User Reviews

Low-rent comedy that probably made a better impression on its release in the early 90's alongside a spate of similarly timed Eco-romps that included the creatures themselves to a large extent ("Honey I Shrunk... ", "Ferngully", etc). In 2007 however, it just looks tired, when people such as Tim Burton are capable of handling these things with far more subtlety.

The satire is misjudged here because the wellspring itself is from other movies rather than anything close to real-life. If this is an attack on American values then it adheres strictly to movie convention, because I refuse to believe that EVERY family over there contains the requisite sex-object daughter and pothead son.

This takes aim at small screen morality on a bigger budget, and it's very rare that TV is a microcosm, so almost all of the jabs feel watered down when filtered through an entertainment medium. If you want cockroaches arriving on earth without feeling the need to have a 'social conscience', then check out "Men in Black" - it's far wittier and doesn't find itself resorting to lame 'drag' gags that pad out the story...

I would say the most important statement in this corny flick; has to be that societal (social) influence can be much greater than anything else (including your priorities for survival) in this case.

Yeah, they're aliens trying to fit in. Transformed into a human appearance, pretty much every member of the alien family ends up succumbing to the (not so virtuous) practices (and vices) of those (humans), with whom they interact. And that does have its funny moments, however predictable.

I think the alien son (getting stoned with buddies), is pretty funny. Kid plays it well. Begley too, is fairly funny.

It's worth the watch. And; vs the hearltess, mindless releases of today, who knows, this might be a masterpiece.

Angered by a logging company encroaching deep into their natural forest, a family of large insects camouflage themselves as humans and blend themselves into a small American town. Dick gets a job with the nuclear power plant in order to sabotage it and wage war on the human population. However the family finds that their attempts to blend in are working a little too easy and they endanger their own mission.

Despite being a little too gory for my tastes, this comedy is actually quite sharp in it's main satire on American life. The main joke for me was the way the family of bugs are sucked into the lifestyle of American mores – the mother gives in to commercialism, the son to drugs, the daughter to teenage sex and the father to adultery. It's comical to watch their descent and works pretty well. Where's it's all going is less clear and the message is not so clear in regards whether becoming `normal' is for the best or not. What is clear is the eco message which pokes fun at those who would make war on nature (whether bug or human) without respect for other life forms.

For a 90 minute film it all works pretty well and is actually quite imaginative. The gore put me off a little, in the gore of the eggs and bugs generally and I would have preferred if they had just had the bugs without all the slime and stuff. The cast do a good job carrying the material – their performances generally help keep up the mood of weirdness! Begley Jnr and Channing are both good in the leads – each giving in to their human environment. The kids are OK but the best performance is an outrageous performance from Coleman as the queen of the species – complete with full drag and moustache!

Overall this never quite delivers as many laughs as it's clever and funny pitch but it is still worth a watch. It has a surreal picture book image of `normal' America that it slowly explodes. For me, you could take or leave the eco message and still enjoy the film. Not great but different enough to be worth a try.

Keyword reference for this film indicates scenes of interracial sex.

There were no scenes of interracial sex - barely scenes of interracial interaction (other than the law enforcement official that meets a slimy end -- no sex, though).

Did I miss something?

In fact, the sex scenes are not much to worry about -- the daughter's romp is not the least bit erotic, or funny -- for that matter.

This movie was supposed to be funny, and I suppose there were enough scenes of purely outrageous content that generate a grin. Gut busting laughter? No.

This flick is not available on Netflix nor on Amazon streaming, and I don't know why, because it is truly hilarious. The negative comments here are incomprehensible to me. The comic premise of giant bugs disguising themselves as humans is no more difficult to accept here than it was in "Men in Black," except this is a much better movie. The predictable left wing environmental theme is here, but is by no means overpowering enough to detract from the riotously funny look at middle class suburban life, with all its pretensions, facades, commercialism, and sexual foibles that this movie supplies. All the cast do their jobs wonderfully, Stockard Channing and Ed Begley Jr. in particular. Dabney Coleman does a great job in what could be called a cameo role. The script is just wonderful. I was able to catch this on one of the cable channels and I'm glad I was able to do so. It provided a wonderful hour and a half of comedic entertainment.

How is it that otherwise good actors allow themselves to take part in a banal script like this? Characters are unidimensional (well 1.5 dimensional at best). I can see how it would appeal to average and undemanding movie viewers (that is to say the statistical 50% mark of sophistication).

It had a lot of "zany, wacky, goofy, madcap, off-the-wall, weird" antics. Not funny, just antics and very predictable. I think I chuckled once at Dabney and once at Stockard - a testament to their abilities to at least rescue a moment here and there.

If you have a very undemanding and unsophisticated sense of humor, you will like find it quite amusing with its zany, wacky, goofy, madcap, off-the-wall, weird antics. But if you have a mental age of over 14, you will likely get bored.

But movies like this are valuable to watch. They are so juvenile and bland, that they remind one what a good movie is when you see one. But not this one.

Michael Lehmann has had a somewhat checkered career: on the one hand he is responsible for the excellent 'Heathers' and the warm and competently made 'The Truth About Cats and Dogs' and on the other hand he also produced not only 'Hudson Hawk', a textbook flop of the highest order, and the awful '40 Days and 40 Nights' but also My Giant, a film so bad that audiences leaving the theatre should have been provided with complementary hypnotism to remove the experience from their memories. However it is no surprise that the team responsible for this film - Lehmann and the wonderfully named Redbeard Simmons - should have produced a film entitled Beaver Gets a Boner. Applegates is the duo's followup and what a delicious wedge of trash it is, a tart with a heart kind of a movie easily mixing the downright unpleasant with the lightly comic and a bit of social and environmental commentary.

The Applegates are not your ordinary suburban American family: they're giant insects bent on world destruction. I started watching this expecting that the bug natures of the family (excellently played by Ed Begley Jnr, the always brilliant Stockard Channing and two bright young things whose careers have since faltered) would be played down because of the tight budget. I hadn't realised what sort of territory this film is staking out: mention of John Waters is totally justified in the best possible way and there is also a whiff of Troma. Someone somewhere has decided ropey-schmopey they're going with the effects lending a wonderful air of B-movie to proceedings.

I said before that the Applegates weren't an ordinary American family but they are recognisable as a sort of hellish recreation of one in the late twentieth century and they evolve fast. Developing their personae from a sort of Janet and Jim book the family arrive as fifties cardboard cutouts, in that curious way that only a film born of the 80's and that decade's fifties fixation can achieve. That in a sense is what this film is really about for exposure to Bush Mark I's America leaves Dad jerking off to insect porn in the bathroom, Mom a hopelessly addicted shopaholic, Johnny a rather scuzzy ultra-pothead and daughter Sally stroppy, pregnant and rather more than bi-curious. Best of all, that's not even the plot. There's lots to love here: cross dressing Queen Bea (a lovely turn by Dabney Coleman), Kevin and Kenny the twin dealers who now look like something out of a time warp and a whole lot of gore. This isn't a film for the easily offended or the weak of stomach and even I found one or two moments a touch unpleasant. But a broad streak of comedy and a thin veneer of environmentalism gives this in many ways bleak film plenty of heart and if the dialogue sparkled a bit better then this quite political tale (is it really about communism vs. capitalism?) would be a trash classic. As it is this is quirky, unpredictable and looks dated in the best way possible. Don't get me wrong this is no Citizen Kane. They don't make films like this any more and maybe they shouldn't but I'm glad they made this one like this, so sit back, relax, crack open the beers, light up whatever and enjoy because this film - though at times a touch heavy handed - is lots of fun. Just don't show it to Granny.

The Applegates (Ed Begley Jr, Stockard Channing) are a peculiar suburban family. They live under assumed identities to infiltrate and sabotage the nuclear power plant. They are actually giant preying mantis from the Brazilian rainforest which is being stripped by development. Their queen, Aunt Bea (Dabney Coleman), is invading Ohio in three months. The daughter Sally falls for Vince Sampson from next door. When Vince forces himself on her, she goes mantis on him. The suburbs are harder than it seems. Sally gets pregnant. Johnny turns into a weed head. Jane goes crazy with her Discovery card. Richard gets fired. Then Aunt Bea arrives.

I wouldn't say that there are any big laughs. It does have a weird dark satirical take on the suburbs. There is also an environmental message. This all adds up to an unseen cult movie. It has some fun takes. Michael Lehmann directed one of the great teen satires of all times, Heathers. This is way weirder.

Trying to combine sci-fi with black comedy proves much too challenging and this picture misfires badly. If you are going to push an ecological message, then there must be a better vehicle than "The Applegates". Ed Begley Jr. has been in some pretty outrageous movies (see Eating Raoul), but it has to be both outrageous and entertaining, which this film is not. None of the characters elicit the tiniest bit of sympathy, and the "storage problem" for their prey is just one of several tedious situations which are endlessly played out. The two insect teenagers are especially annoying, and Dabney Coleman's "Aunt Bee" is little more than an embarrassment to his career. In summary, do not go out of your way to find a copy of "The Applegates". You will be just as disappointed as I was. - MERK

I couldn't disagree more with the other comment posted for this (unavailable..any body know of a release date for a DVD?) clever adult satire on the American dream and the life that accompanies it. Cockroaches are seen as one of the dirtiest bugs around, and what better metaphor exists than for them to be literally lurking right under the skin of a family that is awarded the 'Family of the Year Award'? The irony here is that slowly, the Applegates -the cockroaches we view as so beneath us- become corrupted by the vices of OUR urban culture: sex, drugs, greed, and selfishness, rather than the urban culture being infected by them. Yes, this film makes it's point lewdly, however, there is a gleeful self mocking absurdity that had me, even at 10 years old when I saw this movie, in stitches. If you are fortunate enough to encounter a copy of this film, I highly suggest you check it out. That is, if you can understand and appreciate clever satire.

