatrughan Sinha(SS) fit into their roles perfectly, and overall the movie is not dominated by a single character.

This is all about the coal mine, and the risks and tragedies that the workers face every day. By the end of the movie, you almost feel like being one among the workers and demanding justice, alongside Vijay.

The screenplay and direction is fantastic. The opening scene with the titles is absolutely brilliant. The ghetto is very well done. The incidents between AB and SS are well portrayed, and very stylish. Characterization is top class. The background score is brilliant.

The bad? The music - i.e. the songs really break up the movie. None of the songs really make the grade and they only act as roadblocks to a free flowing movie. Most of the songs are pointless and not required.

The script really fits the era, the unrest, the anguish, really suits the time the movie was made. Then you put AB in an angry young man - role and all you need to do is wait for the money to roll in. This movie was MADE for the masses.

Amazingly that did not happen for this movie, it never reached the heights that it could have. We will never know why!! Overall... Brilliant. Don't miss it, est if you are an AB fan or a 70s movie buff.
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8/10
Cowardice, self-disgust and redemption
HeadleyLamarr22 July 2008
I thought it was an Indianized version of Lord Jim, which was itself based on the true story of the abandonment of a ship called PATNA! In Lord Jim too the protagonist lives with the fact of his own cowardice and eventually redeems himself by taking on ugly forces that prey on the poor and weak. Kaala Paththar had two other men in the story - and followed the usual 70s/80s cliché of the man with the criminal background having to die in the end. But it was also quite uncliched in having no overt romantic track between Shashi and Parveen Babi, and a very quiet connection between Amitabh and Rakhi. Rakhi never enunciated well in Hindi and it got worse in moments of agitation. Here she did not have to speak much and was OK. I always liked Neetu Singh and she was good in this one too. Shatru was never a favorite but he was quite restrained here IMO. For a film from the 70s, this was indeed quite a different one and I enjoyed it. Amitabh was excellent as the coward, then the slowly burning up with self-disgust man, and finally as the hero. The mine disaster was well shot and the dark and claustrophobic kind of picturization made is seem realistic. There were not really many songs to disrupt the narrative - another unique feature for a film of its time. Fr instance, no sad number with wailing violins as the hero sits and stares at the stars and broods over his past! I gave it 8/10.
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9/10
A meaningful movie
hypergurlgowri8928 March 2005
Warning: Spoilers
Kaala Patthar is a meaningful movie with a good theme as well as entertainment.

The plot of Kaala Patthar is hard to describe, because the whole story is molded through strong characters. The three center characters are Vijay Pal Singh (Amitabh Bachchan), Ravi Malhotra (Shashi Kapoor), and Mangal Singh (Shatrugan Sinha). All of these men work in the same coal mine company which is owned by Seth Dhanraj (Prem Chopra).

Everyday, workers are treated with injustice. Seth Dhanraj is only interested in making his own money, and he could care less about the welfare of the thousands of people that work at his mine.

Vijay Pal Singh is known for his bravery around the mine. He saves people that are in trouble, and is always for justice. But Vijay himself believes that he is a coward, because he has a past that he does not share with anyone. Anyone except for a new doctor in town, Dr. Sudha Sen (Rakhee), who Vijay communicates well with. She also has a past, and both of them are broad-minded. Hmmnn, we all know what that means! :-D

Ravi Malhotra is hired as the engineer for Seth Dhanraj. He isn't heartless like Seth Dhanraj though, he cares about the needs and wants of the people who work at the mine. Ravi can basically be called a leader for the workers. On the job, he is reacquainted with an old friend and now-turned journalist, Anita (Parveen Babi). She also cares about the people, even though she is the rich daughter of Seth Dhanraj's friend.

Mangal Singh is a criminal who escapes from jail and ends up at the mine. He is very egotistical and likes to cause trouble. But through the tough times and the events surrounding the coal mine, he changes, and he becomes one of the many members who are in the battle against Seth Dhanraj for justice. He also saves a and falls in love with Channo (Neetu Singh), who is a jewelery seller who is liked by everyone.

So with so many wonderful people, will the fight for justice end? Or will it all end up in tragedy? Watch Kaala Patthar to find out.

Actingwise, everyone did a great job, and that's mostly what held the whole movie together. The star cast was well-chosen by Yash Chopra. Of course as usual, Amitabh Bachchan steals the show. His intensity mixed up with his coal-covered look make him light up the screen and he is a delight to watch. Shashi Kapoor and Shatrugan Sinha were wonderful. Both of them were funny in many scenes, and they played their characters perfectly.

The heroines, though none of them have too much of a role, make a big impact on the film. Rakhee is flawlessly beautiful, and she acts very well. She even made me cry in a few scenes. Neetu Singh plays her innocent, funny character well. She also dances good. Parveen Babi spoke her dialogs with much emotion and she suited the fashionable type role.

