When one of Europe's most lethal terrorists shows up in New York, an elite undercover cop is assigned to take him down by any means necessary.When one of Europe's most lethal terrorists shows up in New York, an elite undercover cop is assigned to take him down by any means necessary.When one of Europe's most lethal terrorists shows up in New York, an elite undercover cop is assigned to take him down by any means necessary.
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The film is combined of unstopped action ,shootouts , violence , fighting , adequate characterization and breathtakingly suspenseful denouement .It's a run-of-the-mill action movie because from start with its explosive first scene to finish the action packed is continued ,in fact ,the final confrontation is impressive and extremely violent , including plot twists . Prior to it's theatrical release, Nighthawks was severely cut for violence by both Universal studio and MPAA. Amongst the scenes that were cut are disco shootout which originally had Wufgar shooting and killing more people, and Wufgar's death scene in the ending which was almost completely cut out . Amongst the scenes which were deleted from original cut of the movie are almost all scenes between Sylvester Stallone and Lindsey Wagner, Rutger Hauer and Persis Khambatta, more scenes explaining the plot better, and many other scenes because Universal wanted fast paced action movie . They also cut most of the graphic and gory scenes due to the concern that movie will get X rating . In preparation for their roles as New York street cops, actors Billy Dee Williams and Sylvester Stallone spent a number of weeks working at night with the New York Street Crime Unit . Nice acting by Sylvester Stallone as conservative street cop DaSilva reluctantly agrees to terminate an international terrorist who has demanded media attention , but is Rutger Hauer who steals the show as a cruel terrorist . The film is from Sylvester's first period after his secondary interpretations in Mandingo , Bananas , Farewell my lovely , Capone, Death race 2000 , and during his successful Rocky I , II , Paradise alley and Fist acting.
This supercharged action motion picture was well directed by Bruce Malmuth , including hair-raising moments along the way . When the original director, Gary Nelson, left the project, Bruce Malmuth took over production. When he couldn't make it on his first day to shoot the train chase, Sylvester Stallone directed the chase himself to not miss a day of shooting. Malmuth made his film directorial debut with Sylvester Stallone in this classic thriller Nighthawks (1981), followed by Mary Higgins Clark's best seller, Where Are the Children? (1986) with Jill Clayburgh, and the popular action film dealing with political corruption, Hard to kill (1990) with Steven Seagal and Pentathlon (1994) with Dolph Lundgren, as well a number of other feature films and documentaries until his early death.
Anyway, now that I've ranted, I have to admit that I enjoyed it for the most part, with the exception of the initial pacing. It continues to drag in places towards the middle, and takes a little over an hour to set up the crucial players backgrounds. The only real problem is that every time the film stops to focus on DeSilva (Stallone) and Fox (Williams), it spends twice as much time focusing on Wulfgar. Wulfgar is certainly a well crafted maniac, but when the movie is over we know almost nothing about Fox and only a little about Dee DeSilva. Still, the movie does succeed in making you care about our two main characters, by thrusting them into danger and having them do what is morally right (i.e. Towards the beginning of the film the two are in a drug raid, and refuse to take bribes from the perps who had apparently already paid off the cops from the first raid on their operation.
They're good cops, and it's their good guy image that endears them). I guess it would have been nice also to see a little more of Stallones relation to what's her name. (sorry, I haven't seen this in a about a month now.) I was interested in the prospect of a hero who was torn between the relation with his ex (who he was trying to re-ignite the flame with), and his duty. But, alas, she was just a narrative device who the writers have decided is only important in the last 15 minutes or so.
With all these cons, why did I still like it? Sudden scenes of high impact, good cast and acting all around, a villain who wasn't just a cardboard cutout, and Stallone's bitchin' beard, and a wholly convincing scenario.
The bottom line: This film is more akin to The French Connection than it is to Rocky. Methodical and often stylish, NightHawks deserves to at least be rented and watched with an open mind.
8 Stars out of 10
Hauer is also perfect, playing what he does best, an oily villian. He might look very suave at first in this film, but when he shows his true colors, you better watch out. Last but not least is Billy Dee Williams, who does a cool Roger Murtaughesque cop who relies on his partner Sly to do the job.
If you're in the mood for suspense and good chase scenes, "Nighthawks" is your gameplan. Look out for the great conclusion. It might cause you a great deal of shock!
Detective Sergeant Deke DaSilva (Sylvester Stallone) and Detective Sergeant Matthew Fox (Billy Dee Williams) are part of NYPD's undercover Street Crime Unit. Their boss Lieutenant Munafo (Joe Spinell) later notifies them that DaSilva and Fox have been handpicked to join the newly-formed ATAC (Anti Terrorist Action Command) squad spearheaded by INTERPOL British Counter-terrorist specialist Peter Hartman (Nigel Davenport). Their primary task is to take down international terrorist Heymar Reinhardt, also known as Wulfgar (Rutger Hauer) who after bombing a department store in London, has managed to slip through the fingers of authorities and has made his way to New York City. Teaming up with a mysterious woman named Shakka (Persis Khambatta), Wulfgar continues his campaign of terror and vows to bring New York City to its knees and it's up to DaSilva and Fox to take him down.
