Emma Watson, the English actress known for playing Hermione Granger in the Harry Potter films, is approximately 5 feet 4 and ¾ inches (164.5 cm) tall and wears a US shoe size 7, which is average for her height.
Her shoe size in other shoe systems is approximately EU 37-38 and UK 4.5-5.
Emma Watson (5ft 4 ¾) looks statuesque in a custom Oscar de la Renta gown at the Ee British Academy Film Awards 2022 (Credit: Fred Duval / Shutterstock)
While she has occasionally mentioned varying heights in interviews, such as claiming to be about five-foot-five and sometimes even 5 feet 6 inches tall, her official listed height is 5 feet 4 and ¾ inches.
This places her slightly below the average height of an English woman, approximately 5 feet 5 inches (165 cm).
Comparing Heights: Emma Watson and Daniel Radcliffe
Measuring 5ft 4 ¾ (164.5 cm), Emma is slightly taller than Daniel Radcliffe, who is believed to be around 5ft 4 ½ (163.8 cm). His shoe size is approximately US 8.5, EU...
Her shoe size in other shoe systems is approximately EU 37-38 and UK 4.5-5.
Emma Watson (5ft 4 ¾) looks statuesque in a custom Oscar de la Renta gown at the Ee British Academy Film Awards 2022 (Credit: Fred Duval / Shutterstock)
While she has occasionally mentioned varying heights in interviews, such as claiming to be about five-foot-five and sometimes even 5 feet 6 inches tall, her official listed height is 5 feet 4 and ¾ inches.
This places her slightly below the average height of an English woman, approximately 5 feet 5 inches (165 cm).
Comparing Heights: Emma Watson and Daniel Radcliffe
Measuring 5ft 4 ¾ (164.5 cm), Emma is slightly taller than Daniel Radcliffe, who is believed to be around 5ft 4 ½ (163.8 cm). His shoe size is approximately US 8.5, EU...
- 4/18/2024
- by Jan Stromsodd
- Your Next Shoes
Linda Hamilton will be making an appearance in the upcoming Stranger Things, which poetically takes place in the era when she catapulted to fame thanks to The Terminator. Her defining performance as Sarah Connor sealed her in pop culture as one of the best sci-fi characters of all time. However, even though she would make a return to the series with the sequel Terminator: Dark Fate, Hamilton has definitively stated that she is no longer interested in reprising her iconic character.
The Beauty and the Beast TV show star recently sat down with The Hollywood Reporter to talk about her projects. It was inevitably asked if she would come back for another round with the cybernetic organism when they inquired what was more likely: an AI-written Terminator sequel or her reprising the role of Sarah Connor. Hamilton answered, “AI writing the next Terminator movie. And they kill me off before we start.
The Beauty and the Beast TV show star recently sat down with The Hollywood Reporter to talk about her projects. It was inevitably asked if she would come back for another round with the cybernetic organism when they inquired what was more likely: an AI-written Terminator sequel or her reprising the role of Sarah Connor. Hamilton answered, “AI writing the next Terminator movie. And they kill me off before we start.
- 4/12/2024
- by EJ Tangonan
- JoBlo.com
Luke Evans may not be a favorable children’s character in The Beauty and the Beast, but in real life, he’s supporting organizations to help make children’s wishes come true.
On Monday night, Evans attended the Art of Wishes Gala and sat with Family Fortunes host Vernon Kay in London. The gala is held each year to fundraise for Make-a-Wish UK and, according to their website, has raised £9 million since it started.
Evans, who has made a name for himself onscreen, will be performing on the stages of London’s Duke of York’s Theatre on October 27. He will be playing Billy in Marcelo Dos Santos‘ play Backstairs Billy. Alongside Evans, Downton Abbey’s Penelope Wilton will play the Queen Mother.
“When I read the script, it made me giggle out loud so hard,” Evans told The Guardian. “It’s just so entertaining and such a joyous story...