The music is not exactly the highlight of the film. The background music was directed by Salil Chowdary, and it was quite effective during the movie. Especially the music that's given when Amitabh stands up when he's mad hehehe. Anyway, Rajesh Roshan songs were average and aren't really worth listening to (in my opinion), except one song that I enjoyed, "Dhoom Mache Dhoom" by Lata and Rafi. Lata, Rafi, Kishore, and Mehendra Kapoor (who is given many meaningful lines to sing) all sing very nicely...it was just the tunes that were not that great.

And last but not least, Yash Chopra's direction. It was very professional. He could have easily made it a boring movie, but he didn't. He made good choices for dialog writers (good old Salim-Javed) and the art director (Sudhendu Roy). It was nice of Yashji to choose an important topic so the audience would have a taste of what goes on in the coal mines, and how rich people can deceive the poor. The story itself is based on the Chasnala Coal Mine tragedy in Bihar. The only mistake Yash Chopra makes is his ending, and you'll have to see for yourself to know what I mean.

So basically, Kaala Patthar is a movie worth watching, you'll be entertained and you'll be touched. Great movie!
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Kaala Patthar!!! An interesting masterpiece with a lot of entertainment
gavin_coolhgr23 November 2007
Kaala Pathar is the story of Vijay (Amitabh Bachchan) an ex-naval officer who is court-martial ed and dismissed from the navy for his role in as captain of a ship that sank and many lives were lost. Vijay is looking for a place so dark that even the hideous demons inside him that taunt him so terribly will get scared and go away. He finds that darkness in the depths of the coal mines where he now works as a coal miner, where he welcomes every danger, every threatening rumble of disaster as a chance to pay for his past Ravi (Shashi Kapoor), the engineer in-charge of these doomed mines. Doomed because the greed and mindless exploitation by its owners have made the mines into potential death traps. Ravi, seeing the terrible danger looming ahead, tries to alert the management but with little use. He is paid for his alertness by being fired from his job which is when he joins forces with the workers and Vijay in order to save the lives of the minors and fight the establishment. Mangal (Shatrughan Sinha), an escaped convict who is also looking for a place to hide, but unlike Vijay, not from himself but from the eyes of the law. And discovers that under his boisterous and egoistic exterior is a compassionate human being for whom the law of justice is more important than the law of the jungle. He ends up joining Ravi and Vijay in their fight for right. As these three men set off on their crusade, each of them also find love. From the trusting, simple miners and their families who see these men as messiahs and from three women. Sudha (Raakhee), a doctor who is as kind and caring as she is beautiful and sees Vijay's bleeding, repenting heart behind his stone-hard exterior, Anita (Parveen Babi) a reporter who falls in love with Ravi's fearless, clear-eyed belief in justice and in himself and Shanno (Neetu Singh), a gypsy whose sparkling eyes and racy sales pitch snares even the hardened heart of Mangal. Kaala Patthar is inspired by a real-life mining disaster that happened in India in the history of mining industry. On 27th Dec'75, the 'Chasanala' charcoal mine got flooded with water in which 572 workers were caught. It is an intensely dramatic film about the human heart. That as long as it beats with love and with hope, there will always be a dawn waiting at end of the blackest of nights. With a multi-star cast, a lively musical score and a nail-biting climax, Yash Chopra has made Kaala Patthar a memorable exception to the exquisitely soft, glamorous love stories that have become his hallmark. The technical side of the movie was good. The sets & make-up helped the film to become more realistic. Amitabh Bachchan's withdrawal into solitude was impressive. With a flame of anger in his eyes & confidence in his actions, he delivers minimum words and still makes an impact. Shatrughna Sinha is also good with his own style. Shashi Kapoor with his smart look is charming. Remaining Rakhi, Neetu Singh etc. are okay. The tea-stall confrontation between Bachchan and Sinha is probably the most explosive encounter between two heroes ever in Indian cinema; and Bachchan comes out with a subdued, yet strong performance.
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10/10
The Best Angry Young Man Portrayal by AB
mail_mujahid8 April 2004
Warning: Spoilers
Vijay Pal Singh(Amitabh Bachchan) is a Merchant Navy officer,one who stands by his principles.A sea-storm one night has him and colleagues saving their own lives rather than those of the passengers.Later they come to know the ship survived the storm and all passengers were safe.Vijay was court-martialled and left to live a disgraced life.Even his parents left him.Vijay starts working as a coal-mine worker leaving his unpleasant past behind him.There he meets Ravi Malhotra(Shashi Kapoor),a young,dashing,romantic engineer. Both make good friends. There is Anita(Parveen Babi),a journalist who wants to write about the plight of the mine workers,who falls in love with Ravi.A very important character is that of Dr.Sudha(Rakhee)who awakens Vijay of his past and urges him to fight his inner self,to come to terms with reality.Vijay falls in love with Dr.Sudha but they cannot meet each other due to the difference in their social standing.Seth Dhanraj(Prem Chopra)wants to dig the mine deeper and deeper to make more profits,in the process risking the lives of numerous workers as water level is very close to the point of digging.Vijay,Ravi and Mangal rescue the workers from the mines in the end.Another significant character is that of Mangal(Shatrughan Sinha). His fight sequences with Vijay are beautifully shot and executed.Actually,at the time of shooting,AB and Shatrughan were not even on talking terms.Their real-life enmity passed on to the big screen,so to say.Prem Chopra does not convince as Seth Dhanraj.I think Amrish Puri would have done justice to the baddie's role.Parikshit Sahni as the Punjabi truck driver is fabulous.You can catch a glimpse of the two-film old and former Miss India Poonam Dhillon towards the end if you don't blink. The songs are quite good.One of my favourites is 'Ek Raasta Hai Zindagi Jo Tham Gaye To Kuch Nahin' by Kishore Kumar. The song by Mahendra Kapoor picturised on Parikshit Sahni in the rain is also good. All in all, a complete entertainer.I watched this movie in December 2003,24 years after its release.Pity,they don't make films like that anymore.
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10/10
Must-watch for Amitabh fans and 70s Hindi Movies fans
srirammeera14 April 2019
The Stellar star and production cast speaks for itself. Amitabh well and truly on his way to becoming the Badshah of Bollywood and the No.1 in the early 80's, this is one of his best movies and performances in the late 70s as the Angry Young Man with a Past. Shatrughan is unforgettable as the Bad good guy, Shashi Kapoor at his debonair best, Prem Chopra the consummate villain - and best of all unlike other Bollywood glamorized movies this one is shot thru with an extremely strong dose of realism - you can almost taste the coal dust and grit in your mouth - one of Yash Chopra's very best and India's nod to the Hollywood disaster hits of the 70s - but then of course the crown jewel is Amitabh all the way - a towering electrifying performance. Soundtrack is awesome too (Ek Raasta Hai Zindagi by Kishore especially) - Quality of the movie on Amazon is great - crisp and original quality with no digital artifacts - pitch perfect digital version
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7/10
Ek Raasta Hai Zindagi, Jo Tham Gaye To Kuchh Nahin
jmathur_swayamprabha16 October 2012
Producer-director Yash Chopra is known in Bollywood as the 'King of Romance' because he has made certain classic romantic movies. However he had made some different movies too. One of them is Kaala Patthar (1979).