This was a well put together movie. The bugs actually felt human. They acted as well as could be expected for a bug in human disguise.I wonder how hard it was to relate to a bug, as a human being... I loved the whole movie. And the moral at the end.!!!

This film is a vile bag of crap that is an insult to Thomas Edison. They had a good concept going at first, the unnecessary had to flush story down the toilet and replace it with unecessary rape, very cruel looks at life and dramatic problems with families that are considered funny. The whole family are terrible beings. One of them is raped, one's cheating on his wife, one's on drugs and one robs Quick-e-marts. Complete garbage. An insult to the film industry. Minus 200 stars.

I highly recommend this film to all. For some unexplainable reason I'd call this film a mixture of Tim Burton and John Waters (although neither of them have any association with it) For instance, if you are a fan of Beetlejuice & Mars Attacks (Burton) or Cry-Baby & Serial Mom (Waters) this film is definitely up your alley. This film has the subtle strangeness of Burton and the sick humor of Waters. That's all I can really say. The movie is hilarious (as are the 4 films mentioned above) in its own twisted little way.

MEET THE APPLEGATES is a comedy horror movie and I guess on that level it works very well as a bunch of giant praying mantis disguise themselves as an all American family and live in middle America while planning to sabotage a nuclear power plant in order to save their jungle environment

So far so good as far as the premise goes but you quickly find yourself asking the question as to what the film is trying to say . Is it an anti racist parable or a satire on present day dysfunctional American family life ? Surely if the movie has a green conscience it should appeal to children but within 20 minutes we've already seen an attempted rape while more and more bad language and adult situations like adultery and drug taking are introduced into the story and long before the movie ends you notice that there's a very uneven feel between scenes which makes for a very strange movie

Okay I'll be generous and take it as entertainment in which case MEET THE APPLEGATES just about succeeds if that's what it's intended as . I wasn't exactly falling out of my chair but there are some amusing moments while the climax featuring a couple of giant bugs in a fist fight did bring a perplexed smile to my face

New World Picturs must have really dug Heathers (1988) as director Michael Lehmann had this in production before that even hit theaters. It tells the story of a group of giant bugs that move from the Amazon rainforest to the USA suburbs and pretend to be humans in order to destroy a nuclear power plant. The parents (Ed Begley Jr. And Stockard Channing) want to project normalcy on their mission, but are stuck with only 1950s stereotypes as reference. Soon their kids (Camille Cooper and Bobby Jacoby) are succumbing to evil American ways and the parents aren't far behind.

This has to be the oddest film in New World catalog post-Corman sale in 1983. Lehmann obviously must have been a big fan of Beetlejuice (1988) as this is totally trying to copy that Tim Burton style here. It must have worked in some regard as after this Burton teamed up with this film's producer, Denise Di Novi, for the next decade. This is actually pretty fun once it gets going as each family member has to hide their foul ups by cocooning people. Kevin Yagher's team provides some impressive big bug FX, but the filmmakers goof in the action climax as all the bugs look the same so you can't tell who is who as they fight the bad bug (played by Dabney Coleman in human form). The fact New World funneled money from successes like Hellraiser (1987) into something like this won't leave you shocked to learn the company was in financial trouble by the time this was wrapping up and delayed the release for several years.

"The Applegates" can easily be considered a cult classic for three obvious reasons; a strong cast, a powerful story, and moments that will remain in the chambers of your brain. To begin, the cast is amazing. Director Michael Lehmann,, who also directed a personal favorite film called "Heathers", knows how to make a socially viable comedy that doesn't feel dated or tired. Watch "Heathers" again after watching "Fight Club", and you will see the possible similarities between two films made two decades apart. He made this film using strong actors that typically would never be paired together at all. Who would have imaged I would be sitting here, typing on the computer, indicating to you that I deeply enjoyed a film starring Ed Begley Jr. and Stockard Channing – or even the fact that Dabney Coleman was mixed in there as well?!? This is a first for me. "The Applegates" worked because the cast wasn't fighting from within. They were working together to create comedy (yet again another concept that seems to escape modern cinematic farces), they played off of each other, building their small character into something believable and witty for the greater good – the movie! It was impressive to watch them implode together, but it was equally as fun to see them outside of their element on their own. Begley was dry and perfect for his role as the master-in-command bug, while Channing went through this amazing transformation from modest housewife to spending madman. The same can be said for the two children, which go from bright and sunny to dark and sadistic midway through the film. The human elements that invade these bugs' lives are over-developed for this film, but they work impressively well. These Applegates, as well as the actors that portray them, prove to humans that even if they come to us, we will still destroy their sense of what is right or wrong.

