The House of Clocks (TV Movie 1989) Poster

(1989 TV Movie)

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7/10
Surprisingly Good
bensonmum27 April 2005
Warning: Spoilers
  • A group of three unprofessionals attempt to rob the house of an elderly couple. It's an isolated place full of expensive items such as a large collection of clocks. The robbery goes all wrong and the old couple are each hit with a shotgun blast. One of the robbers notices that immediately following the couple's deaths, all of the clocks in the house have stopped. What none of them realizes is that the clocks begin to run backwards. Before the robbers realize what's happening, the clocks have turned back time and brought the couple back to life.


  • Almost every review I've read on the internet seems to trash this movie. I don't get it. Other than Fulci's Don't Torture a Duckling and A Lizard in Woman's Skin, this is the best I've seen of his movies. The movie plays a bit like Twilight Zone meets Fulci. The story is original and innovative. Being Fulci, there is a certain amount of gore to be found (for example, an endless stream of entrails pouring from the maids stomach after she's been stabbed with a sharpened stick), but it never goes over-the-top. I found more tension here than in most of Fulci's films. Most of his work seems to be based on how to gross-out an audience. Here, he lets the story take center stage.


  • A lot of the reviews I've read complain about the ending. I'll not give it away, I'll just say that it has a nice irony to me that I found satisfying. The three robbers are, after all, bad people. It's only fitting that they should not get away.


  • The House of Clocks was apparently an Italian made-for-TV movie. They certainly don't make TV movies like this in America.
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7/10
Much better than you would expect
The_Void19 April 2005
I'm a big fan of Italian horror maestro Lucio Fulci, but in spite of that; I put off seeing this made-for-Italian-TV movie, as I feared it wouldn't be very good compared to earlier Fulci offerings. Now that I've seen it, however, I am happy to report that with this film; Fulci doesn't disappoint! While it lacks the grandiose of Fulci's excellent Zombie Flesh-Eaters and the intrigue of his early Giallo offerings, House of Clocks still shows Fulci's talent for making horror movies, in spite of the conditions under which it was made. The plot certainly is intriguing enough, and it follows an old couple that live in a house full of the man's 'children'; namely, a bunch of clocks. The trouble starts when a troupe of pot-smoking crooks, who see the house as an easy target, decide to break in and rob it...only to find that after murdering the inhabitants; the 'children' start running backwards, and our protagonists may only have a matter of time before they meet their own gory demise...

Speaking of gore, Fulci is famous for it; and this film certainly has it; but from some of the scenes, you do get the overwhelming impression that the gore is only there to satisfy his fans. Not that that's a bad thing. Like many Italian horror films, this one suffers from poor dubbing, worse acting and lots of incoherence in the script. It's easy to forgive the film for these negative aspects however as it breathes a great atmosphere and there's some absolutely great horror shots, that are sure to delight fans. That's the thing about Fulci – people see the gore and then write him off as a hack, when this isn't the case at all. This film does pretty much write itself off by the end, however, as, for some reason, Fulci has opted to tack on one of those endings that just sucks all the credibility out of the film; and on the whole it means that you will leave the film with a very sour taste in your mouth. Really, I recommend turning it off at about the 70-minute mark. Still, while the ending ruins it and it suffers from lots of imperfections; this is still a very nice horror film, and one that is very enjoyable too!
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5/10
Not Fulcis best, but still fun and gory
spacemonkey_fg3 March 2005
Title: House of Clocks

Director: Lucio Fulci

Cast: Paolo Paolini, Carla Cassola, Betina Milne, Karina Huff, Keith Van Hoven, Peter Hintz

Review:

A fulci film that focuses more on characters and story development then on gore and zombies? And its also good? Well holy macaroni its true! I was pleasantly surprised to see that I enjoyed this movie without the usual onslaught of gore that Fulci drowns his movies in.

The story is about a trio of hoodlums who decide to go and rob an wealthy elderly couple that lives out in the country side in a huge mansion filled with clocks. Once they get there, something in the mansion turns time back and pretty soon the trio of petty thieves find themselves running from Lucio Fulcis zombies.

Id heard about this movie before and Id heard that it was a made for TV movie, so the fact that it was going to be a low budget made for TV film kind of turned me off to watching it for that reason alone. I thought maybe a minuscule budget would not let Fulci cut loose with his usual brand of mayhem. Well I was wrong. Yeah the movie has its gore sprinkled evenly all through out and yeah it had a few zombies....but what amazed me about this one was that fulci actually focused on making the atmosphere in the house (and its surroundings) very dreadful and eerie. I loved those exterior shots of the house filled with fog, I loved how he focused on those old statues outside the house. And I loved the lighting inside of the house. Very shadowy, very dark.

