A Jewish girl disguises herself as a boy to enter religious training.A Jewish girl disguises herself as a boy to enter religious training.A Jewish girl disguises herself as a boy to enter religious training.
- Won 1 Oscar
- 6 wins & 17 nominations total
- Peshe
- (as Lynda Barron)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBarbra Streisand hand-picked Mandy Patinkin for this movie, and he politely declined several times because he did not like the script. He was eventually invited to Streisand's house where they could discuss the parts he wanted to change. He then agreed to be in the film.
- Quotes
Yentl: Why is it that every book I buy, every bookseller has the same old argument?
Yentl's Father: You know why.
Yentl: I envy them.
Yentl's Father: The booksellers?
Yentl: No, not the booksellers, the students. Talking about life, the mysteries of the universe and I'm learning how to tell a herring from a carp.
Yentl's Father: Yentl, for the thousandth time, men and women..."
Yentl: [cuts him off] have different obligations, I know, but...
Yentl's Father: [cuts her off] and don't ask why.
Yentl's Father: [sees her disappointment] Go on, get the book.
Yentl: Thank you, papa!
Yentl's Father: The shutters, darling.
Yentl: We don't have to hide my studying from God, then why the neighbors?
Yentl's Father: Why? Because I trust God will understand. I'm not so sure about the neighbors.
- Crazy creditsAt the very end of the closing credits: This film is dedicated to my father... and to all our fathers.
- SoundtracksWhere Is It Written?
(uncredited)
Music by Michel Legrand
Lyrics by Alan Bergman and Marilyn Bergman
Performed by Barbra Streisand
Many critics and fans found Streisand's performances in A STAR IS BORN and THE MAIN EVENT to be labored and overly-mannered. However, there is little doubt that she once again emerges as a true actress in Yentl. As a matter of fact, Streisand's pitch-perfect portrayal of Yentl/Anshel is quite possibly the best performance of her legendary career - I simply cannot think of any way her performance could be bettered. Broadway tenor Mandy Patinkin is terrific as the object of Yentl's affections; it is a role which should have made him a huge screen star. The character of Haddass could have easily turned into a thankless role, however Amy Irving brings a layered depth to the part that many other young actresses could have glossed over.
YENTL is also showcase for the wonderful music of Michael Legrand (with outstanding lyrics by Marilyn and Alan Bergman), and the film uses these songs to brilliant effect. There are no production numbers, nor singing out in the street. Except for the finale, Streisand only sings when she is completely alone or silently as a voice-over. The songs take the place of spoken soliloquies and represent Yentl's private thoughts. This device has a great Shakespearean feel to it and (along with Streisand's ever passionate singing) help cement the film into the realm of fantasy. Though YENTL was infamously snubbed by the Academy Awards, justice was served when Streisand was awarded with the Golden Globes for Best Picture and Best Director, the first female to ever win the latter honor.
Appropriately for a musical, the film's song score is first-rate. Composer Michael Legrand is an unrecognized genius, and his score is both complex and inviting. Alan and Marilyn Bergman have penned the lyrics to many of Streisand's best-loved recordings (the #1 hits "The Way We Were and "You Don't Bring Me Flowers," just to name a few), but they really outdo themselves here. Their words and Legrand's music complement each other perfectly, and their collaboration is largely the reason the film's score is as consistent and as cohesive as it is.
However, the main factor to YENTL'S artistic success is the phenomenal vocal performance of Barbra Streisand. The songs for this film were recorded twenty years after her official studio debut, and she has never sounded better than she does here. Whether the tone of the song is anguished ("Where Is It Written," "Tomorrow Night"), euphoric ("This Is One of Those Moments"), or incredibly sensual ("The Way He Makes Me Feel"), Streisand's hushed restraint and dramatic range are nothing short of incredible. Her phrasing is put to excellent use in "Will Someone Ever Look At Me That Way" and the three renditions of "No Wonder" (each with different lyrics and a different meaning), while both "No Matter What Happens" and "A Piece Of Sky" are terrific showcases for Streisand's astonishing vocal prowess.
YENTL also marks the first appearance of "Papa, Can You Hear Me," which instantly became one of Streisand's signature songs due largely to her intensely soulful performance. YENTL is a motion picture that is very close to the heart of many Streisand fans. It is a project that Streisand believed in with all her soul, and both the film and its soundtrack remain near the top of the list of the best things any popular artist has ever done.
- robb_772
- Apr 20, 2006
Details
Box office
- Budget
- $12,000,000 (estimated)
- Gross US & Canada
- $40,218,899
- Gross worldwide
- $40,219,251
- Runtime2 hours 13 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1