Sylvester Stallone's career continued to climb following the success of the Academy Award winning Rocky (1976) and it's sequel Rocky II (1979). In Nightwawks, Stallone is excellent as Deke DaSilva who doesn't rely on brawn to get him by but also his brains. Stallone's character shows more of a sensitive side where he is less ruthless and trigger happy compared to many of his previous characters where he has played a policeman in movies such as Cobra (1986) and Tango & Cash (1989). Following a bloody confrontation, DaSilva rethinks his tactics and vows to match Wulfgar on even ground. Billy Dee Williams who is well known for his role as Lando Calrissian in The Empire Strikes Back (1980) and Return of the Jedi (1983), is perfectly paired up with Stallone as DaSilva's partner Fox who have been tasked to take down Wulfgar. Dutch actor Rutger Hauer made audiences sit up and take notice by putting in a chilling performance as international terrorist Wulfgar in his U.S. debut where he establishes himself as an actor well known for playing villains in such classics as Blade Runner (1982) and The Hitcher (1986). Director Bruce Malmuth makes his directorial debut with Nighthawks and here he has done a fine job bringing this gritty film to life on screen.
It's hard to believe that today the fear of terrorism is widespread given that the events of September 11 2001 changed the world forever. Nighthawks was certainly ahead of its time.
Though not a box office smash in 1981, it still netted positive reviews and acclaim, with Stallone earning his share of the praise but the standout was Rutger Hauer. Despite how dated it is, Nighthawks is still good viewing.
7/10.
Did you know
- TriviaStories about on-set fights between Rutger Hauer and Sylvester Stallone are still talked about amongst fans of this movie and both actors. In his autobiography, Hauer stated that Stallone had come off a recent string of box office bombs, and was in desperate need of a hit movie. Hauer felt that many of the on-set clashes stemmed from Stallone's constant efforts to keep tight control over every aspect of the film's production (such as replacing original director Gary Nelson with Bruce Malmuth). However, Hauer also said during interviews in later years that he actually didn't take his arguments with Stallone personally, and that the biggest problem during filming was that it was a very difficult movie to make. From his part, Stallone has expressed deep regret over his behavior in the 1980s during a 2014 interview, stating that the success of Rocky (1976) had made him "insufferable"; by his own admission, he "abused power and was an authority on everything", and wished that he "could go back and punch myself in the face".
- GoofsWhen Fox is loading his rifle just before the confrontation at the bus, you can clearly see the crimped ends of the blank rounds he's loading.
- Quotes
Deke DaSilva: Lieutenant? I just got these latest transfer orders from the Captain.
Lt. Munafo: Yeah, don't sing me any operas. I'm not feeling well right now and I'm in a bad mood.
Deke DaSilva: I'm not gonna sing any operas. I'm talking about these transfer orders. Come on, Munafo. I've been working Decoy for nine years and now I'm pulled and I'd like to know why.
Lt. Munafo: Hey, don't start with me. It's Lieutenant. You don't know me well enough to call me Munafo. But I know you, DaSilva. The gung-ho Lone Ranger of the street crime unit. Well, you can forget about that because we've been asked to cooperate with a special federal/state unit, and we will. You and Fox have been assigned to an ATAC unit.
Matthew Fox: Come on! Terrorism is hijackers and hostages. That's FBI stuff. What the hell do they want with us?
Lt. Munafo: I don't know. Your service records may have something to do with it. How many times have you been hospitalized last year? Five? Well, consider this squad a vacation from Decoy.
Deke DaSilva: I don't need a vacation.
Lt. Munafo: Yes, you do. Now, they need someone who knows the local rat holes and you're nominated. Anything goes down, you're the man.
Deke DaSilva: You mind telling me where this came from?
Lt. Munafo: From the Commissioner, and he got it from Washington. They're sending a specialist from Europe... Interpol... to help organize it in conjunction with Federal funding. And this department will extend every courtesy. Do you understand?
Deke DaSilva: [grabs Munafo] No, I don't understand...
Lt. Munafo: Get your hands off me! Understand this, sucker! You're a cop and you'll go where you're assigned! Now, you and Tonto be here at eight o'clock tomorrow, sharp! End of story!
- Alternate versionsSPOILER: The theatrical release as well as all video, laserdisc, television, and DVD versions contain the altered ending where DaSilva shoots Wulfgar only twice, despite the fact that Wulfgar has six bullet wounds on his body.
- SoundtracksGetaway
Written by Billy Powell (uncredited), Dale Krantz (uncredited) and Barry Lee Harwood (uncredited)
Performed by The Rossington Collins Band (as Rossington Collins)
Courtesy of MCA Records
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Halcones de la noche
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $14,905,359
- Opening weekend US & Canada
- $2,525,360
- Apr 12, 1981
- Gross worldwide
- $19,905,359
- Runtime1 hour 39 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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