I don't know how fulci did it, but he did a really entertaining low budget flick that delivers on all expected fulci staples! I mean yeah, you could tell that it was a notch less then Fulcis films technically speaking, it doesn't have that super glossy look that his normal films have. But for a TV movie, I say he did a bang up job! Great atmosphere the actors did a decent job and the gore though in less quantities was always there. In other words, fulci managed to give us what we like from him even with a low budget.

The only thing that I didn't like was those scenes when the clocks start going back in time. First off, the thing that attracted me the most to watching this film where #1 that Fulci directed and #2 the idea behind the film. A house that goes back in time? How awesome does that sound? How about the possibilities that this idea alone opens? Well that attracted me to this movie, but when the time came for time to go back, it wasn't all that impressive visually speaking. I thought it was a missed opportunity to do some really interesting visual things, but I'm sure that since this was a made for TV film, Fulci didn't really have that much time to elaborate on the visuals. I wish there had been more time to elaborate a bit on the idea of time going back in only one place, like the interior of this house. I mean from a visual standpoint...a lot more could have been done. But its not a big problem for me though, since the story was moving along so smoothly.

The acting isn't all that great, most of the actors do OK, but nothing too amazing at all. Still, their acting is not bad to the point of annoying or distracting you. The characters, well non of them are likable in fact they are all pretty despicable, even the old couple who end up being more dangerous then anything else in the house. Its kind of strange, but you end up feeling sorry for the trio of thugs. They just seem like three dumb kids who decided to rob the wrong house. Too bad for them.

I was amazed that Fulci expected this film to be aired on TV. I mean there's a lot to be said about that. You don't see American made for TV horror movies looking and being this good! At least I don't remember any, and that just shows how cool it is to live in a country that doesn't have any sort of ratings board and all that crap! No MPAA! But, even with all those liberties, the movie was deemed too violent for even Italian TV, so it was never aired. It was supposed to air in a TV show called "Houses of Doom" along side three other "house" themed movies like "Sweet House of Horrors" which Fulci also directed. Still, now on DVD we can enjoy it in all its "too bloody for TV" gory glory.

I was surprised that the music was really good in this one. I mean, it actually fit with the dark look and atmosphere of the film. It was distracting or out of place as in for example Zombie when they put that horrendous Calypso music. In this one the music is actually perfectly spooky.

The idea of a house going back in time is kind of like very Twilight Zone-ish, and that was a big pull in for me. Maybe some of you guys and galls will find that idea entertaining as well. Specially when its delivered by Italian gore maestro..fulci. Its not Fulcis best of course, but for a TV movie, I think he did an excellent job.

Rating: 3 out of 5
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A great made for tv movie
JM-229 December 1998
Fulci made this for Italian television, however, it still has fair amounts of gore for tv. This one doesn't need gore though because it has a great story. It's about three "seedy" criminals who decide to knock off an old couple in a home invasion. Suddenly the clocks start to go backwards, so does the time, and sooner or later we see them back again... only the couple wasn't a nice old couple to begin with, they were pretty seedy also.
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6/10
Better than some
nick12123525 April 2019
More engaging than I expected after watching the earlier Sodoma's Ghost but the whole thing is still a bit ridiculous. It was also made-for-tv and so that's not surprising. I really enjoyed the beginning where the rich, lavish lifestyle of the mansion owners was juxtaposed with the lives of the thieves. However, it began and to drag somewhere in the middle, and the ending just started to go over the top and became ridiculous. Overall not bad as long as you know what Fulci's 80s output is like.
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6/10
A time to violently die
jaibo11 October 2008
Warning: Spoilers
Certainly not one of Fulci's greatest films, and definitely one which runs out of steam before the end, House of Clocks is nevertheless well worth seeing for its striking central conceit and the title location itself, a sinister Gothic mansion full of clocks of impressive and odd old clocks. The mansion is owned by a crazy old couple who murder their relatives and servants when they fail to live up to their standards. A trio of trash decide to do a home invasion on these weird old coves, and get a lot more than they bargained for.

At an important point in the story, the old couple are killed and their clocks stop when they die (like My Grandfather's clock!); then they start running backwards. The dead are resurrected and the killers get killed. Or do they, as time keeps spinning back and forth, in and out of dream-time. The film finally suggests that time is not linear, can flow (as the quantum physicists tell us) in either direction, but in Fulci's unnerving vision in all directions is a violent death. Not that any of the characters deserve much better, as this every-which-way time travel is entirely populated by monsters. Some of them are old and rich, some of them are poor and young; all of them are irredeemably nasty.

