Directed by
| John Binder | ||
Writing Credits
| John Binder | ||
Cast (in credits order) complete, awaiting verification
Produced by
| Jeanne Field | ... | associate producer |
| Barry Krost | ... | executive producer |
| Melvin Simon | ... | executive producer |
| Susan Spinks | ... | co-producer |
| Gordon Wolf | ... | producer |
Music by
| Richard Baskin | ||
Cinematography by
| David Myers | ... | director of photography |
Editing by
| Dennis M. Hill | ||
Casting By
| Barbara Dodd | ... | (as Barbara Remson) |
Production Design by
| Bill Malley | ... | (as William Malley) |
Set Decoration by
| Carl Biddiscombe | ||
Makeup Department
| Bruce Hutchinson | ... | makeup artist |
| Leo Lotito Jr. | ... | makeup artist (as Leo L. Lotito Jr.) |
| Adele Taylor | ... | hair stylist |
Production Management
| Joseph M. Ellis | ... | production manager |
Second Unit Director or Assistant Director
| Anthony Brand | ... | first assistant director |
| Irwin Marcus | ... | second assistant director |
Art Department
| Russell Goble | ... | property master |
| Duane R. Marion | ... | lead man |
| Charles Sperber | ... | construction foreman |
| Serge Genitempo | ... | stand-by painter (uncredited) |
| Michael Muscarella | ... | construction coordinator (uncredited) |
Sound Department
| Allan Bromberg | ... | assistant sound editor |
| Kirk Francis | ... | production sound mixer |
| Randall L. Johnson | ... | cable person (as Randall Johnson) |
| Michael Minkler | ... | re-recording mixer (as Mike Minkler) |
| Tally Paulos | ... | adr supervisor |
| Roger Pietschmann | ... | boom operator |
| Paul A. Sharpe | ... | re-recording mixer (as Paul Sharp) |
| James Troutman | ... | supervising sound editor (as Jim Troutman) |
Visual Effects by
| Chuck Comisky | ... | visual effects producer |
Camera and Electrical Department
| William Anderson | ... | dolly grip |
| Vito Carenzo | ... | dolly grip |
| Sam Dodge | ... | key grip |
| Roger Gebhard | ... | first assistant camera |
| Lee Heckler | ... | gaffer |
| David B. Nowell | ... | aerial photographer (as David Nowell) |
| Tim Pogoler | ... | best boy |
| Jerome L. Posner | ... | best boy |
| Raphael Sloane | ... | second assistant camera |
| Dennis Smith | ... | camera operator |
| Orlando Suero | ... | still photographer (as Orlando) |
Costume and Wardrobe Department
| Betsy Heimann | ... | costumer: women |
| Thomas Ed Sunly | ... | costumer: men |
Editorial Department
| Barry B. Leirer | ... | assistant editor (as Barry Leirer) |
| Kenneth C. Paonessa | ... | assistant editor |
Location Management
| Janice Parent French | ... | location auditor |
| Binnie Ruben | ... | location manager |
Music Department
| Alan Broadbent | ... | orchestrator |
| Nancy Fogarty | ... | music editor |
| Barbara Harris | ... | vocal effects advisor |
| Lori Hollingshead | ... | assistant music editor |
| Ray Thompson | ... | location music engineer |
| Dan Wallin | ... | music re-recording mixer |
Script and Continuity Department
| Cleo Anton | ... | script supervisor (as Cleo M. Anton) |
Transportation Department
| Richard Padgett | ... | transportation captain |
Additional Crew
| Gary Burdon | ... | title designer (as Gary Burden) |
| Lyn J. Fink | ... | production coordinator |
| J. David Jones | ... | helicopter pilot (as David Jones) |
| Robert Kaiser | ... | production assistant |
| Bridgette Kelley | ... | assistant: John Binder |
| Stel Leitzow | ... | assistant: Cindy Williams |
| Ellen Lewis | ... | production assistant |
| Eric Luke | ... | production assistant |
| Stephen L. Meek | ... | production assistant |
| Robert Rooney | ... | unit publicist |
| Gene Starzenski | ... | set paramedic (uncredited) |