The story of Kaala Patthar (black stone) has been set in the a coal mine whose owner is a greedy businessman - Dhanraaj (Prem Chopra). Dhanraaj compels the coal mine workers to work in potentially dangerous conditions. He does not care for their welfare or health or even security of life and interested only in making maximum money out of that coal mine. He hires the services of an engineer - Ravi (Shashi Kapoor) who while working in his mine, is stunned to see that due to the excessive mining, one tunnel is about to go for water-logging and the lives of some 400 workers are in danger. Ravi also happens to see the poor condition of the workers and the lack of even the basic amenities for them which are the minimum requirement not only under the labour laws but also on humanitarian grounds. The doctor in the hospital maintained just for the sake of a legal formality - Sudha (Raakhee) keeps on complaining for medicines and a compounder but her calls fall on deaf ears of the management.

Among the workers, there are some goons too who extort money from the weak and hapless workers. Besides, there are two unique workers also. One is an escaped jailbird Mangal (Shatrughan Sinha) and the other is a courtmartialled naval ship captain Vijay (Amitabh Bachchan) who was labelled a coward when fled away from his ship endangering the lives of 300 passengers and abandoned by his family. Vijay comes closer to Sudha who is able to sniff out that Vijay is actually not what he is visible to the world. Two parallel love stories also run. The first one is a hilarious love story of Ravi with Dhanjraaj's niece - Anita (Parveen Baabi) who is a journalist and the second one is the love story of Mangal with a village girl - Chhanno (Neetu Singh) who sells toys and the things used by married women as a symbol of their marital status (being SUHAAGIN).

As we can easily guess that the continuous extraction of coal from the potentially dangerous tunnel, finally leads to its collapse and lethal water-logging in the climax of the movie. Vijay, Ravi and Mangal do their best to save as many lives as possible but still many lives are lost including that of Mangal.

The movie is less realistic and more formulaic because the script-writers and the director have nowhere compromised on the entertainment front. The movie is damn interesting and the writer-director team should get full marks for not allowing even an ounce of boredom in this movie which is in a league of its own.

The movie starts in a very impressive way when the young engineer Ravi heads towards his destination by riding a motorbike and singing a very very inspiring song - Ek Raasta Hai Zindagi, Jo Tham Gaye To Kuchh Nahin (the life is a path and if you stop somewhere, it's nothing for you). The song runs with the credits and the drama begins soon after the song.

The art director - Sudhendu Roy is the unsung hero of this movie who has done a splendid job by bringing a coal mine area, tunnels, tea stall cum Dhaaba (small restaurant), workers' homes etc. everything as alive on the screen. The complete look of this movie is realistic (though the script is formula-based).

