A high-school girl named Makoto acquires the power to travel back in time, and decides to use it for her own personal benefits. Little does she know that she is affecting the lives of others just as much as she is her own.
Told in three interconnected segments, we follow a young man named Takaki through his life as cruel winters, cold technology, and finally, adult obligations and responsibility converge to test the delicate petals of love.
On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
It was part of the movement of progressive anime films that explored subjects traditional thought to be beyond the scope of animated films. It was unique in that it was realistic drama written to appeal to adult women. It was wildly successful in attracting a large adult audience of both genders. See more »
The king of fruit is... the king of fruit is...
[the scene flashes from 1966 to 1989]
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This movie has all of the grace and beauty of Grave of the Fireflies, without the oppresive depression. Takahata has such an eye for detail and subtlety; the characters' observations about life and coming to terms with who you were and are when combined with the beauty of the animation and scenery are poetic and elgiec.
What could be a trite romantic tale instead blossoms into art due to the hyper-realism of Takahata's story-telling.
This movie requires some work to understand, but the effort is rewarded generously. Even though its been just a few minutes since I finished watching it, I can already tell that the images and characters will be playing in my head for a very long time.
This move is an absolute gem -- see it if at all possible!
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