"The Applegates" used a powerful technique for keeping this film easy on the eyes. It used the K.I.S.S. method that I believe helps comedies reach a higher level of repeated viewings. The "Keep It Simple Stupid" was applied to this film by merely saying that these bugs were going to nuke a small town in the United States. There wasn't a fear of technology, over-analyzing, or future consequences – and with a film like this, we didn't need it. I wanted to laugh, bring in thoughts of what is destroying our world, and see a film that was fresh and genuine; and I was able to see it with "The Applegates". The story was superb. It was funny and poignant all at the same time. The cast, which I have already applauded, makes this story come to life and seem more emotional than your typical big-budget cast with over-hyped budget. This was a simple story, and due to the simplicity of the tale, my attention was focused and this film was enjoyed. Where else could you not question Dabney Coleman dressed as "Aunt Bea"?

Finally, the message that Lehmann was trying to release was clear. There are problems in the United States whether we would want to blame them on outside influences or not, we have issues with underage pregnancies, drug use, over-spending, and adultery (perhaps every country does – but we seem to engulf it further). This film exploits them on a group of bugs that gain our sympathies and force us to root for them when they are down. Comedy is the tool used to show us our flaws, but our laughter is not "HA HA HA", but more of a "ha" as we consider our own lives within these bugs. Metaphors abound, we feel sad for these Applegates as they begin to falter in their mission because we are causing the failure. Our obese lifestyles are killing these bugs, and Lehmann isn't afraid to show us that to our face.

Overall, I thought "The Applegates" was yet another strong film released by Michael Lehmann. It was sharp, witty, intelligent, and hysterical as this group of bugs learns what it is like to truly be human. It is a sad story of our human lives, wondering if others would ever watch this film and see us in such a light, one can only wonder. It is a passionate story, with a cast that will truly surprise you and make you question your own choices in life. While it was released during a time where there was heightened fear of the destruction of the Amazon forests, while we battle today with the issue of Global Warming – the two seem to pair well – like a glass of white wine with a chicken salad. "The Applegates" remains a poignant film, and I hope that it will one day see the light of DVD. It needs to be seen by more, as we laugh, these issues need to be addressed. HA. Dabney Coleman dressed as "Aunt Bea". HA! I can't seem to get that out of my mind!

Grade: ***** out of *****

This environmentally-themed black comedy seems newly relevant due to the accelerated deforestation in the Amazon as well what has been described as a nuclear renaissance. A lot of "Meet the Applegates" (alternately called "The Applegates") is just straightforward comedy, with the insect family trying to behave like a "typical American family" in the suburbs. By extension it shows that the "all-American lifestyle" is a facade, as the family members succumb to addictions. Ed Begley Jr, Stockard Channing, Dabney Coleman and Glenn Shadix (Otho in "Beetlejuice") make the most of their roles. No, it's not the funniest movie ever, but it's got some funny stuff mixed in with the ecological message.

I would give this film a 7.0.

This is the kind of film you watch with a big bowl of popcorn.

Stockard Channing is always great and the role of Sally Applegate is played extremely well.

This film should be required viewing for Ed Bundy.

I love the surreal and outrageous humour.

We all seem to be afraid of being invaded by aliens but I do believe that not many of us considered cockroaches even though they may among the few species that survive.

Before I start this review can I just ask why this film opens with a shot of an Emperor scorpion? A West African arachnid in a brazilian rainforest? Righto.

Now that's out the way, on with the review. Though this film has a very strong moral (people who think insects are disgusting and live disgusting lives should first take a look at the human race) the whole thing is marred by the fact that it can't seem to decide whether it's a comedy or a more serious ecologically-themed drama. The insect family trying to fit into human society and coming to terms with it could have been hilarious, but the film is too mean-spirited and bleak to be funny (the family daughter is date-raped, the father commits adultery with his secretary, the son takes drugs, the dog is poisoned by the same drugs and ends up reverting back to an insect before being crushed to death). It's also too cosily bland and light-hearted to be regarded as having anything serious to say about ecology.