Rajesh Roshan's music is not great but the song mentioned above as well as in the title of this review is a memorable one which Kishore has sung (with Lata also contributing). The other song that stands out is Dhoom Mache Dhoom Aaj Ki Raina sung jointly by Lata, Rafi, Mahendra Kapoor, S.K. Mahan and chorus. Lyrics have come from Saahir's pen.

In the author-backed role, Amitabh Bachchan has portrayed his guilt-complex, anguish and stuffiness with utmost proficiency. The role is apparently subdued but actually a highly emphatic one. Despite being a multi-starrer movie, Kaala Patthar allows Amitabh Bachchan with his soot-stained face, to stand out from the high profile cast.

Among others, Shatrughan Sinha is there with all his theatricals and Shashi Kapoor with all his jolly gimmicks. Prem Chopra has done villainy in his typical style. Ladies did not have much to do but Raakhee has delivered a very mature performance and her chemistry with Amitabh Bachchan is also touching. The emotion in the relationship of Vijay and Sudha is subtle and remains as undercurrent in their interaction. Both Amitabh and Raakhee have performed this part with perfection. The director has not done any injustice to any actor in this multi-starrer movie and all have got ample screen-space and scope to show their mettle. Sanjeev Kumar also impresses in his cameo of the outgoing doctor.

Kaala Patthar was commercially not successful when released. May be because the people were expecting something different from the maker of feelgood movies. However it can be considered a classic now.
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9/10
Underrated Piece of Gem
IPyaarCinema14 June 2021
Warning: Spoilers
Review By Kamal K

The fact is that Kaala Patthar is one of Amitabh's (and Yash Chopra's) most under-rated films. It is a film that definitely deserves to be better known.

A dark mining town, where the black rock means untold wealth for a few and poverty and death for many. Among those many men is one tall, silent man, Vijay Pal Singh (Amitabh Bachchan), whose days are filled with frenzied activity and nights, destroyed by the demons of his past.

One night, woken up from an uneasy sleep by his recurring nightmares, he hears the klaxon call warning of danger in the mines. The miners in tunnel no.4 are trapped. Undeterred by the thought of personal danger, Vijay goes down into the mines looking for his doomed colleagues. That he succeeds is not due to his personal bravery but his complete disregard for his own safety. Outside, the joyous yells of his fellow miners mingle with the jeers from his past. Where does one end and the other begin?

Dhanraj Coal Mines are obviously dangerous, and the mine owner Dhanraj Puri (Prem Chopra) is deeply contemptuous both of the mines and the workers who risk their lives to fill his coffers. He is given the disconcerting news by his Chief Engineer Maneklal Saxena (Yunus Parvez) that they cannot continue digging in tunnel no.4. The adjacent tunnel is filled with water and there is fear of it leaking and bringing down the walls, putting the lives of more than 400 workers at stake.

But how much do they stand to lose if they stop working the tunnel, Dhanraj asks. Rs4 million. Your mathematics is weak, Dhanraj tells Maneklal. 4 million is worth more than 400. He warns Maneklal not to discuss the matter with anyone. In the meantime, they have appointed a new engineer - Ravi Malhotra (Shashi Kapoor), whose first meeting with his new boss does not go too well.

Along with Ravi, there are two other newcomers in town; Dr Sudha Sen (Raakhee), who has come to take charge of the tiny clinic, and Anita (Parveen Babi), a journalist who has been expressly invited by Dhanraj to write a story about his mines. Ravi is deputed to fetch Anita from the airport, and it is clear that they know each other.

The next stranger to arrive is Mangal (Shatrughan Sinha), an escaped convict. Having made a daring jailbreak, he decides to hide out in Dhanbad until the heat dies down. But he doesn't actually hide; he walks in with an arrogant swagger and lords it over the inhabitants. Until he runs into Channo (Neetu Singh), an itinerant bangle seller; she offers him what she considers a piece of well-meaning advice - don't mess with Vijay. It acts as a gauntlet, which Mangal promptly picks up.

Meanwhile, Vijay's enemies, Tanna (Sharat Saxena) and his friends trap him in the mine at the end of the shift. Luckily for Vijay, Ravi helps him escape. Vijay is taken to the hospital where he meets the new doctor. Much to her consternation, he refuses anaesthetics while she is cleaning coal dust out of his wound. It is his punishment. For what, she doesn't know.

But she is intuitive, and scarily right in her understanding of him. Vijay is taken aback. Very few people can read him so easily. Surprisingly, she shares her story with him, and Vijay is touched in ways he cannot comprehend. Something unspoken passes between them, and when he turns to go, she offers him her name - Sudha.

Meanwhile, Ravi is finding himself pitted against Dhanraj. But not even Dhanraj's threats can swerve him from fighting for the worker's rights. Dhanraj is not a fool. He realises that Ravi has a lot of influence on the workers. He will bide his time. That night, the miners celebrate, but Ravi is fearful. They do not know the dangers they are courting. Not true, replies Vijay. The first thing that miners do when they get their salary is to buy a shroud for themselves. What if they are not fated to have a shroud? Counters Ravi. What if they are destined for a watery grave? Vijay is stoic, but asks to be warned when Ravi is sure the disaster will occur.

