A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
As boys, they made a pact to share their fortunes, their loves, their lives. As men, they shared a dream to rise from poverty to power. Forging an empire built on greed, violence and betrayal, their dream would end as a mystery that refuse to die. See more »
The phone rings a total of twenty-four times near the beginning of the movie. See more »
When Noodles first meets the adult Deborah (1.45:30) his hair is dry and neatly combed but moments later he walks through a door to first meet Frankie Manoldi and his hair is noticeably oily and more tousled. See more »
[In 1933, two goons rudely question a young woman]
Where is he? Where's he hiding?
I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
I'm gonna ask you for the last time: Where is he?
I don't know... What are you gonna do to him?
[Two shots are heard]
[to his partner]
Stay here in case that rat shows up...
See more »
In 2012, The Film Foundation together with the Leone estate exhibited the 250-minute version of the film at Cannes. However, due to settlement of copyright issues for international releases, the version first exists in Italy before it was released in October 2014. The restored version adds the following six additional scenes:
Before the opening credits are displayed, additional disclaimers about the restoration are introduced first, including the film restored and color corrected in 4K. The restoration adds more yellow layer to the film's look. However, the new scenes are based on the work print, which does not have the same color quality as the original prints could not be found, hence the semi-monochromatic look.
After Noodles looks upon his name on the memorial stone, he meets the cemetery director (an appearance by Louise Fletcher) and gets more information about the memorial. He sees a car nearby, realizing he's being watched. He's able to write down the license plate number.
A flashback where after the car falls into the water, the boys fooled around longer. But they were scared of Noodles as the freighter's shovel keeps aiming at the water. Back to 1968, Noodles eventually traces the car's license plate to Senator Bailey's address. The car that tailed him earlier in the cemetery emerges out of the compound and explodes shortly after.
After Noodles comes out of the door, the chauffeur criticizes his lifestyle (explains why he interferes during the rape). Noodles counters him with the financial benefits.
Eve's actual introduction: Noodles is left alone in the street after the rape. He visits a prostitute bar and had sex with Eve, the call girl whom was allowed to be called Deborah. The real Deborah walks out of the restaurant in disappointment.
Deborah performs the final scene of Shakespeare's Antony and Cleopatra before Noodles goes to visit her backstage.
There's a pivotal scene of Max / Senator Bailey with Jimmy. Jimmy and his other associates want him dead because of his many mistakes but there still remains some final organization details to be sorted out. Finally, Jimmy suggests that he commit suicide with the line "I'd be very happy for you tonight, if during all the noise of the party I'd hear a shot." This scene explains things like: why the car bomb went off during the second additional scene; dramatizes Max's motivation with Noodles in the next scene; completing the character arc of Jimmy from an idealistic union boss to a full-fledgling hoodlum; creates more uncertainty of what happened at the end with the garbage truck.
This Godfather-type film was done by Sergio Leone, of spaghetti-western fame, so you know you will see and experience several of his trademarks. Namely: (1) a lot of facial closeups; (2) some slow-motion or slow-moving dramatic scenes; (3) good overall photography and (4) a unique soundtrack.
The period sets here are magnificent. You get a real feel of the time, whether it's 1910, 1933 or 1967. The colors are awash in blacks, browns and grays and the DVD brings all these out very well, especially considering the film is over 20 years old.
Despite some of Leone's slow moments, this is a fascinating film to watch for the story, too. There are numerous memorable scenes, some of them involving some downright shocking violence, even for today's movies. However, the amount of violence is less than what you see today.
The movie also sports an interesting twist near the end involving the two major characters, played by Robert De Niro and James Woods. The story is not always clear, either, so be prepared to be possibly confused about a few things....at least on the first viewing. Confused or not, this film always is fascinating to view, especially with intense actors such as the two men just mentioned, along with Elizabeth McGovern, Tuesday Weld, Joe Pecsi, Burt Young, Treat Williams and more.
The child actors in here take up almost half the movie and are excellent. What an injustice they don't receive any publicity for their acting, especially the kids who played De Niro and Woods as youngsters. One of the girls has become a famous adult actress: Jennifer Connelly. She was 12 years old in this film and was already alluring.
This is Godfather-type crime movie that ranks right up there with that famous film, not taking a back seat to it at all.
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