La Casa nel tempo is certainly hokey at times, and the currently available UK DVD is appallingly dubbed - but there's more going on here than in your average B movie horror, some of it is lovingly filmed (mostly the clocks), there's some campy laughs and some truly gory moments. Give it a go, if you've got the time...
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2/10
What rubbish this is...
adriangr28 November 2007
If you're still interested in watching any late 1980's movies by gore master Lucio Fulci, chances are you might want to add this to your list. Well, don't. It's another total turkey. As far as I can see, Fulci started a downward slide with "Manhattan Baby", and never recovered. I have seen "Aenigma" (a joke) "Touch of Death" (pitiful), "A Cat in the Brain" (nonsensical), "Voices From Beyond (snoozefest), and even sat through "The Ghosts of Sodom" (run as far as you can from this abomination), so I have no-one else to blame but myself for even giving "House of Clocks" a try.

The plot is roughly this: An elderly couple inhabit a large mansion, and they are more than a little eccentric, by which I mean that from the very outset they are both seen to have homicidal tendencies! Into this situation drop three young petty criminals who have designs on stealing some loot from the treasure laden house. The twist is that the treasures of the house are all clocks, and when the violent youths meet the crazy old couple, the clocks themselves play a big part in what happens next...

OK so what's wrong with this movie? Well basically, most of it. As with all of Fulci's later works it's hampered by everything that could possibly make a passable horror movie into a disaster. The acting is really poor. I've never seen such amateurish mugging and wailing as we get here from the three central youngsters. They are just terrible. A really, REALLY bad dubbing job only makes things worse, and English speaking dubbing team don't seem to have a clue about matching dialogue up to lip movements, there is barely a moment when the cast look like they are using their own voices. The elderly couple are just as bad, even though they don't ham it up, they are lumbered with an equally hopeless dub job.

Sadly, the list of shame goes on. The direction and camera work are totally uninspired. Fulci has a few trademark images that he continues to roll out over and over again. Cameras mount staircases, zoom in on shadows or doorknobs, jump rapidly in focus from foreground to background and back again, etc etc. I've seen all these tricks a hundred times and the novelty has long since worn off. Worse still, the effects are now beyond lame. All the gore scenes (brief and not very explicit) are really poor, the effects are very shoddy and they just don't work. The non-gore special effects are equally terrible, and sadly this film relies on a few trick shots for important scenes, all of which are botched. It's like Fulci doesn't know how to make anything pass for realistic, or just doesn't care.

But the very worst offender of all is the plot. Oh my god. Words fail me in trying to explain what's going on here. The film has a major supernatural twist and from the moment that everything in the house goes pear shaped (you'll know when), the film just unravels totally. Nothing works, nothing makes sense, nothing gets explained. Don't think I am just not getting it. I love surreal cinema and being made to think. But this is an insult. As stupid event followed stupid event I was almost laughing, but by the time the end credits rolled, I was wondering how this was ever passed off as serious entertainment, it's such a mess it's just not funny.

Take my advice and don't go near this. I'm sorry to be so negative about Lucio Fulci when he has produced some of the genre's finest shockers, but his later films never repeated the success of the golden days, and this is just another example of him churning out pot-boilers when he had long since lost the ability or interest in making a good product.
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7/10
Time is a great healer, especially if your name happens to be Corsini.
BA_Harrison17 September 2009
Given that pretty much all of Fulci's latter day efforts (post-Murderock) suck, it's only natural to assume that The House of Clocks will suck too; but it doesn't. Don't get me wrong, the film won't change the way you think about horror, but it is consistently entertaining throughout, which is good enough for me (I've sat through Sodoma's Ghost, so I know just how bad Fulci can get).

A supernatural horror that manages to deliver both a fair amount of creepy atmosphere and revolting gore (the film is surprisingly bloody, considering it was made for TV), House of Clocks stars Paolo Paoloni and Bettine Milne as Vittorio and Sara Corsini, a wealthy old couple who live in a remote country villa, where they spend their time caring for their 'children'—a vast collection of antique clocks and watches—and tending to the corpses of their nephew and his wife, who they have murdered for being greedy.

One night, the Corsini's routine is disturbed by the arrival of three hoodlums (Keith Van Hoven, Karina Huff and Peter Hintz) who intend to hold the couple hostage and rob the house; their plans go awry, however, when the elderly couple's protective gardener Peter (Al Cliver) intervenes, and a struggle ensues, during which both Vittorio and Sara are blasted with a shotgun (cue mucho giblets and blood) and Peter is brained on the corner of a desk.