On Monday night, Evans attended the Art of Wishes Gala and sat with Family Fortunes host Vernon Kay in London. The gala is held each year to fundraise for Make-a-Wish UK and, according to their website, has raised £9 million since it started.
Evans, who has made a name for himself onscreen, will be performing on the stages of London’s Duke of York’s Theatre on October 27. He will be playing Billy in Marcelo Dos Santos‘ play Backstairs Billy. Alongside Evans, Downton Abbey’s Penelope Wilton will play the Queen Mother.
“When I read the script, it made me giggle out loud so hard,” Evans told The Guardian. “It’s just so entertaining and such a joyous story...
- 10/11/2023
- by Rose Anne Cox-Peralta
- Uinterview
A strong debut in the domestic North America market and a weaker one internationally is the verdict on ’The Little Mermaid’ remake.
Worldwide box office May 26-28 RankFilm (distributor) 3-day (world) Cume (world) 3-day (int’l) Cume (int’l)Territories 1. The Little Mermaid (Disney) $163.8m $163.8m $68.3m $68.3m 52 2. Fast X (Universal) $110.2m $507.2m $87.2m $399.3m 85 3. Guardians Of The Galaxy Vol. 3 (Disney) $45m $731m $25.1m $431.6m 53 4. The Super Mario Bros. Movie (Universal) $19.3m $1.2bn $13.1m $717.8m 82 5. Godspeed (various) $6.8m $146.6m $6.8m $146.6m 7 6. The Machine (Sony) $4.9m $4.9m - - 1 7. About My Father (Lionsgate) $4.5m $4.5m $0.3m $0.3m 16 8. Sword Art Online: Progressive -...
Worldwide box office May 26-28 RankFilm (distributor) 3-day (world) Cume (world) 3-day (int’l) Cume (int’l)Territories 1. The Little Mermaid (Disney) $163.8m $163.8m $68.3m $68.3m 52 2. Fast X (Universal) $110.2m $507.2m $87.2m $399.3m 85 3. Guardians Of The Galaxy Vol. 3 (Disney) $45m $731m $25.1m $431.6m 53 4. The Super Mario Bros. Movie (Universal) $19.3m $1.2bn $13.1m $717.8m 82 5. Godspeed (various) $6.8m $146.6m $6.8m $146.6m 7 6. The Machine (Sony) $4.9m $4.9m - - 1 7. About My Father (Lionsgate) $4.5m $4.5m $0.3m $0.3m 16 8. Sword Art Online: Progressive -...
- 5/29/2023
- by Charles Gant
- ScreenDaily
Don’t be fooled by the direct to Disney+ of it all: David Lowery’s lush and transportive “Peter Pan & Wendy” is neither a creatively bankrupt “live-action remake” in the vein of 2017’s soulless “The Beauty and the Beast,” nor a similarly hollow “live-action” remake in the “style” of 2019’s CGI “The Lion King.”
For one thing, Lowery’s update doesn’t look horrible — quite the opposite, in fact. For another, it doesn’t cynically adhere to the stale narrative beats that audiences have been conditioned to expect. That’s partially because “remake” isn’t the right word for Lowery’s film, but also because the animated “Peter Pan” that Disney adapted from J.M. Barrie’s novel in 1953 doesn’t have quite the same stranglehold over the collective imagination as some of the Mouse House’s more beloved movies.
None of this will come as much of a surprise...
For one thing, Lowery’s update doesn’t look horrible — quite the opposite, in fact. For another, it doesn’t cynically adhere to the stale narrative beats that audiences have been conditioned to expect. That’s partially because “remake” isn’t the right word for Lowery’s film, but also because the animated “Peter Pan” that Disney adapted from J.M. Barrie’s novel in 1953 doesn’t have quite the same stranglehold over the collective imagination as some of the Mouse House’s more beloved movies.
None of this will come as much of a surprise...
- 4/28/2023
- by David Ehrlich
- Indiewire
A crowded February is being followed by an even denser March. Around this time a year ago, the box office was primarily carried by “The Batman” and residual receipts for February release “Uncharted,” but sequels from four popular franchises–as well as Paramount’s effort to launch a new one–suggest we’ll see a larger and more varied group of top earners.