Mangal has not forgotten the gauntlet he picked up. Only, he's underestimated his man. Vijay is not one to back down. The fight may not occur then, but the mutual antagonism is simmering under the surface. It will finally break out, and spectacularly so, when Mangal deliberately insults Sudha.

Ravi and Dhanraj are heading for a collision too. Ravi orders new machinery that will make the miners' work easier, and safer. Dhanraj is furious. The mines are being worked for the owners' profits, not for the workers' safety! Everything is beginning to come to a head - the police are searching for Mangal, unlikely romances flare up, Anita has exposed the conditions in the mines and been kicked out by Dhanraj for her pains, accidental deaths continue, Ravi is forced to stop work in the mines, and Dhanraj is furious. Confrontations and consequences come thick and fast. And all the time...

Will Ravi's fears come to pass? Would Dhanraj really gamble with the workers' lives? Will Vijay's guilt lead him to taking impossible risks? What about Mangal? And Sudha, Anita and Channo? Are they fated to helplessly watch their destinies play out?

Kaala Patthar is a very raw film at heart. Much like its setting - the coal mines - the whole atmosphere of the film itself was bleak and forbidding. There was no room for levity, and the script, based on the real-life Chasnala coalmine disaster in Dhanbad, does ample justice to the disaster-film genre. It is a shame that Yash Chopra stopped making films such as these - the tautly scripted, emotional, conflict-driven, dramatic films that were his forte. This is the man whose debut film was Dharmputra - a tale of human relationships tested by the Partition. He also gave us Ittefaq, a taut songless thriller with just four characters, Deewar, Trishul, and Waqt - all dramatic films with a strong emotional core.

The acting was excellent (Amitabh and Shatrughan sharing the honours, Shashi offering quiet support), and it was not just the leads; Prem Chopra, Parikshit Sahni, Manmohan Krishna... they were all good. It is the songs that, while pleasant enough, were an unnecessary distraction, and so were two of the three heroines.

But these are only small quibbles about a film that was breath-taking both in scope and vision. Everyone involved were at the top of their game. It seems incredible, then, that the film failed at the box-office. Take the acting: this was Amitabh's show all the way. Vijay is a decorated naval officer who, disgraced by his actions, dishonourably discharged from the navy, and disowned by his family, seeks oblivion in this dusty little town. His hatred is for self, and he lives with it. He volunteers for the most dangerous jobs, regardless of danger. All his actions are driven by a desire to prove he is not a kaayar, a burzdil (coward). And Yash Chopra channelised that anger in a way that seared the screen.

Vijay's romance with Raakhee's Sudha is very subtle and understated, very much like their romance in Trishul. In this film too, he plays a tortured character, carrying his demons with him, and trying to outrun them at the same time.

It truly is a diamond in the rough. Now... to go watch it again.
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6/10
The Third Card King.
morrison-dylan-fan28 August 2012
Warning: Spoilers
Since "discovering" Bollywood cinema when I went to see the 2007 film Ta Ra Rum Pum with a friend,I have always heard about an actor called Amitabh Bachchan being one of the all time legendary actors of the industry.Having seen a few of Bachchan's most well known films (Don,Agneepath) over the last few years,I was happy to discover that the IMDb's Indian Cinema board,had chosen a Bachchan movie that I have never heard of before,which would also give me a chance to see one of his highly-praised 4 film collaboration with director Yash Chopra.

The plot:

Being the sole owner of a number of coal mine's,Seth Dhanraj is determined to get every single penny possible from the "black stone gold" contained within the mine.Keeping his eyes on the balance sheet,Dhanraj attempts to keep as much of the income as possible,by treating his hard working miners like slaves,who are given the cheapest equipment around and the lest amount of medical care possible.Learning that miner Vijay Pal Singh has become a hero for rescue a number of trapped miner's from one of his "smaller" mines,Dhanraj decides to send Vijay to his top priority project,so that he can have all the heroism in him completely beaten out.Ignoring a damming investigating journalist report,and multiple requests to stop the work taking place at the main mine,from chief engineer Ravi Malhotra,due to the miners getting nearer to a section filled with gallons of water that would wipe all of them out.Seth Dhanraj sticks to only caring about his balance sheet,and orders the miners to keep digging until not a single piece of coal is left in the mine.

