In 20th-century colonial Kenya, a Danish baroness/plantation owner has a passionate love affair with a free-spirited big-game hunter.In 20th-century colonial Kenya, a Danish baroness/plantation owner has a passionate love affair with a free-spirited big-game hunter.In 20th-century colonial Kenya, a Danish baroness/plantation owner has a passionate love affair with a free-spirited big-game hunter.
- Won 7 Oscars
- 30 wins & 30 nominations total
Best Picture Winners by Year
Best Picture Winners by Year
Storyline
Did you know
- TriviaMeryl Streep developed her accent by listening to recordings of Karen Blixen reading her own works.
- GoofsWhen Denys Finch Hatton brings a record player to Karen Blixen's home, he lowers his hand and the sound volume decreases. Volume was set at recording time, not at playback.
- Quotes
Karen Blixen: When you go away... you don't always go on safari, do you? Just want to be away.
Denys: It's not meant to hurt you.
Karen Blixen: It does.
Denys: I'm with you because I choose to be with you. I don't want to live someone else's idea of how to live. Don't ask me to do that. I don't want to find out one day that I'm at the end of someone else's life.
- Crazy creditsEpilogue: "Karen Blixen published her first stories in 1934 under the name Isak Dinesen. She never returned to Africa."
- Alternate versionsNetwork TV version features additional footage not included in theatrical release.
- ConnectionsEdited into A Song of Africa (2000)
- SoundtracksConcerto for clarinet and orchestra in A (K.622)
Written by Wolfgang Amadeus Mozart
Performed by Jack Brymer Clarinet, The Academy of St. Martin-in-the-Fields
Directed by Neville Marriner
Used Courtesy of Philips Classic Productions, The Netherlands
There are some worthwhile incidental pleasures in this film. John Barry's fine score is perfect for the material, and really soars near the end, appropriately I imagine since one of the two main characters is an aviator. In supporting roles, Klaus Maria Brandauer, Michael Kitchen, Suzanna Hamilton and Michael Gough work small wonders. The use of Mozart, while true to life, makes this post-Amadeus film seem already like a period piece; the period being the 1980's. Mozart was all the rage in those days. His great music is, however, non- if not anti-emotional, and it's odd that it was used so often in the movie. The effect of the music is somewhat intimidating in the context of the romance at the center of the film, as it doesn't suit at all what's happening on screen, which can't help but make the viewer think that perhaps he's missing something; or maybe the film is just too smart for him. This is, again, a very eighties sort of feeling, of the sort of one gets from watching Chariots Of Fire, or listening to the music David Byrne and Laurie Anderson.
- telegonus
- Aug 30, 2002
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Jenseits von Afrika
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $31,000,000 (estimated)
- Gross US & Canada
- $87,071,205
- Opening weekend US & Canada
- $3,637,290
- Dec 22, 1985
- Gross worldwide
- $227,514,205
- Runtime2 hours 41 minutes
- Color
- Aspect ratio
- 1.85 : 1