Directed by
| Bruce Beresford | ||
Writing Credits
| Bruce Beresford | ... | (screenplay) & |
| Rhoisin Beresford | ... | (screenplay) |
| Nene Gare | ... | (adapted from the novel by) |
Cast (in credits order) verified as complete
Produced by
| Bruce Beresford | ... | producer |
| Hilary Heath | ... | executive producer |
| Sue Milliken | ... | producer |
| Damien Nolan | ... | executive producer |
Music by
| George Dreyfus | ||
Cinematography by
| Donald McAlpine | ... | director of photography (as Don McAlpine) |
Editing by
| Tim Wellburn | ||
Production Design by
| Herbert Pinter | ||
Art Direction by
| Stewart Way | ||
Makeup Department
| Georgina Bush | ... | assistant makeup artist |
| Vivien Mepham | ... | makeup artist (as Viv Mepham) |
Production Management
| Phil Urquhart | ... | unit manager |
| Helen Watts | ... | production manager |
Second Unit Director or Assistant Director
| Carolynne Cunningham | ... | second assistant director |
| Mark Egerton | ... | first assistant director |
| Katherine Shaw | ... | third assistant director |
Art Department
| Louise Carrigan | ... | standby props |
| Wilf Flint | ... | construction manager |
| Helen Macaskill | ... | props buyer / set dresser |
| Martin Manahan | ... | art department runner |
| Dave Thompson | ... | carpenter |
Sound Department
| Max Bowring | ... | sound recordist |
| Eric Briggs | ... | boom operator |
| Peter Fenton | ... | re-recording mixer / sound mixer |
| Phil Heywood | ... | re-recording mixer / sound mixer |
| Leigh Kowald | ... | assistant dubbing editor |
| Penn Robinson | ... | dubbing editor |
Special Effects by
| Brian Pearce | ... | special effects supervisor |
Visual Effects by
| Roger Cowland | ... | opticals |
Camera and Electrical Department
| Darrin Ballangarry | ... | camera attachment: Queensland Film Corporation |
| Chris Cole | ... | clapper loader |
| Warwick Field | ... | focus puller |
| Laurie Fish | ... | best boy electric |
| Mitchell Logan | ... | assistant grip |
| Robert McFarlane | ... | still photographer |
| Pip Shapiera | ... | key grip |
| Rob Young | ... | gaffer |
| Wayne Young | ... | electrics |
Casting Department
| Alison Barrett | ... | casting |
| Kate Ingham | ... | extras casting |
Costume and Wardrobe Department
| Katherine Green | ... | stand-by wardrobe |
| Kerri Mazzocco | ... | costumes by (as Kerri Barnett) |
Editorial Department
| Arthur Cambridge | ... | grading |
| Jeanine Chiavlo | ... | assistant editor |
| Miriam Cortes | ... | negative matching |
Location Management
| Carolynne Cunningham | ... | location manager: pre-production |
Music Department
| Phil Matthews | ... | music adviser |
Script and Continuity Department
| Jo Weeks | ... | continuity |
Additional Crew
| Benjamin Beresford | ... | unit assistant |
| Catherine Bishop | ... | production coordinator (as Tatts Bishop) |
| Mark Bishop | ... | unit runner |
| Fran Burke | ... | titles |
| John Faithfull | ... | caterer |
| Kathryn Fisher | ... | aboriginal liaison |
| Paul Fraser | ... | edge numberer |
| Anne Galt | ... | production accountant |
| Christine Gordon | ... | producer's assistant |
| Sandra Hoffensetz | ... | production attachment: Queensland Film Corportation |
| Romola Jeffrey | ... | base coordinator: Sydney |
| Richard Piorkowski | ... | laboratory liaison |
| Rosemary Probyn | ... | production coordinator |
| Steve Warrington | ... | catering assistant |
Thanks
| Michael Bourchier | ... | thanks |
| Julie Forster | ... | thanks |