View on the film:

Bassing the awful events that the miner's suffer in the movie on the tragic 1976 Chasnala Mining Disaster,screenwriter's Javed Akhtar and Salim Khan show the treatment and the problems that the miner's face in a way which is still sadly relevant today.From the moment that owner Seth Dhanraj (played by a great,nasty Prem Chopra) appears on screen,Akhtar and Khan show him to be someone whose sole purpose in life is to line his own pockets,despite seeing the rusty equipment and the poor health of his workers right before his eyes.Diapointingly,about an hour into the film,the writers switch their focus from the struggle of the miner's,to focusing on the blossoming romances of its main character's.Despite the commendable cast (led by a strong performance by Bachchan,who gives Vijay a brash confidence in front of his fellow workers,and a consuming side of regret,which he tries to keep hidden) best attempts,the middle section of the film feels rather plodding and mostly unconnected to the more realistic plot featured in the first half.Whilst he leaves the "gritty" approach behind for the final,director Yash Chopra does thankfully,for the films last 30 minutes, unleash an explosive,Disaster movie final.As Chopra uses fast moving whip-pans on the "surface" to increase the edge of the seat tension,Chopra uses tight,nail biting shots in the mines,to create a thrilling claustrophobic feel as the gallons of water start flowing in.
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8/10
Gem from the coal mine!!
nadkarnisumeet24 August 2021
Kaala Patthar review :

A lesser celebrated film of director Yash Chopra; Kaala Patthar was loosely based on the real life Chasnala mining disaster with some wonderful characters written by the legendary Salim Javed.

Amitabh Bachchan is Vijay, an ex army officer who is working as a mine worker in order to forget his past guilt. Shatrughan Sinha in his career best act played Mangal, an escaped convict who takes a job in the mine to evade the cops while Shashi Kapoor is the honest and 'dil ka achcha' engineer who warns the greedy mine owner (Prem Chopra) against the impending flood in the mine.

The performances were universally first rate. Amitabh Bachchan spoke through his eyes and his simmering intensity reaches a crescendo when he yells at Prem Chopra in a superbly executed scene. Shatru's "Teesre baadshah hum hai" is still memorable and oft repeated catchphrase. Prem Chopra was apt as Dhanraj Puri, the loathesome mine owner who treats his employees like slaves. Rakhee, Parveen Babi and Neetu Singh provided the romantic angle to the three heroes.

Kaala Patthar was a technically slick and well executed disaster drama but despite all its positives, didn't work that well with the audience. Maybe, it was the grim subject and lack of comedy which kept them away.

Nevertheless, this is one of Bachchan's finest performance. Whether it is the scene where he grabs a knife from Sharat Saxena or the rescue operation in the climax, Amitabh was simply extraordinary. He as well as Shatrughan Sinha were nominated for the Best actor and best supporting actor at the Filmfare awards that year. Unfortunately, they didnt win the honours. Just like the film!!

Regards, Sumeet Nadkarni.
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9/10
Another classic by Yash Chopra + Big B + Salim Javed
silvan-desouza5 March 2009
Warning: Spoilers
Yash Chopra and Salim Javed gave great films in 1970s starting from DEEWAAR(1975), KABHIE KABHIE(1976), TRISHUL(1978) and KP

Kaala Patthar depicts a story about the people working in coal mines, the film starts off straight away in the mines. We are first introduced to Vijay(played by Bachchan, who else) who is a grim guy but very daredevilry, He saves the life of Satyen Kapuu and as all the people cheer for him, his face goes sad and he remembers his past wherein people want to stone him and call him a coward. This scene itself speaks brilliance of Yash Chopra, Big B and SJ. The film then introduces Shashi Kapoor a funloving guy who works in the mine for a high post of Engineer, His entry is with a Kishore classic song EK RAASTA HAI ZINDAGI on a bike. Then we are introduced to Shatrughan Sinha a thief/goon who runs from the jail and enters the mine. There are several interesting characters like Raakhee who comes as a women doctor, Sanjeev Kumar in a 1 scene role as the depressed doctor who resigns, Mcmohan who is fond of playing cards and cheats, Parikshit Sahini as the singing Jatt. Neetu Singh as Channo who sells women ornaments and many more. Parveen Babi the fierce journalist The villain played by Prem Chopra who doesn't care about the workers but only about profits. Amitabh's AYM persona too is used to the fullest and his scenes make a great impact The story moves gradually but picks up at a crescendo towards the climax. There are several subplots too and some few songs thrown in and some masala too The clash between Big B and Shatru(real life rivals of 70s) is superb especially their fight scene. The second half gets more absorbing, AB confronting Prem Chopra and his flashback is superb, while the entire climax is brilliantly filmed and is superb, The climax was actually based on a real coal mine tragedy Though it's depicted in a filmy manner with superificial sacrifices yet it's superb Direction by Yash Chopra is superb, after this film sadly he made mostly romantic films like SILSILA(1981) and his films never where like this anymore Writing by SJ is superb yet again Music is good, The best song is Ek Raasta, Dhoom Mache Dhoom and all songs, Again no song on Big B just one background love song sung by Parikshit Sahini showing Big B and Raakhee under an umbrella. Dialogues are awesome, esp those mouthed by Big B and Shatru Amitabh's dialogue PAIN IS MY DESTINY is superb while Shatru's teesre baadhshah hum hai aur The Onga Ponga waala dialogue