Free to search the place for valuables at their leisure, the threesome set about turning the place over; meanwhile, the Corsini's 'children' begin to turn back the hands of time, bringing the dead to life for revenge...

Stylish direction, combined with gruesome effects (impalements, a bloody knifing, splattery shotgun wounds) and a wonderfully macabre, underlying sense of humour all go to help make The House of Clocks a delightfully surreal and rather absurd (in a good way) experience that should please most followers of the director's work. In fact, the whole thing is so gloriously off the wall that, for once, even the patently ridiculous Fulci ending seems strangely fitting.

6.5 out of 10, rounded up to 7 for IMDb.
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2/10
what a shame!
tuco7318 June 2004
What a shame that a director with lot of talent such as FULCI did something awful like this! Please carefully avoid this idiot and boring movie, or you might start to change your opinion on the film maker of NON SI SEVIZIA UN PAPERINO, 7 NOTE IN NERO, etc. The absurdity of the plot (time going back after death, for a couple of old stupid murderers, who look like some lovely grandparents) pairs with the absurdity of the situations and the atrocity (I mean lack of skills) of acting and dialogues. Maybe Fulci was in need of some money and was offered an interesting budget, but all the same, it is a movie BEYOND any limit of decency. VOTE: 2/10.
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6/10
Not Terrible
gavin694220 October 2017
Three lowlife punks are trapped in a posh villa while trying to rob it and become at the mercy of the murderous owners whom have the power to stop and reverse time via their mystical clocks.

"The House of Clocks" is one of four films made for the Italian cable TV series House of Doom. Lucio Fulci himself would direct two films for the series (the first being "The Sweet House of Horrors"). Director Umberto Lenzi would also direct two films ("House of Witchcraft" and "House of Lost Souls"). Unfortunately the finished films were deemed too violent by producers and were never aired.

Al Cliver is mostly memorable for starring in exploitation and horror films such as Lucio Fulci's Zombi 2, The Black Cat, The Beyond and Demonia. Here he plays a semi-blind handyman. Karina Huff, who is actually English, went on to appear in Fulci's "Voices from Beyond" (1991) and Luigi Cozzi's "Demons 6" (1989).

This is by no means a terrible film. No one would deem it Fulci's best, but given the limitations of working in television, it seems rather good. I much prefer it to Argento's "Do You Like Hitchcock?", for example.
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3/10
A tired Fulci effort.
loomis78-815-98903430 July 2014
Warning: Spoilers
The drugged up roaming punks pick the wrong house to rob when they come across the elderly couple Victor (Paolini) and Sara (Bettina Milne) at their strange country home. Infested with clocks Victor has collected for seventy years, the unstable Paul (Hintz) flips out and kills the couple along with the grounds keeper (Al Cliver). When this happens, the clocks begin going backwards which does a number on time and soon the elderly couple has come back to life seeking revenge. This made for Italian TV movie came late in the carrier of Lucio Fulci but still manages a Fulci look. Unfortunately, the story telling is a mess and you're never too sure of what and why things are happening. The characters are all Assholes other than the elderly couple so we could care less when they are in pearl. Gore is plentiful and disgusting with a spear being jabbed into a groin in one highlight. The film's biggest mistake is that it just isn't any fun. Fulci's best stuff didn't always make complete sense but it was still fun as hell to go on the ride. This movie is just nasty with crappy characters and no life. Only die hard Lucio Fulci fans need to view this one.
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8/10
My personal favorite of Lucio Fulci's last films
rundbauchdodo16 January 2001
Lucio Fulci made this film for Italian TV - as part of a series called Houses of Doom and including four films, of wich he did two (this one and "La Dolce Casa degli Orrori") and Umberto Lenzi the others ("La Casa delle Anime Erranti" and "La Casa dei Sortilegi"). An old couple lives in a big house that is filled with clocks, which are the old man's hobby. But the couple is everything else than nice: Within the first minutes, the missus kills her household lady in an extremely violent way. Three young delinquents break into the couple's home and kill them, but as soon as the old man is dead, the clocks stop ticking and then start going backwards. Trouble brewing for the three youngsters...

Fulci tells a surprisingly surrealist story here and manages to establish a thrilling atmosphere right from the beginning. As soon as the clocks go backwards, the film gets more and more absurd, giving Fulci enough opportunities to imply some humoresque moments. Even though this is a made for cable production, there are plenty of gore effects, and they are all nasty and "typically Fulci", if I may write so.

