Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (...
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Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (Vivaldi, Bach, Wagner), and is an interpretation of the particular aria.Written by
Ed Sutton <email@example.com>
Orson Welles agreed to direct one segment, and asked for a contract to be sent to him in Los Angeles. He died before signing the contract, which had been sent, according to producer Don Boyd, to an address that turned out to be the funeral parlor in which he was laid out. Boyd is still unsure whether this was Welles' final joke. See more »
He looks like he's made for love. He hasn't found my eyes charming enough. He hasn't found my eyes charming enough.
O how I'd love to hate him.
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If you like Opera, all the arias will be familiar. The treatments the ten directors give to one aria each, are totally removed from their original context. Nessun Dorma from Turandot becomes the vision of a girl in a near-fatality - gripping imagery culminates in the final VINCERO! of her survival . . .John Hurt lip-synching Vesti la Giubba from I Pagliacci is perhaps the low-point, but the madly bawdy Robert Altmann scene fails too - the rest is a lavish treat! The tragedy of children dying is captured in gritty black and white to the serene melody of Verdi's La Vergine Dell' Angeli, the remarkable outcome of an assasination attempt at a King's life is done brilliantly to the backing of La Sua Parole from A Masked Ball . . . with totally different ending to the one in the Opera! See this, then view it again; you will be amazed and enriched - if you like Opera, that is. If you do not, and have no desire to, then please: go back to the usual fare - this will have very little to offer you - enjoy your Stallone and van Damme.
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