Amitabh Bachchan is matchless as the angry, depressed Vijay yet again Yash chopra + SJ and Big B together work beautifully and his role is yet another memorable one His outbursts, his emotions are all simply outstanding. Shatrughan Sinha does well in his role in his own style. Shashi Kapoor is superb in his role though he does play second fiddle Sanjeev Kumar is wasted yet he does the most of it in just 1 scene Raakhee is superb, She starred in Yash Chopra's film before in Kabhie Kabhie and TRISHUL and here too does a great job Parveen Babi and Neetu Singh are superb in their roles, though PB does get sidelined towards the end Amongst rest Parikshit Sahini is superb, Sharat Saxena is superb, Prem Chopra is good as the villain, Macmohan is superb, Iftekar, Suresh Oberoi have guest roles Satyen Kapoo and rest lend good support
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5/10
Different but not daring! Scattered storytelling!
xpics29 August 2020
I had seen 'Kaala Patthar' as a teenager and had fond memories of the film. Years later I saw the film again today (while introducing my kids to the many Amitabh Bachchan classics) and they weren't as hooked to the film as other Amitabh films. Usually I do no write reviews about old films already seen earlier but while revisiting Kaala Pathhar my views on the film kinda changed. So felt like writing.

The basic premise of 'disaster' film was something new to Bollywood that director Yash Chopra introduced. Kaala Patthar was a different film. But it wasn't essentially a daring film. Beyond its setting, Kaala Patthar resorted to the regular tropes of Hindi cinema.

From the upside was Amitabh's character setup of a sailor who abandoned his ship and was court martialed for being a coward. This angle which was directly lifted from the English film 'Lord Jim' was interesting and it was quite daring of the makers to show the lead hero with a cowardice streak. This made way for a great character conflict and potent character transformation eventually. The Amitabh-Shatrughan tashan in the film had its moments. The last 20 minutes of climactic action inside the mine was quite different from the regular action seen in Bollywood film climaxes. It might look tacky today but back then it was ahead of its time, induced good thrills and made way for some interesting character explorations.

Now for the flipside. Had the film been designed today, the climactic action would have taken a major chunk of the runtime. How one wishes to see more of that! Back then too much time was wasted over redundant song and dance (this one had at least 4 songs which went straight in fast-forward mode). Too much time is expended in initial hour in character setups. The problem with the film is that it had too many characters but could not explore most of them properly. Instead too much time was spent in repetitive scenes. Just to cite an example, Shashi Kapoor has confrontation with Prem Chopra 4 times and on the same issue. If that wasn't enough, the makers also pit Amitabh against Prem Chopra twice on the same issue just to have a typical hero-villain faceoff. Also the multiple mishaps inside the mine get repetitive after a point. Despite Amitabh having an interesting back story, you don't feel much for his character because his flashback opens much late in the film.

One of the major issues of the film is that there is no defined hook point from the start that binds the story together. One gets a sense that the film will lead to some disaster in the climax but with its multiple characters and their subplots, the narrative gets scattered. This coming from Salim Javed seemed a little surprising, knowing their hold on watertight screenwriting. Even the dialogues for that matter do not have the usual wit, crispness or originality of the writer duo and at most places gets verbose and mechanical. Seems like the writing was compromised to suit the need of formula in filmmaking.

Amitabh Bachchan extended his angry young man character from Zanjeer, Deewar and Trishul over here. He didn't get scope for any comedy here. But he was compelling in his act. I am not a Shatrughan Sinha fan but this is one of the few films where his style works. His tashan with Amitabh is one of the high points of the film. Shashi Kapoor as the sophisticated engineer gets decent role and isn't sidetracked as much as in most Bachchan films. He is charming. It was surprising to see Sanjeev Kumar in a forgettable cameo. Most other roles are underdeveloped or customary.

