F.F.S.S., cioè: '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?' (1983) Poster

User Reviews

Review this title
2 Reviews
Sort by:
Filter by Rating:
6/10
80s Italy extravaganza
matteovalsecchi6 January 2024
Warning: Spoilers
Just saw this on italian TV. After watching "così parlò Bellavista", which Is also featuring Luciano De Crescenzo, a few days ago, i was expecting a nicely made comedy about Neapolitan culture. I got much more.

This movie Is a fast paced absurdist mix of the best and the worst that Italian popular culture had to offer in the early 80s, all under the cover of a purported fellinesque script, including the "usual final circle dance".

The movie has uncountable cameos by people that were either very famous or would become famous later on. Most noticeably Roberto Benigni playing a singer known as "the beige sheik", the creator of "Arabian sound". Another one that comes to mind is Gigi Proietti that talks for a few minutes completely meaningless yet very credibile fake Neapolitan dialect.

I enjoyed this, It brought me back to a Long gone Italy, and After all Pietra Montecorvino's beautiful voice and angry hair would be sufficient to justify watching.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
A must see for anyone who loves Naples
pppalermo7321 March 2005
At the beginning of this unforgettable display of creative genius, we see Renzo Arbore and Luciano De Crescenzo driving around the Coliseum, trying to get an idea for their next movie, but to no avail. They start arguing and calling each other names (pure Italian style)...and then the miracle happens: San Gennaro (the patron saint of Naples) makes a traffic light go red for what feels like forever; that makes the car stop right under the window of none other than the great Federico Fellini! He opens it, and a gust of wind makes his script fly out of it, and into the car...that's the beginning of an incredible journey through Italy, its people, their humanity and their prejudices, in the company of some of this country's greatest actors and showbiz people. A young and barely recognizable Benigni features in this quest for glory of a Neapolitan singer and her agent, this Odissey in which Naples is Ulysses, the outcast trying to get back home, and Italy the perilous sea of prejudice and disparity in which many a southern emigrant has found their demise. The finale, in which even an uncredited Massimo Troisi (virtually unknown at the time) sings with a large group of southerners on the stage of the Sanremo Festival (an important singing contest in Italy) will drive any Italian expat on the brink of tears. And the telling of this journey is pure genius. Epic: there is no other word for it.
3 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed