Silhouette (TV Movie 1990) Poster

(1990 TV Movie)

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6/10
Two Sihouettes on the Shade
sol-kay15 November 2006
Warning: Spoilers
(There are Spoilers) On her way home to Albequerque NM architect Samantha "Sam" Kimball, Faye Dunaway, is side swiped by a tractor-trailer and has her front windshield smashed. Stopping off at the nearest town, Hazleton Texas, to get the car windshield fixed Sam is told by the car mechanic Gene, Ritch Brinkley, that it would take at least a day to get the part and decides to stay at the local hotel overnight. It's then when Sam's real troubles start and they have nothing to do with her damaged car.

Looking out the window at night Sam sees and hears a fight across the street in the building next to her hotel room. The woman involved in the altercation Marianna Herrera, Talisa Soto,a barmaid at the saloon that Sam had a few drinks at earlier that evening is knocked down to the floor and savagely stabbed to death. the killer a man only seen in shadow looks outside and sees Sam looking straight at him.

The movie "Sihouette" has Sam stalked by the killer even though at first the towns sheriff Kayle Lauder, David Rasche, and his deputy Pete Shroeder, Jon Terry, think that both the dead Marianna and her killer are just a figment of Sam's imagination. It's not until Marianna's body is discovered by Gene and his assistant Ben Styles, Ron Campball, murdered and stuffed in a 50 gallon drum that Sam is taken seriously. You always see the killer in shadows and he seems to be oblivious to him being caught or discovered. This makes you feel that he's either well-connected or insane or both. The killer stalks and at one point almost kills Sam but also goes as far as inciting the murdered Marianna's hot-headed but not too logical older brother Eddie, Carlos Gomez, and his friends on the poor and innocent Sam. He does this by calling Eddie on the phone telling him that his sisters killer was caught and is now in the local jail-house; Sam was put in the jail by Sheriff Lauder for her own protection not because she was a suspect in Marianna's murder as Eddie was made to believe.

Sam getting in touch with her daughter Sandra, Kiersten Warren, in Albuquerque to come to Hazelton and take her home later has the killer get to Sandra before she can get to her mother. After kidnapping her he sends Sam a message, with a lock of Sandra's hair, to come to this place in Whitewater, Ben Styles house, if she ever want's to see her daughter Sadra alive again.

The ending has Sam tricked by who she thinks is Ben, who's about the creepiest and most guilty looking person in the movie, but is obviously someone else to come and get Sandra. Which turns out to be a trap to get her and shut her up for good by Marianna's real killer feeling that she's the only person who can identify him. Double-surprise ending has the killer reveal himself only to get it from behind and then like a zombie, coming back from the dead, come back for more. The second time around he isn't so lucky with the meek non-violent and gun fearing Sam getting enough courage to pull the trigger, on her 12 gage shotgun, blasting him away and straight out of existence.
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5/10
There's no shadowing around Faye's performance. She's brilliant.
mark.waltz19 December 2018
Warning: Spoilers
Heading through the country back to her life in Albuquerque, the beautiful Faye Dunaway encounters hostility in a small town and ends up a witness to Murder. She's a sophisticated architect heading back home to see her daughter when an accident on the freeway (or was it an accident?) leaves her car with a shattered windshield. Checking into the only lodge in town, she becomes a victim of small-town prejudice where, assumed to be an uppity snob, she is told off by a local barmaid whom she later witnesses being brutally murdered. Certain that one of the men who works at the local mechanics is the killer from what she saw, she reports him to the Sheriff's and finds herself in more danger than ever before.

The twists and turns of this violent who done it may become predictable as some viewers are able to guess what actually happened, but nobody will be able to take their eyes off the still luscious looking Faye who has much more strength that she didn't even know she had herself as she faces each obstacle she has to go through. It is obvious to me that this was made for cable television rather than network, because TV movies of the week at this time were not as graphic even though this has some of the same elements as the 1970s Steven Spielberg TV movie "Duel". The details of each incident that Faye has to go through are well-written, but at times, there are cliches that are difficult to swallow. I saw what was happening pretty early on, but that didn't take away my interest from seeing how it all played out. Considering what Faye had gone through in her career in the 1990's, this is better than expected and she comes off very well.

Of the other cast members, they do what is required of them but only Dunaway really put forth the effort to give a fully developed performance. Character actor David Rasche Is the only other name that I recognized, but I really wasn't impressed with the character of Dunaway's daughter who stupidly heads to the middle of nowhere to help out her mother after she's been wisely told not to. There are some very gruesome scenes, especially Faye's flight into the brush of darkness out in the middle of nowhere when the killer comes after her and makes her car explode like no other explosion I've seen a car have in film history. Coming right before "Silence of the Lambs", this had some disturbing elements that would later be utilized in that much more gruesome Oscar-winning Best Picture, making this more than just your average TV thriller.
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3/10
Pedestrian
mls41823 May 2023
Monmie Dearest's got a brand new face for a 1970s TV movie.

Faye Dunaway has the tightest facelift I've ever seen in Hollywood. She sports it earlier in the year in Handmaid's Tale. It is very distracting.

This film is completely predictable. It is basically a rehash of many 1970s small town TV movies with corrupt law enforcement and visitors being trapped in town.

Faye Dumaway was co producer. It is obvious this was a cheap quickie to get her TV exposure and to make some quick bucks.

A sad later career effort by a 1970s icon and Academy Award winner. The film doesn't even have camp value.
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Decent thriller.
Jack the Ripper18881 January 2003
The biggest name in this entire movie has got to be Faye Dunaway, and I do not even know of very many movies that she has been in. The acting is pretty mediocre and the story is typical. The whole thing is very predictable, but I still found SILHOUETTE to be a pretty good movie. When I came on here and found out that this was a TV movie, it just made me think that this movie was even better.

If you are easily scared, then see this, it won't scare you a bit. There are some slow and dull moments of this film that make you want to shut it off, but if you just wait, you will be glad that you did, because in a way, it turns out to be worth it. This movie is for fans of serious thrillers, or people who think that crap TV movies are masterpieces. So, yeah, this movie is really not for everyone.

SILHOUETTE gets 4/5.
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7/10
I see a little silhouetto of a man
myriamlenys5 May 2023
Warning: Spoilers
As a result of a car accident, a woman gets stranded in a little town in the middle of nowhere. While staying in the local motel she happens to witness a quarrel turning lethal...

"Silhouette" is an above-average thriller made for television. The movie, which contains some interesting twists and turns, makes excellent use of the near-universal human fear of losing your way and straying into unfamiliar territory. Faye Dunaway, still a luminous beauty, adds a welcome charm to the lead role. The character she's playing, thankfully, is a fully competent adult, as opposed to the kind of screaming ninny one sees in so many thrillers.

So "Silhouette" is worth your time and attention. However, the various makers of the movie might want to explain, slowly and carefully, how it is possible to stab a victim to death during a violent quarrel without leaving blood all over the surrounding room...
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9/10
Not a bad thriller
guilfisher-129 May 2006
This 1990 made for TV thriller was far above the usual TV presentations. Notably because of the presence of Faye Dunaway in the leading role. She also was co-producer as well. Directed very well by Carl Schenkel, it brings suspense and surprises all through the film. Most of the cast are unknown to me save David Rasche who plays the Sheriff of a small town where a murder is committed. Miss Dunaway sees the silhouette of the murderer. From then on it's a chase as to see who the real murderer is and if Miss Dunaway survives.

Faye Dunaway has always produced interesting performances, some mediocre and some excellent. Who can forget her Joan Crawford role in MOMMIE DEAREST, or BONNIE AND CLYDE, CHINATOWN, NETWORK and my favorite EYES OF LAURA MARS. All excellent performances in an already terrific body of work. And this lady is still going. What a career.

David Rasche too brings a very good performance to focus in this film. I liked the young deputy but he's not given credit as to his character he's playing in IMDb. Anyway wanted to mention his gallant performance and good looks. Maybe someone can tell me his name. Some of this is quite violent so be warned.
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10/10
Great quality writing
TasteeTacos147 November 2005
Warning: Spoilers
I absolutely loved SILHOUETTE. it was above and beyond for television films. Although not one of your scariest films of the time, I thought it did an awesome job at taking my breath away. The write of this film (Jay Wolf) happens to be my father, and although i believe this is a great film, he has written many other films that are better than this. To those who have not seen it, i highly suggest that you at least see it once-not just because he is my father, but because the quality of the writing is something you don't see in every film. I think that my father and uncle did a fabulous job at creating a thriller that gets you just enough to make you want to see it again. <3
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Ummmm...not sure about this film
DoyleLuver11 June 2001
I wasn't actually paying much attention to this film as the beginning, when she witnesses the murder, bored me a bit. The only part I had been waiting for was Glenn Quinn's role as Darren, the sheriff's son, and his scene was very short. I thought this film was actually quite boring and I got easily confused with it, but because of my love for Glenn Quinn I am ashamed to say I would tape it, or maybe even buy it! But if you're not as obsessive as me :) well then I don't think it's worth sitting all the way through. Basically a woman witnesses a murder from her hotel room, then thinks *everyone* (not literally) did it. And the murderer took sometime to actually die, it got boring, it was like 'BANG, BANG' you think he's dead then he's come back. It's very predictable. But that's my thoughts.
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