Will any of them beat 2017’s “The Beauty and the Beast” as March’s highest grosser and help the box office surpass the month’s 2022 cume? Fans of sci-fi thrillers, indie romcoms, true crime, “Dungeons & Dragons,” slasher movies and Willem Dafoe all have something to look forward to, while heavyweights like the fourth “John Wick” installment and (no pun intended) “Creed III” are likely to command broad commercial appeal.
Between a Morgan Freeman vehicle and a Sundance jury pick about an impoverished single mother trying to...
Will any of them beat 2017’s “The Beauty and the Beast” as March’s highest grosser and help the box office surpass the month’s 2022 cume? Fans of sci-fi thrillers, indie romcoms, true crime, “Dungeons & Dragons,” slasher movies and Willem Dafoe all have something to look forward to, while heavyweights like the fourth “John Wick” installment and (no pun intended) “Creed III” are likely to command broad commercial appeal.
Between a Morgan Freeman vehicle and a Sundance jury pick about an impoverished single mother trying to...
- 3/1/2023
- by Ronald Meyer and Denton Davidson
- Gold Derby
A crowded February is being followed by an even denser March. Around this time a year ago, the box office was primarily carried by “The Batman” and residual receipts for February release “Uncharted,” but sequels from four popular franchises–as well as Paramount’s effort to launch a new one–suggest we’ll see a larger and more varied group of top earners.
Will any of them beat 2017’s “The Beauty and the Beast” as March’s highest grosser and help the box office surpass the month’s 2022 cume? Fans of sci-fi thrillers, indie romcoms, true crime, “Dungeons & Dragons,” slasher movies and Willem Dafoe all have something to look forward to, while heavyweights like the fourth “John Wick” installment and (no pun intended) “Creed III” are likely to command broad commercial appeal.
Between a Morgan Freeman vehicle and a Sundance jury pick about an impoverished single mother trying to...
Will any of them beat 2017’s “The Beauty and the Beast” as March’s highest grosser and help the box office surpass the month’s 2022 cume? Fans of sci-fi thrillers, indie romcoms, true crime, “Dungeons & Dragons,” slasher movies and Willem Dafoe all have something to look forward to, while heavyweights like the fourth “John Wick” installment and (no pun intended) “Creed III” are likely to command broad commercial appeal.
Between a Morgan Freeman vehicle and a Sundance jury pick about an impoverished single mother trying to...
- 3/1/2023
- by Ronald Meyer and Denton Davidson
- Gold Derby
“Puss in Boots: The Last Wish” landed in theaters this past December with minimal pre-release fanfare, but the “Shrek” franchise’s sixth entry, besides collecting an Academy Award nomination for Best Animated Feature and nearly $400 million at the global box office, has turned out to be one of 2022’s most visually arresting and critically acclaimed animated efforts. The Oscar contender conspicuously blends analog and 3D-rendered animation, employing a hybrid style popularized by “Spider-Man: Into the Spider-Verse.”
The technique isn’t new, as films have been combining formats to one degree or another since at least 1991. However, the difference between “The Beauty and the Beast,” “The Iron Giant” and “Tarzan,” which used 2D backdrops to provide 3D objects a sense of depth, and more recent examples, like “Into the Spider-Verse,” “The Bad Guys” and “Puss in Boots: The Last Wish,” is the integration of “hand-drawn” and CGI elements in the foreground...
The technique isn’t new, as films have been combining formats to one degree or another since at least 1991. However, the difference between “The Beauty and the Beast,” “The Iron Giant” and “Tarzan,” which used 2D backdrops to provide 3D objects a sense of depth, and more recent examples, like “Into the Spider-Verse,” “The Bad Guys” and “Puss in Boots: The Last Wish,” is the integration of “hand-drawn” and CGI elements in the foreground...
- 2/22/2023
- by Ronald Meyer
- Gold Derby
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