The Last Flight of Noah's Ark

First off, I'd like to say that I haven't seen this movie since I was a kid. I just finished watching for the first time in 16 years, with mixed opinions. First, the story is good. The dialogue is decent (swearing in a Disney kids movie? Right on!). The cinematography is ok. The directing is pretty good. The acting is okay. The music is HORRIBLE. I've noticed, not only with this picture, but almost every Disney movie from the late 60s on into the mid 80s, if you turn the music off, it's actually more enjoyable to watch. Being a music theory major in college, I have come to really appreciate good scoring for movies. There are several scenes where the music is entirely inappropriate (such as after the crash, when they're rounding up all the equipment and animals and the music is straight from Yee Haw). Still, after all these years, it was good to watch it again. So if you can cringe your way through the sappy music, you're good to go with this edgy Disney movie.

In fact, it wasn't Bette Midler who first brought new blood into the heavy-handed 7O's and 80's Disney productions. It was people like Elliott Gould who originally provided the shot in the arm that Disney needed. In this movie he lends his wise-cracking, go-to-hell character to the role of Noah Dugan and it's a joy to watch! The whole cast is great, and the whole movie is a delight from start to finish.

Unemployed pilot must pay 5G's in 24 hours to his bookmaker or else his goons will work him over; he reluctantly accepts a job flying a feisty missionary and her farm animals to an island in the South Pacific in a rickety B-29 bomber, but the plan goes awry. First, the couple is joined by two stowaway orphans who are worried about the animals, then the plane goes off-course and the pilot is forced to crash land the aircraft on the beach of an uncharted island--inhabited by two Japanese soldiers who are unaware that WWII is over. In the first half of the 1970s, Elliott Gould made film after film, mostly counterculture comedies which established him as an anti-hero; he appealed to the young people of the era who hoped to shout down the Establishment. However, by 1980, Gould had become part of the Establishment, a working stiff in Hollywood, and the industry's middle ground (Disney) was eager to turn him into a grouchy sweetiepuss, a Bogart father-figure for marriage-minded women and wet-eyed youngsters. Gould doesn't embarrass himself here--he's firm with both the kids and the missionary (a forthright but not stubborn Genevieve Bujold)--but he's coasting, his energy at half-mast. The film, adapted from Ernest K. Gann's story "The Gremlin's Castle", has elements of "Swiss Family Robinson", "The African Queen" and even (God help us) "Jaws", but director Charles Jarrott blessedly keeps it moving instead of stopping to preach. There are things Jarrott probably had no control over, such as the kids fussing and crying over the animals or Maurice Jarre's cloying music, which tugs at the tear ducts. It doesn't quite work, but there are compensations: Gould and Bujold manage to develop a faintly warm rapport, and Charles F. Wheeler's cinematography is excellent. The island location is lovely, and the Japanese men (John Fujioka and Yuki Shimoda) are handled with respect. As for the bookmaker, we are to assume he got his money, and also that the seasick bull made a speedy recovery. This is Disney, after all. **1/2 from ****

While Vincent Gardenia and J.P. Ryan only appear in the film's beginning, they are pretty much in character. Gardenia wise cracking and Ryan playing a really small part as a "heavy" after Elliott Gould for money owed to his bookie. The story is rather "formula driven". Plane carrying animals goes down on an island. Japanese Soldiers appear, eventually making friends with Gould and Genieve Bujold. Two kids who were stowaways are the only reason this is a family film. I found them to be more annoying than anything, but obviously they were not going to go away. Once the plane is turned into a raft, we get the expected crisis of the minute, including a shark attack, and a storm. All ends well, and the movie is far from memorable, especially for adults. - MERK

'The Last Flight of Noah's Ark' is average.

One of the reasons for that is the lacklustre plot, which is one we've practically already seen before from Disney in years prior - like 1960's 'Swiss Family Robinson' and 1966's 'Lt. Robin Crusoe U.S.N.'. This isn't incredibly similar to those two, but they are certainly in the same ballpark.

The premise doesn't have much about it in terms of action or heart, the ending threatens to finish with a highly meaningful moment but instead bottles it in favour of a more happier conclusion. Elsewhere, you have a forgettable cast. Elliott Gould (Dugan) and Geneviève Bujold (Bernadette) are alright, though they lack the necessary chemistry together.

Close to being a good'un, but just misses out in my books.