Johnny Stecchino

Wonderful roles for Roberto Benigni and Nicoletta Braschi. I am not sure whether they got together before or after this film, but if they co-operate in their marriage as much as they do in this film, they will stay together forever. This movie is so extraordinary well written, although you must understand some of the Italian life and habits. The subtle humor will be mostly appreciated I guess by Italians who have moved abroad. They will recognize the bits and pieces that ridicule the 'ol'country', but they are no longer part of it. In a way. Insurance fraud, coke sniffing, corrupted politicians, bribed judges... The people that are best of are the ones that either don't know or don't want to know.

Still the most successful film financially in the history of the Italian cinema, Roberto Benigni's "Johnny Stecchino" displays the actor's out-of-this-world talents. The movie is a tale of a high-class mobster named Johnny Stecchino (Benigni) who has testified against many crime syndicates to avoid prison time and is now in hiding. Enter the dim-witted Dante (Benigni again) who is discovered by Stecchino's wife (real-life wife Nicoletta Braschi) and is then unwittingly made to look, dress and act just like her criminal husband so Dante will be killed instead. The plan will hopefully allow Stecchino to leave the country with no difficulty. The mistaken identity routine plays amazingly well as Benigni dominates the action as he always seems to do. The supporting cast is good enough to keep the project above water. Benigni continues to be a master performer and cinematic craftsman. 4.5 out of 5 stars.

7/10

I thoroughly recommend this film. Some jokes may go over the head of non-Italian speakers but it shouldn't really ruin your enjoyment of a classic Benigni film. My favourite scene was when "lo zio" (the uncle) was driving Dante back from Palermo train station and explaining the problems of Sicilian life to him - I nearly p*****d myself!

...for see it. first, the lovely use of the legacy of old fashion tradition. the second, the genius of Roberto Benigni. not the last , Nicoletta Braschi. not the less , Palermo. and the predictable parts and the crumbs from Charlot , the romanticism and Italian spices. one of comedies who are more than humor, entertainment or moral lesson. but a trip across yourself. because the gift of Benigni is to tell, in smart manner, not a story but the story about his public. this film is a good example.

I think I learned Italian from this movie, I watched it so many times.

I've simply never loved a movie as so cute and funny as this, its well worth tracking it down, Its still pretty available if you know the right places to look.

Roberto and Nicoletta are perfect together on and off screen, truly a mating of Eagles as the Romans would say.

take the perfect vaudeville act, Where you have some idiot who is just a heart of Gold, mix in a scheming Mafia donna, take a bunch of Italians in good suits add a little illegal narcotics done by politicans.

Steal a banana or two, and then change places with a murderous Cut throat assasino. What do you get? Superb cinema.