Of all the films Fulci made after 1982, this one is my personal favorite. Main reason is the startling story that is neither common nor standard, but very original. Highly recommended, not only for fans of gory horror (but certainly not for the squeamish).
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7/10
The House of Clocks
ryan-1007525 July 2018
Seen this movie 3 times now and I think of this as a middle of the road horror movie from Lucio Fulci. Meaning I wouldn't put this on a list with the best of Fulci movies, but I wouldn't say it was one his worst either. One thing that is different about this movie compared to other Fulci movies I have seen is there are only a few gore scenes in this movie. For this was made for Italian TV rather than theatres so the violence, while still present is not as powerful as other Fulci films.

Three dope-smoking young thieves are aware of this isolated house where some rich elderly people live. So they trick their way into the home to steal from these people, but the robbery goes horribly wrong as the elderly people are killed. This is when the mystery of the clocks within the house take shape and unfold a nice little horror story with some nice twists along the way.
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4/10
If I Could Turn Back Time
Kaliyugaforkix6 June 2011
Warning: Spoilers
** Lucio Fulci was renowned for his gore-soaked, entrail-laden spaghetti epics, held in particular regard by some of us, accustomed to watered- down, assembly line slashers and their endless line of sequels as the totality of the horror flick experience. Dreamy and incoherent as well as repulsive & palpable, Lucio's movies are an acquired taste. To accuse him of being liberal with narrative is putting it lightly. In the world according to the maestro, insane strokes of bad luck strike with the disfavor of a sadistic god; guard dogs rip your throat out, cellar walls collapse onto hell-mouths, and jealous father's power drill craniums with demented glee. It's a mad, mad world of grisly freak accidents, usually of the supernatural variety & mankind is little more than playthings. Such a uniformed unconformity to the strictures of plot and even common sense have been used as ammunition for criticisms, but I find his wacky gutter-surrealism charming. I've had enough cookie cutter story lines and half baked scare tactics to last a lifetime. Unpredictability & restraint will never be an issue with a Fulci film and we should be glad. House of Clocks is like this. Three thugs decide to rob an elderly couple's estate and end up murdering the occupants when it all goes haywire. However, when the hundreds of clocks adorning the mansion begin running backwards, time itself begins to unravel and the victims return to life, turning the tables on their accosters with interesting results.

Logic is conservatively adhered to throughout this scattershot tale, and Fulci has his usual schlock gore on hand to spice it up, though not nearly at the strength of his earlier classics, sadly. Though clearly upper tier output from his awful final phase, the inspired nihilistic vision of the early 80's just isn't there. Unfortunately too, the photography has a hazy indistinctness which apparently is a trademark of his later work, but that's small potatoes compared to the horrible dubbing which saddles the actors with ill-suited voices (like a lot of Italian genre movies) that over and under accentuate sentences constantly and sound like parodies of their respective characters.

The real delight of this bizarre little ditty is the elderly duo, presented as polite, thoroughly insane geriatrics. These are your kindly grandparents filtered through the Italian sleaze ethic: upon graciously accepting the resignation of their maid, the old lady casually picks up a wooden pole and impales the woman, twisting with glee and watching her intestines un-loop .She then tosses off her gardening gloves and sashays out of the greenhouse(!?). Such throwaway moments of off-the-wall tastelessness (the screen writer also penned House on the Edge of the Park) ensure House of Clocks is, if you can stomach the slow-pacing, a decent time killer. But there are no earth shattering gore operatics here.
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One of Fulci's better latter-career efforts...
brutalplanets@yahoo.com10 September 2008
After The New York Ripper in 1982, the quality of Fulci's efforts as a filmmaker drastically declined. The impenetrable dark atmosphere and genuine artistry of his previous films was definitely on the way out, as is evidenced by such unremarkable video fodder as "Daemonia", "The Ghosts of Sodom", and "The New Gladiators".

Not everything the man did after "Ripper" is entirely forgettable, however - 1983's "Conquest" retains a lot of Fulci's hyper-gory, atmospheric sensibilities, and is demented fun in it's own right. "The House of Clocks" is also a fairly accomplished piece of work, and is probably the best of his post-1982 films.

Originally made for Italian television as part of a horror series (ala Tales from the Crypt), but deemed to gory for release, "The House of Clocks" really works fairly well. It has moments of genuine creepiness; hints of the strong, evil atmosphere Fulci was so adept at creating pop up here and there. The film is quite interestingly lit (many of his later pictures have a similar, glowing-like look to them), and contains a few memorable characters - not the least of which being the demented, wizened old couple, who seem kind and hospitable one moment, and are disemboweling you with a large metal spike the next. Also, there are several moments of the kind of gut-spilling gore we've come to expect from Mr. Fulci, which is more than welcome. One of the reasons that many of his films succeed are the over-the-top, positively nightmarish gore scenes. Save for "Cat in the Brain" and "Touch of Death", many of Fulci's later-career efforts shy away from the excessive gore, which turns many of them into colossal bores. This is not the case with "House of Clocks" - while not nearly up to the violence level of "The Beyond" or "New York Ripper", there are enough violent murders and scattered entrails to please the average Fulci fan, and nauseate anyone else.

While many Fulci fans will simply overlook "The House of Clocks", being that not only was it made in Fulci's autumn years but also for television, this would be a mistake - "The House of Clocks" is well-worth seeing for any admirer of the work of Lucio Fulci. Others might wanna beware, though.
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6/10
Not his best, but fun Fulci film
udar5517 April 2022
Two guys and a girl decide they are going to rob an isolated mansion owned by an eccentric old couple. Naturally, things get weird as the house is filled with clocks and the trio become trapped in the place. When it comes to Lucio Fulci's '80s horror films, I've only got a handful left that I haven't seen so I've been doling them out slowly over the years. This was one of his TV films, which is surprising as it is pretty dang gory. The story isn't any great shakes, but it moves at a considerable clip and never drags during its 80 minutes. And the film is well shot and the location is impressive. Look for Al Cliver as the couple's handyman.
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7/10
The lighter side of Lucio Fulci
Coventry3 May 2005
Warning: Spoilers
Lucio Fulci, infamous for his explicitly violent and downright gross films, surprises his fans (and probably his opponents even more) with this tense and mainly story-driven tale of terror. It is and remains a Fulci effort, so the House of Clocks does contain more gore than your average horror film but still it's awkward not to constantly see eyeballs getting poked out or throats being torn to pieces. This was a movie produced for TV-distribution (which probably also explains the gore-limitation) and script successfully attempts to go for supernatural tension. The House of Clocks revolves on 3 lowlife crooks that plan to rob and home-jack an obviously wealthy elderly couple living in an isolated mansion. This couple, however, isn't as indefensible as they look as they have a bizarre clock-fetish and they keep dark secrets hidden in their basement. When the robbery goes terribly wrong, and all the couple's beloved clocks suddenly stop and turn back; the crooks face unimaginable terror and payback. The film bathes in an uncanny atmosphere and Fulci makes great use of the cool scenery. I can't give a scientific explanation for it, but there's something naturally eerie about a collection of ticking clocks. The idea of showing seemly harmless old people who then turn out mentally deranged isn't exactly new, but it still works and it definitely unsettles you. Near the end, the plot-holes become bigger and bigger and the abrupt plot-twists are disappointing. So, hopefully, the very good first hour of House of Clocks already makes a positive impression on you before the ineptness begins to show. To me it did. Other disadvantages include wooden acting and a very bad case of English dubbing (the DVD I tracked down at least). This is definitely a movie worth checking out in case you're an Italian horror fanatic. For the fans of the more outrageous Fulci-work, he made "Cat in the Brain" one year after this and that certainly is one of the sickest movies ever.
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2/10
A very weak latter day Lucio Fulci movie
Red-Barracuda28 August 2014
Lucio Fulci is one of the most important Italian horror film-makers for sure but by the tail end of his career the quality of his output got pretty bad. The House of Clocks falls into this bracket unfortunately. It would only be fair to say that part of the issue in this one was that it was a made-for-TV production, so it was of a noticeably lesser budget than he was used to. Production values are consequently bargain basement in every respect, which does nothing to help this film in any way. Interestingly, despite being a made-for-TV movie, it seemingly was never actually shown on television due to its explicit violence. There are several cheap gore sequences punctuated throughout and do at the very least alleviate the tedium at least to some extent. The story is about three thieves who break into the house of an elderly couple. Trouble is, these oldsters are psychopaths and their house of clocks has supernatural powers with the ability to reanimate the dead.

The story is certainly unusual enough to garner at least some credit. But it's just not really executed in a very good way at all. For the most part it's kind of tedious in actual fact, while it never looks anything other than cheap with very little in the way of atmosphere. By the late 80's the Italian film industry was struggling financially and it's certainly an indicator that the man who made so many good to excellent genre pics ended up working on a low quality TV production such as this. Overall, this one can really be recommended to Fulci completists only.
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7/10
I really enjoyed The House of Clocks
Stevieboy66627 July 2020
Two young men and a girl viciously rob a large house belonging to an eccentric, elderly couple who own a large collection of clocks. Lucio Fulci is one of my favourite horror film directors and despite this movie being made for TV there is no shortage of strong gore on display, not so much in the way of nudity though. The elderly couple are very entertaining with their bizarre and bloody eccentricities, I found the story to be very original and the film creepy. Al Cliver, who appeared in many European horror and exploitation films, plays the old couple's handyman. Essential viewing for Fulci/Italian horror fans, this isn't up there with his best but it is still very good and clocks in at a never dull 80 minutes.
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4/10
Good Gore, Faulty Script
Carrigon11 February 2006
Warning: Spoilers
I had been a Fulci fan from watching Zombi, but I had never seen this title before. I saw the trailer on another DVD and thought it looked good. But, unfortunately, the trailer is better than the movie. It also gives away a lot of the gore.

The basic plot: There is a really strange couple living in a big mansion filled with clocks and the bodies of their niece and nephew that are rotting in an odd chapel room. We soon discover that the maid has found the bodies and is so creeped out, she decides to leave. But she never makes it as the old woman kills her. And we find out she was maid number three. So right way, we know this couple is not what they appear to be.

Then we have three con artist thieves who come along hoping to steal from the house. And that's when things get interesting. They kill the couple and their handyman only to find that no one ever really dies in that house.

I thought a lot of the plot was good. Some of it was awful. There's one scene I just hated where the thieves suffocate a cat. And I found that to be irredeemable for this film, even though Fulci tries to make up for it at the end with an "undead cat's revenge" scene. I still hated it. And felt that was a real faulty script area. The entire ending seemed tacked on.

The gore is excellent. And it's interesting that this was a made for TV movie in Europe in 1980 since it would never have made it past the US censors. We don't even get anything near as gory today. That alone is reason to watch this film.

The creepiness of the house and the old couple was very good. The thieves were badly cast, stupid and inept.

If you're curious about Fulci's other works, I would say watch it for that. I wouldn't really go so far as to call it an old gem, but it will keep you amused for awhile.

I would like to see this remade at some point, updated. I think it has a lot of potential.
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5/10
Another gore free-for-all from Tio Lucio.
Flixer195711 October 2009
Warning: Spoilers
Fulci's early horrors (THE PSYCHIC; ZOMBIE; CITY OF THE LIVING DEAD) featured protagonists that the audience could root for. Goofballs, in some cases, but you cared whether they got splattered or not. Most of his later works were just gore free-for-alls between detestable characters that you hated from Frame One. HOUSE OF CLOCKS definitely belongs in the last category.

Sarah and Victor Corsini live with their servants in a remote mansion. We find out immediately that the rich old coots are not only murderers with two corpses stashed in a back room, but killers with elitist attitudes as well. Old Victor has filled the mansion with all manner of watches and clocks, which he talks to as if they were the children he never had, thank God. Into this happy household come two hoodlums and their girlfriend. (When she talks her way into the mansion with the old "broken down car" story, this young lady asks Corsini, in all seriousness, "Do you collect CLOCKS???" Well, Doy-EEEE!!!!) Brief comedy aside, the trio that's come to rob ends up committing mass murder; the Corsinis and caretaker Al Cliver end up as bloody messes on the floor.

Then the clocks and watches start running backwards. You can probably guess what happens next.

Unlike another late Lucio opus, DEMONIA, HOUSE OF CLOCKS doesn't have one person in it to root for. It does boast some good moments and creepy atmosphere which is more than can be said for SWEET HOUSE OF HORRORS. The ending is pure poetic justice, as a crime committed by the thugs early on catches up with them. And for those who want gore and nothing more, this film delivers blood and guts by the bucketful. Where else but in a Fulci flick would a character suffer a small stab wound and have her intestines come spilling out?

Best of all, HOUSE OF CLOCKS is a perfect metaphor for Lucio Fulci's career. Long-time fans and newcomers alike should definitely watch his last films first and then work their way back.
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8/10
Atmospheric yet a little confusing
pictomancer30 July 2009
Warning: Spoilers
The House of Clocks was a film by Italian horror master Lucio Fulci made in his later years. Although not up to the standards of his earlier works, it certainly didn't disappoint. Apart from the distracting dubbing, the acting and plot is reasonable enough to make for a good watch.

Three teens travel to an elderly couple's house intent on robbing the place. The elderly couple aren't exactly feeble and prudish however; they act out their homicidal intentions on whom they see fit to. Anyway, the teens' plan goes pear-shaped and they end up murdering the whole household: the couple and their gardener. The old man's collection of clocks then turn time backwards, allowing the couple and the gardener to return to life and seek revenge.

After that, it gets a little confusing as time seems to then repeat itself yet still go backwards (two police visit as they did 12 hours previously yet the teens die and time goes back all the way to when they were on their way to the mansion). I just think the film could have been brilliant if the plot was just a little clearer and more explained. That said, the ending was satisfying and very fitting. All in all, not Fulci's best but not his worst either.
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5/10
Fast-moving cheesy fare
Leofwine_draca1 August 2016
Warning: Spoilers
This cheesily bad horror film is a great amusement to watch. Made as one in the series of four 'House of Doom' television movies, this shows the once-great director Lucio Fulci at work, his star sadly on the wane here with only a few moments in the movie which resemble his earlier career. The movie, a standard haunted house flick, takes its inspiration from a number of sources, but aside from a few moments of gore its impact is diluted all the way through.

Things set off with a supposedly violent teenage gang (inspiration? Think LAST HOUSE ON THE LEFT and all of its imitations) robbing village shops and suffocating a black cat in a plastic bag – the latter scene is hilarious and has to be seen to be believed, just for the sheer bad taste of it. They break into an old, remote country mansion and after a cool, short action sequence end up butchering the occupants. End of the film you think? Oh no, because for some unexplained reason, the clocks all go backwards, the dead return to life and the gang members find themselves on the receiving end of some rough justice.

This film contains nothing like the gore level in Fulci's earlier classics. One gutting in a greenhouse is particularly gruesome, and a hark back to the nasty days, but otherwise this film is pretty tame, although still pretty bloody in places. There are a couple of good shotgun blasts and lots of showy makeup. The plot is inconsequential, and merely a series of contrived death sequences, and the acting is horrible. The only actor of note is genre stalwart Al Cliver, cast as a deformed gardener, who has a hilarious moment where he takes on the role of Jack Nicholson in THE SHINING. Other things worth watching for include the hilarious dream ending, and the final twist, which will have you rolling in your seat with laughter. A classic of bad film entertainment, this is fast-moving and cheesy fare.
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Original and surreal
The Yeti12 August 2004
Come on, you can't really say this movie is lame. It has an original story and a surreal atmosphere for a start that give the movie an unsettling feel.

The story goes like this: 3 wannabe burglars break into an isolated villa and kill the occupants. The 2 elderly occupants are really sadistic killers and have quite a shock in store for the burglars. The old man with his collection of clocks turn back time and soon the burglars are running for their lives.

The acting isn't quite up to scratch and there is a cruel scene involving a cat that in my opinion makes the lead teens truly unlikeable.

Apart from that then you can look forward to a great setting and location. (The villa is lovely but appears dark and unsettling as soon as night falls.) Also on show is Fulci style gore. A maid is literally gutted when the elderly folks find out about her snooping around. You can give a hand to the poor teen thats just had hers stabbed! And, about a dozen shotgun blasts end up hitting everyone. I couldn't believe this was made for cable!

The movie doesn't intend to be amazing, yet the surreal story and the twisted ending notches it up considerably. Just give it a watch. You may be pleasantly surprised. 3 out of 5.
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5/10
Well done
FULCI IS GOD!!!!!!!there is really not much else to say!! i mean this movie is absolutely perfect.i haven't made up my mind yet but this very well may be FULCI'S "CREAM OF THE CROP" I'm not going give away anything about the story(LUCIO FULCI made the flick & that should interest you enough to get it!!!)if you don't know who LUCIO FULCI is then this is a perfect film to start with!!!!!!FULCI'S movies are way above the rest when it comes to atmosphere his art form puts you in a dream like state of mind where things are confusing & unsettling which then sets you up to be scared of anything & everything just like YOUR OWN DREAMS!!!!!!his movies are like a special song that means something different to everybody like a puzzle thats almost finished but only you & your imagination can complete it. the bottom line is a horror movie is supposed to bring you right back to when you were 7-8-9 years old & if your not conditioned like most of the world is!?!?!? then you will see that FULCI can bring you back to your childhood horror days better than the rest!!!!!!!!!!!!!!!!! the DVD comes out GREAT & there's a couple of neat little extra's interviews/trailers so on. SO FANS HURRY UP & GET THIS GEM BEFORE YOU CAN'T FIND IT ANYMORE!!!! a Masterpiece from the Maestro of Maestro's P.S. FULCI IS GOD!!!!
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