Had the film been as daring as it's premise, it would have been a much rewarding experience!
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A brilliant concept that works well in bits...
JAGDEVS11 July 2003
This film has an amazingly ambitious story for its time. a story about poorly treated coal mine workers and a deeply powerfull hero destined to a life of pain and suffering for his mistakes in his past. this film boasts some powerfull performances from Amithab Bachan and Shatrugan sinha. Rakhee plays the soulful doctor destined to help the unfortunate wherever they may be thus on of the most famous lines in bollywood history when Rakhee is trying help The injured Amithab. "please why dont you try uderstand" "Pain is my destiny doctor and I can't avoid it!" Shashi kapoor plays the Dashing young romantic engineer together with Parveen Bhabi the news reporter who plays his girlfriend in the film. The story works well on a whole though technically the film leaves a lot to be desired. Though the scenes in the coal mines are well done. The rest is a bit shoddy in places, but some brilliant acting is what takes this film beyond its rather dull appearance. This film comes with a soulful soundtrack that really works well and some fantastic songs to be rememderd forever... they just don't make stories like this anymore.....shame really
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9/10
Amazing.
riddhimaakaritu6 October 2020
There's something about old 70s-80s films with social messages which is missing in current films. Maybe I am always amazed by the fact that there were people who cared about social problems at a time when access to information was not easy.
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8/10
A great movie (because of Shatrughan Sinha)!
salmaq18 December 2007
Warning: Spoilers
Great movie! Wonderful performances from all the characters. It amazingly describes a coal miner's life. I do feel Yash Chopra could've made the movie a little more entertaining. Chopra's other movies are fantastic. Amitabh Bachchan has the best performance, but I feel that this movie belongs to Shatrughan Sinha. He did a marvelous job. The most sad part was when Shatrughan dies at the end.During these times Shatrughan had a rivalry with Amitabh which is why I think he was able to do such a great job in the movie. Shashi Kapoor and Parveen Babi were romantic as always.Wonderful songs with great lyrics. Everything else is just OK
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9/10
Kaala Patthar is rock solid
jnswamy16 July 2020
Warning: Spoilers
Old is gold here. Tight script, well-defined plot line, a multi-star cast handpicked to play well-etched characters, understated romances, action well-balanced with situational song-and dance routines. The movie has it all.

Amitabh is the lead protagonist, the seething introvert who is atoning for a past act of cowardice, by constantly striving to be useful to his fellowmen. Shashi is the flamboyant extrovert with the proverbial heart of gold. What unites them is their quest to protect the lives of the 400 mine workers being exploited by the stereotypically evil and capitalist to the core Prem Chopra. Throw a rustic runaway convict Shatru, who believes in picking a fight with Amitabh at the drop of a hat, and the conflicts add up.

Neetu Singh as the village belle, assigned to play the lead in all song and dance sequences, provides the glamour quotient and also the love interest for the rustic Shatru. The romantic undercurrents between the other two lead pairs are more subtle and shown to develop gradually. Parveen and Shashi are the urban sophisticates, whose easy camaraderie as ex college friends turns into a smoldering attraction. (This movie was made more than 40 years back so we don't see them in bed even though they are told to be living together.) Raakhee plays a mellow doctor who succeeds in building a deep relationship that transcends romance, with the introverted Amitabh, the high point being his willingness to share with her his deep secret of shame.

Kaala Patthar stands out for its polish within the mainstream framework. The climax is well shot though fairly predictable. The fight scenes are well executed and realistic. Even the minor characters show common sense instead of blindly giving into herd instinct - with some folks 'choosing' to follow the protagonists' plan and some others picking the opposite side, in the pre-climax scene. Neither Amitabh nor Rakhee is made to sing any song, adding gravitas to their intended characters. Parikshit Sahni is used for this purpose instead, as he breaks into songs that aptly micro their feelings and the progression of their relationship. A fine film ahead of its time.
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10/10
An all time unerrated classic
shivajikumar-0366426 December 2023
Excellent storyline, excellent performances and direction. There are many big stars in this movie but each character has been depicted with their unique story. And yes of course Amitabh ji's performance most certainly deserved all the awards. One of his finest performances. His character has layers of depth and complexity that has been depicted with utmost care and nuance by Mr Bachchan. The rivalry between his and Mr Shatrughan Sinha character is both entertaining and something that keeps one wondering what comes next. Mr Sinhaji's performance is top notch. The role perfectly fits him.

A must watch movie. This is one of the few movies I have bought and watch at least once a year with family.
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Very atmospheric
Kaaliyaa23 January 1999
Warning: Spoilers
One of the better Yash Chopra films which alongside The Burning Train is among the rare disaster films in India. The film was made in the wake of the Chasnala mining disaster in Dhanbad in which hundreds of miner were killed in an underground flood. Set in a small mining town, the film does a quick description of various characters in the mix -- an idealistic engineer Ravi(Shashi Kapoor), a lonely medic Sudha (Rakhee), an exploitative mine owner Dhanraj (Prem Chopra) and several colorful miners including an escaped convict Mangal (Shatrughan). The film quickly centers on brooding court martialled officer Vijay (Amitabh) who works as a coal miner as an escape / self-flagellation for an act of cowardice several years ago. The engineer's warnings to cease underground operations is rejected by the greedy owners, leading to the protracted climax of the actual disaster. As the disaster unfolds, the three protagonists - Ravi, Mangal, and Vijay seek their own redemption in the rescue operations. An entertainingly hammy Shatrughan Sinha and Amitabh in his angry young man element made the film a cult classic despite being a failure at the box office.
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Intriguing but problematic
MuzikJunky17 November 2001
An ambitious film that suffers, unfortunately, from what might be the worst cinematography in the history of film. Even an American special effects team could not save the film from somtimes sloppy editing and shoddy camera work. However, the film is worth seeing for the issues it brings up regarding worker/management relations. A good story and great acting soften the blow of the weak cinematography. Yash Chopra is a very good director, but this film makes him seem like a hack.
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